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I followed, more familiar with my route this time and too pumped with excitement to show the greater care I knew was necessary tonight, when there would be many besides myself to watch, to listen.

But I was alone on the roof, and the others, so certain of what they knew and expected, paid no attention to the part of the world which lay beyond their immediate interest.

Sergeant Grant sauntered as he left the vehicle where he was supposed to stay on guard. As he neared the staircase to the guest suites, his stride lengthened and his pace picked up. There was nothing of nervousness in his manner; only the anticipation of a man focused on sex to the extinction of all other considerations.

I was afraid that Wolfitz would spring his trap before I was close enough to follow what occurred. A more reasonable fear would have been that I would stumble into the middle of the event.

Neither danger came about. I reached the gutter over the guest corridor and waited, breathing through my mouth alone so that I wouldn't make any noise.

The blood that pounded through my ears deafened me for a moment, but there was nothing to fear. Voices murmured, Sarah and Sergeant Grant, and the door that had waited ajar for the tank lord clicked to shut the suite.

Four of the Baron's soldiers mounted the outside steps, as quietly as their boots permitted. There were faint sounds, clothing and one muted clink of metal, from the corridor on the Baron's side of the door.

All day I'd been telling myself that there was no safe way I could climb down and watch the events through a window. I climbed down, finding enough purchase for my fingers and toes where weathering had rounded the corners of stone blocks. Getting back to the roof would be more difficult, unless I risked gripping an out-swung casement for support.

Unless I dropped, bullet-riddled, to the ground.

I rested a toe on a window ledge and peeked around the stone toward the door of the suite the lovers had used on their first assignation. I could see nothing—

Until the corridor blazed with silent light.

Sarah's face was white, dazzling with direct reflection of the high-intensity floods at either end of the hallway. Her mouth opened and froze, a statue of a scream but without the sound that fear or self-preservation choked in her throat.

Feet, softly but many of them, shuffled over the stone flags toward the Chief Maid. Her head jerked from one side to the other, but her body did not move. The illumination was pinning her to the door where she kept watch.

The lights spilled through the corridor windows, but their effect was surprisingly slight in the open air: highlights on the parked tanks; a faint wash of outline, not color, over the stones of the wall and gatehouse; and a distorted shadow play on the ground itself, men and weapons twisting as they advanced toward the trapped maid from both sides.

There was no sign of interest from the gatehouse. Even if the tank lords were awake to notice the lights, what happened at night in the palace was no affair of theirs.

Three of perhaps a dozen of the Baron's soldiers stepped within my angle of vision. Two carried rifles; the third was Murphy with a chip recorder, the spidery wands of its audio and video pickups retracted because of the press of men standing nearby.

Sarah swallowed. She closed her mouth, but her eyes stared toward the infinite distance beyond this world. The gold signet she clutched was a drop from the sun's heart in the floodlights.

The Baron stepped close to the woman. He took the ring with his left hand, looked at it, and passed it to the stooped, stone-faced figure of the Chamberlain.

"Move her out of the way," said the Baron in a husky whisper.

One of the soldiers stuck the muzzle of his assault rifle under the chin of the Chief Maid, pointing upward. With his other hand, the man gripped Sarah's shoulder and guided her away from the door panel.

Wolfitz looked at his master, nodded, and set a magnetic key on the lock. Then he too stepped clear.

The Baron stood at the door with his back to me. He wore body armor, but he can't have thought it would protect him against the Slammer's powergun. Murphy was at the Baron's side, the recorder's central light glaring back from the door panel, and another soldier poised with his hand on the latch.

The Baron slammed the door inward with his foot. I do not think I have ever seen a man move as fast as Sergeant Grant did then.

The door opened on a servants' alcove, not the guest rooms themselves, but the furnishings there were sufficient to the lovers' need. Lady Miriam had lifted her skirts. She was standing, leaning slightly backwards, with her buttocks braced against the bed frame. She screamed, her eyes blank reflections of the sudden light.

Sergeant-Commander Grant still wore his helmet. He had slung his belt and holstered pistol over the bedpost when he unsealed the lower flap of his uniform coveralls, but he was turning with the pistol in his hand before the Baron got off the first round with his mob gun.

Aerofoils, spread from the flaring muzzle by asymmetric thrust, spattered the lovers and a two-meter circle on the wall beyond them.

The tank lord's chest was in bloody tatters and there was a brain-deep gash between his eyebrows, but his body and the powergun followed through with the motion reflex had begun.

The Baron's weapon clunked twice more. Lady Miriam flopped over the footboard and lay thrashing on the bare springs, spurting blood from narrow wounds that her clothing did not cover. Individual projectiles from the mob gun had little stopping power, but they bled out a victim's life like so many knife blades.

When the Baron shot the third time, his gun was within a meter of what had been the tank lord's face. Sergeant Grant's body staggered backward and fell, the powergun unfired but still gripped in the mercenary's right hand.

"Call the Lightning Division," said the Baron harshly as he turned. His face, except where it was freckled by fresh blood, was as pale as I had ever seen it. "It's time."

Wolfitz lifted a communicator, short range but keyed to the main transmitter, and spoke briefly. There was no need for communications security now. The man who should have intercepted and evaluated the short message was dead in a smear of his own wastes and bodily fluids.

The smell of the mob gun's propellant clung chokingly to the back of my throat, among the more familiar slaughterhouse odors. Lady Miriam's breath whistled, and the bedsprings squeaked beneath her uncontrolled motions.

"Shut that off," said the Baron to Murphy. The recorder's pool of light shrank into shadow within the alcove.

The Baron turned and fired once more, into the tank lord's groin.

"Make sure the others don't leave the gatehouse till Ganz's mercenaries are here to deal with them," said the Baron negligently. He looked at the gun in his hand. Strong lights turned the heat and propellant residues rising from its barrel into shadows on the wall beyond.

"Marksmen are ready, My Lord," said the Chamberlain.

The Baron skittered his mob gun down the hall. He strode toward the rooms of his own apartment.

It must have been easier to climb back to the roof than I had feared. I have no memory of it, of the stress on fingertips and toes or the pain in my muscles as they lifted the body which they had supported for what seemed (after the fact) to have been hours. Minutes only, of course; but instead of serial memory of what had happened, my brain was filled with too many frozen pictures of details for all of them to fit within the real timeframe.

The plan that I had made for this moment lay so deep that I executed it by reflex, though my brain roiled.

Executed it by instinct, perhaps; the instinct of flight, the instinct to power.

In the corridor, Wolfitz and Murphy were arguing in low voices about what should be done about the mess.

Soldiers had taken up positions in the windowed corridor flanking the banquet hall. More of the Baron's men, released from trapping Lady Miriam and her lover, were joining their fellows with words too soft for me to understand. I crossed the steeply pitched roof on the higher catwalk, for speed and from fear that the men at the windows might hear me.