‘Where is he?’
‘In the hall, the outer hall. I didn’t want him to come any nearer, because I think he’s the same young man as came in yesterday, when you lost your clock.’
Nerina got up and went through another room into the hall.
There was a young man, who looked so like the other members of the group of youths who had (so to speak) dogged her footsteps yesterday, that she couldn’t tell whether he was one of them or not.
‘What do you want?’ she asked him, rather curtly.
‘It’s like this, madam,’ he said, and produced from his pocket her little silver clock. ‘I found this on the drive leading to your house, and as it has your name on it, and your birthday,’ he added, giving it another look, ‘I thought you might value it, so I brought it back.’
She took the clock from his outstretched palm, which remained outstretched, as though for a reward; and slightly shook her head.
‘I’m glad you brought it back,’ she said. ‘It makes things better for everyone, doesn’t it?’
He didn’t answer, and at once took his leave.
FALL IN AT THE DOUBLE
Philip Osgood had bought his house in the West Country soon after the Second World War, in the year 1946 to be exact. It had the great merit, for him, of being on the river—a usually slow-flowing stream, but deep, and liable to sudden sensational rises in height, eight feet in as many hours, which flooded the garden but could not reach the house. The house was fairly large, mainly Regency, with earlier and later additions; it had encountered the floods of many years without being washed away; so when he saw the water invading the garden, submerging the garden wall and even overflowing the lawn (on which swans sometimes floated), he didn’t feel unduly worried, for the house stood on a hillock which was outside flood-range.
Philip had always liked the house, chiefly because of its situation, its long view over the meadows, and because it had, in one corner of the garden, a boat-house, and rowing was his favourite pastime. He sometimes asked his visitors, who were not many (for who can entertain guests nowadays?) to go out with him in the boat, a cockly affair, known technically as a ‘sculling gig’, with a sliding seat. It could take one passenger, but this passenger had to sit absolutely still—not a foot this way or that, hardly a headshake—or the boat would tip over.
Moreover, besides its natural instability, it took in water at an alarming rate, so that the passenger—he or she—found himself ankle-deep in water, though doing his best to look as if he were enjoying it. The landscape through which the river ambled, or flowed, or hastened, was perfectly beautiful, and this was Philip’s excuse (besides mere selfishness) for beguiling his friends into the boat.
The day came when this treacherous vessel (happily with no other occupant in it) overturned, and Philip found himself in the water. Being a practised, though not a good swimmer, he was not unduly disturbed. Although it was March and the water was cold—and he was wearing his leather jacket and the rest of his polar outfit—he thought: ‘I will get hold of the boat and tow it back to the boat-house.’
Alas, he had reckoned without the current, swollen by recent rains, and he found that far from his towing the boat back to the boat-house, it was towing him down-river to the weir, where who knew what might not happen?
He at once relinquished the boat to its fate and after a struggle—for he was too old for this sort of thing—he reached the boat-house, the only possible landing-place, for everywhere else the banks were too high and steep, and he went dripping up to his bedroom.
It so happened that this very day he had engaged a new factotum, who was to cook and drive for him. His job with Philip was his first job of this kind—he had had others—and it was his first night in Philip’s house. His room faced Philip’s, an arrangement Philip was glad of, for being an elderly hypochondriac, he liked to have someone within call.
Nothing came of the river-episode—no pneumonia, no bronchitis—not at least for the moment—but who could tell? And suddenly he wondered if the house, which had seemed so welcoming and friendly over twenty years, had something against him?
The next morning, when the new factotum called him at eight o’clock with a pot of tea, he asked, just as a routine inquiry.
‘How did you sleep last night, Alfred?’
‘Oh,’ said Alfred who, like so many gentlemen’s gentlemen, when they still exist, had been in the Services, ‘I didn’t sleep a wink, sir.’ He sounded quite cheerful.
Philip, who himself suffered from insomnia, was distressed.
‘I hope your bed was comfortable?’
‘Oh yes, sir, couldn’t have been more comfortable.’
‘I’m glad of that. But perhaps you are one of the people—I am one myself—who don’t sleep well in a strange bed?’
‘Oh no, sir, I sleep like a log. I could sleep anywhere, on a clothes-line with a marlin-spike for a pillow.’
Philip didn’t know what a marlin-spike was, but as an aid to rest it didn’t sound very helpful.
‘I’m so sorry,’ he said, baffled. ‘Then what was it that kept you awake?’
‘It was the noises, sir.’
Philip sat up in bed and automatically began to listen for noises but there were none. One side of the house faced the main road where there was plenty of noise by day, and some by night; the other side, on which his bedroom lay, overlooked the long broad meadow, skirted, at no great distance, by the main railway line from London. Philip, in his sleepless hours, was used to the passing of nocturnal trains: indeed they soothed him rather than otherwise. There was the one-fifty, the two-twenty, and the three-forty-five; he didn’t resent them, he rather welcomed them, as establishing his identity with the outside world.
Alfred was standing by his bed, tea-pot in hand.
‘Shall I pour out for you, sir?’
‘Yes, please, Alfred. But what did you mean by noises?’
Alfred began to pour the tea into his cup.
‘Oh, just noises, sir, just noises.’
Alfred (Alf to his friends) handed Philip his bed-jacket.
‘But what sort of noises?’
‘Oh, I couldn’t quite describe, sir. First there was a pattering of feet on the staircase, really quite loud, and then I heard a voice say, like a sergeant-major’s—very autocratic, if you know what I mean—“Fall in at the double, fall in at the double, fall in at the double.”
‘And what happened then?’
‘Nothing much happened. The footsteps stopped, and a sort of smell—a weedy sort of smell—came into the room. I didn’t pay much attention to it, and then I went to sleep.’
Thinking this over, Philip was puzzled. Could Alfred, or Alf, have possibly known that the house had been occupied by the Army during the war—the Second World War? There were people who could have told him—the gardener and his wife who lived upstairs could have told him, supposing they knew; but would they have had time to tell him, in the few short hours since his arrival?
But there it was—the tramping of footsteps down the uncarpeted staircase (for it would have been uncarpeted during the Army’s occupation), the thrice-repeated command, ‘Fall in at the double’—what did it mean?
And then this weedy smell ?
Philip couldn’t sleep the next night, and expected to be told that Alfred couldn’t sleep either; but when Alfred called him with a bright morning face, and Philip asked him if he had had a good night or a better night, he answered promptly, and as if surprised: ‘Oh yes, sir, I slept like a log.’
Philip was glad to hear this, but something—a suggestion, a muttering from his subconscious mind—still irked him. He knew that certain people—people in the village and outside—had certain reservations about his house. What they were he didn’t know, and naturally, they didn’t tell him; only a faint accent of doubt—as if referring to some rather shady acquaintance—coloured their voices when they spoke of it. But when he asked a friend of his who owned a much larger and grander house, if he thought his riverside abode might be haunted, his friend replied, ‘Oh Philip, but is it old enough?’