Neal Stephenson
The Confusion
THERE ARE MANY PEOPLE TO BE THANKED for their help in the creation of the Baroque Cycle of which this book, The Confusion, is the second volume. Accordingly, please see the acknowledgments in Quicksilver, Volume One of the Baroque Cycle.
THIS VOLUME CONTAINS two novels, Bonanza and Juncto, that take place concurrently during the span 1689–1702. Rather than present one, then the other (which would force the reader to jump back to 1689 in mid-volume), I have interleaved sections of one with sections of the other so that the two stories move forward in synchrony. It is hoped that being thus con-fused shall render them the less confusing to the Reader.
When at the first I took my pen in hand,
Thus for to write, I did not understand
That I at all should make a little book
In such a mode; nay, I had undertook
To make another, which when almost done,
Before I was aware, I this begun.
—JOHN BUNYAN,The Pilgrim's Progress, THE AUTHOR'S APOLOGY FOR HIS BOOK
So great is the dignity and excellency of humane nature, and so active those sparks of heavenly fire it partakes of, that they ought to be look'd upon as very mean, and unworthy the name of men, who thro' pusillanimity, by them call'd prudence, or thro' sloth, which they stile moderation, or else through avarice, to which they give the name of frugality, at any rate withdraw themselves from performing great and noble actions.
—GIOVANNI FRANCESCO GEMELLI CARERI, A Voyage Round the World
OCTOBER 1689
HE WAS NOT MERELY AWAKENED, but detonated out of an uncommonly long and repetitive dream. He could not remember any of the details of the dream now that it was over. But he had the idea that it had entailed much rowing and scraping, and little else; so he did not object to being roused. Even if he had been of a mind to object, he'd have had the good sense to hold his tongue, and keep his annoyance well-hid beneath a simpering merry-Vagabond façade. Because what was doing the waking, today, was the most tremendous damned noise he'd ever heard—it was some godlike Force not to be yelled at or complained to, at least not right away.
Cannons were being fired. Never so many, and rarely so large, cannons. Whole batteries of siege-guns and coastal artillery discharging en masse, ranks of 'em ripple-firing along wall-tops. He rolled out from beneath the barnacle-covered hull of a beached ship, where he had apparently been taking an afternoon nap, and found himself pinned to the sand by a downblast of bleak sunlight. At this point a wise man, with experience in matters military, would have belly-crawled to some suitable enfilade. But the beach all round him was planted with hairy ankles and sandaled feet; he was the only one prone or supine.
Lying on his back, he squinted up through the damp, sand-caked hem of a man's garment: a loose robe of open-weave material that laved the wearer's body in a gold glow, so that he could look directly up into the blind eye of the man's penis—which had been curiously modified. Inevitably, he lost this particular stare-down. He rolled back the other way, performing one and a half uphill revolutions, and clambered indignantly to his feet, forgetting about the curve of the hull and therefore barking his scalp on a phalanx of barnacles. Then he screamed as loud as he could, but no one heard him. He didn't even hear himself. He experimented with plugging his ears and screaming, but even then he heard naught but the sound of the cannons.
Time to take stock of matters—to bring the situation in hand. The hull was blocking his view. Other than it, all he could see was a sparkling bay, and a stony break-water. He strode into the sea, watched curiously by the man with the mushroom-headed yard, and, once he was out knee-deep, turned around. What he saw then made it more or less obligatory to fall right on his arse.
This bay was spattered with bony islets, close to shore. Rising from one of them was a squat round fortress that (if he was any judge of matters architectural) had been built at grand expense by Spaniards in desperate fear of their lives. And apparently those fears had been well founded because the top of that fort was all fluttery with green banners bearing silver crescent moons. The fort had three tiers of guns on it (more correctly, the fort was three tiers of guns) and every one of 'em looked, and sounded, like a sixty-pounder, meaning that it flung a cannonball the size of a melon for several miles. This fort was mostly shrouded in powder-smoke, with long bolts of flame jabbing out here and there, giving it the appearance of a thunderstorm that had been rammed and tamped into a barrel.
A white stone breakwater connected this fort to the mainland, which, at first glance, impressed him as a sheer stone wall rising forty or feet from this narrow strip of muddy beach, and crowded with a great many more huge cannons, all being fired just as fast as they could be swabbed out and stuffed with powder.
Beyond the wall rose a white city. Being as he was at the base of a rather high wall, he wouldn't normally expect to be able to see anything on the opposite side thereof, save the odd cathedral-spire poking out above the battlements. But this city appeared to've been laboriously spackled onto the side of a precipitous mountain whose slopes rose directly from the high-tide mark. It looked a bit like a wedge of Paris tilted upwards by some tidy God who wanted to make all the shit finally run out of it. At the apex, where one would look for whatever crowbar or grapple the hypothetical God would've used to accomplish this prodigy, was, instead, another fortress—this one of a queer Moorish design, surrounded with its own eight-sided wall that was, inevitably, a-bristle with even more colossal cannons, as well as mortars for heaving bombs out to sea. All of those were being fired, too—as were all of the guns spraying from the several additional fortresses, bastions, and gun-platforms distributed around the city's walls.
During rare intervals between the crushing thuds of the sixty-pounders, he could hear peppery waves of pistol-and musket-fire rolling around the place, and now (beginning to advert on smaller things) he saw a sort of smoky, crowded lawn growing out of the wall-tops—save instead of grass-blades this lawn was made up of men. Some were dressed in black, and some in white, but most wore more colorful costumes: baggy white trousers belted with brilliantly hued swathes of silk, and brightly embroidered vests—frequently, several such vests nested—and turbans or red cylindrical hats. Most of those who were dressed after this fashion had a pistol in each hand and were firing them into the air or reloading.
The man with the outlandish johnson—swarthy, with wavy black hair in a curious 'do, and a knit skullcap—hitched up his robe, and sloshed out to see if he was all right. For he still had both hands clamped over the sides of his head, partly to stanch the bleeding of the barnacle-gashes, and partly to keep the sound from blowing the top of his skull out to sea. The man peered down and looked into his eyes and moved his lips. The look on his face was serious, but ever so slightly amused.
He reached up and grabbed this fellow's hand and used it to haul himself up to his feet. Both men's hands were so heavily callused that they could practically catch musket-balls out of the air, and their knuckles were either bleeding, or else recently scabbed over.
He had stood up because he wanted to see what was the target of all of this shooting, and how it could possibly continue to exist. A fleet of three or four dozen ships was arrayed in the harbor, and (no surprise here) they were all firing their guns. But the ones that looked like Dutch frigates were not firing at the ones that looked like heathen galleys, nor vice versa, and none of them seemed to be firing at the vertiginous white city. All of the ships, even the ones that were of European design, flew crescent-moon banners.