But Lucchesi believed there were far too many problems confronting the Church for a papacy to be wasted, even the papacy of an unwilling pope. The Church he inherited from the Pole was a Church in crisis. In Western Europe, the epicenter of Catholicism, the situation had grown so dire that a recent synod of bishops declared that Europeans were living as though God did not exist. Fewer babies were being baptized; fewer couples were choosing to be married in the Church; vocations had plummeted to a point where nearly half the parishes in Western Europe would soon have no full-time priest. Lucchesi had to look no further than his own diocese to see the problems the Church faced. Seventy percent of Rome's two and a half million Catholics believed in divorce, birth control, and premarital sex--all officially forbidden by the Church. Fewer than ten percent bothered to attend mass on a regular basis. In France, the so-called "First Daughter" of the Church, the statistics were even worse. In North America, most Catholics didn't even bother to read his encyclicals before flouting them, and only a third attended Mass. Seventy percent of Catholics lived in the Third World, yet most of them rarely saw a priest. In Brazil alone, six hundred thousand people left the Church each year to become evangelical Protestants.
Lucchesi wanted to stem the bleeding before it was too late. He longed to make his beloved Church more relevant in the lives of its adherents, to make his flock Catholic in more than name only. But there was something else that had preoccupied him, a single question that had run ceaselessly around his head since the moment the conclave elected him pope. Why? Why had the Holy Spirit chosen him to lead the Church? What special gift, what sliver of knowledge, did he possess that made him the right pontiff for this moment in history? Lucchesi believed he knew the answer, and he had set in motion a perilous stratagem that would shake the Roman Catholic Church to its foundations. If his gambit proved successful, it would revolutionize the Church. If it failed, it might very well destroy it.
THE SUN SLIPPED behind a bank of cloud, and a breath of cold March wind stirred the pine trees of the gardens. The Pope pulled his cloak tightly around his throat. He drifted past the Ethiopian College, then turned onto a narrow footpath that took him toward the dun-colored wall at the southwest corner of Vatican City. Stopping at the foot of the Vatican Radio tower, he mounted a flight of stone steps and climbed up to the parapet.
Rome lay before him, stirring in the flat overcast light. His gaze was drawn across the Tiber, toward the soaring synagogue in the heart of the old ghetto. In 1555, Pope Paul IV, a Pope whose name Lucchesi bore, ordered the Jews of Rome into the ghetto and compelled them to wear a yellow star to make them distinguishable from Christians. It was the intention of those who commissioned the synagogue to build it tall enough so that it could be seen from the Vatican. The message was unmistakably clear. We are here too. Indeed, we were here long before you. For Pietro Lucchesi, the synagogue spoke of something else. A treacherous past. A shameful secret. It spoke directly to him, whispering into his ear. It would give him no peace.
The Pope heard footfalls on the garden pathway, sharp and rhythmic, like an expert carpenter driving nails. He turned and saw a man marching toward the wall. Tall and lean, black hair, black clerical suit, a vertical line drawn with India ink. Father Luigi Donati: the Pope's private secretary. Donati had been at Lucchesi's side for twenty years. In Venice they had called him il doge because of his willingness to wield power ruthlessly and to go straight for the throat when it served his purposes or the needs of his master. The nickname had followed him to the Vatican. Donati did not mind. He followed the tenets of a secular Italian philosopher named Machiavelli, who counseled that it is better for a prince to be feared than loved. Every pope needed a son of a bitch, according to Donati; a hard man in black who was willing to take on the Curia with a whip and a chair and bend it to his will. It was a role he played with poorly disguised glee.
As Donati drew closer to the parapet, the Pope could see by the grim set of his jaw that something was wrong. He turned his gaze toward the river once more and waited. A moment later he could feel the reassuring presence of Donati at his side. As usual, il doge wasted no time on pleasantries or small talk. He leaned close to the Pope's ear and quietly informed him that earlier that morning Professor Benjamin Stern had been discovered murdered in his apartment in Munich. The Pope closed his eyes and lowered his chin to his chest, then reached out and held Father Donati's hand tightly. "How?" he asked. "How did they kill him?"
When Father Donati told him, the Pope swayed and leaned against the priest's arm for support. "Almighty God in Heaven, please grant us forgiveness for what we have done." Then he looked into the eyes of his trusted secretary. Father Donati's gaze was calm and intelligent and very determined. It gave the Pope the courage to go forward.
"I'm afraid we've terribly underestimated our enemies, Luigi. They are more formidable than we thought, and their wickedness knows no bounds. They will stop at nothing to protect their dirty secrets."
"Indeed, Holiness," Donati said gravely. "In fact, we must now operate under the assumption that they might even be willing to murder a pope."
Murder a pope? It was difficult for Pietro Lucchesi to imagine such a thing, but he knew his trusted secretary was not guilty of exaggeration. The Church was riddled with a cancer. It had been allowed to fester during the long reign of the Pole. Now it had metastasized and was threatening the life of the very organism in which it lived. It needed to be removed. Aggressive measures were required if the patient was to be saved.
The Pope looked away from Donati, toward the dome of the synagogue rising over the riverbank. "I'm afraid there's no one who can do this deed but me."
Father Donati placed his hand on the Pope's forearm and squeezed. "Only you can compose the words, Holiness. Leave the rest in my hands."
Donati turned and walked away, leaving the Pope alone at the parapet. He listened to the sound of his hard man in black pounding along the footpath toward the palace: crack-crack-crack-crack... To Pietro Lucchesi, it sounded like nails in a coffin.
VENICE
The night rains had flooded the Campo San Zaccaria. The restorer stood on the steps of the church like a castaway. In the center of the square, an old priest appeared out of the mist, lifting the skirts of his simple black cassock to reveal a pair of knee-length rubber boots. "It's like the Sea of Galilee this morning, Mario," he said, digging a heavy ring of keys from his pocket. "If only Christ had bestowed on us the ability to walk on water. Winters in Venice would be much more tolerable."
The heavy wooden door opened with a deep groan. The nave was still in darkness. The priest switched on the lights and headed out into the flooded square once more, pausing briefly in the sanctuary to dip his fingers in holy water and make the sign of the cross.
The scaffolding was covered by a shroud. The restorer climbed up to his platform and switched on a fluorescent lamp. The Virgin glowed at him seductively. For much of that winter he had been engaged in a single-minded quest to repair her face. Some nights she came to him in his sleep, stealing into his bedroom, her cheeks in tatters, begging him to heal her.
He turned on a portable electric heater to burn the chill from the air and poured a cup of black coffee from the Thermos bottle, enough to make him alert but not to make his hand shake. Then he prepared his palette, mixing dry pigment in a tiny puddle of medium. When finally he was ready, he lowered his magnifying visor and began to work.
For nearly an hour he had the church to himself. Slowly, the rest of the team trickled in one by one. The restorer, hidden behind his shroud, knew each by sound. The lumbering plod of Francesco Tiepolo, chief of the San Zaccaria project; the crisp tap-tap-tap of Adriana Zinetti, renowned cleaner of altars and seducer of men; the conspiratorial shuffle of the ham-fisted Antonio Politi, spreader of malicious lies and gossip.