Выбрать главу

"It's only the first thing, not the only thing, that I'll do," said Eliza. "It's a thing easily done from Dunkerque. I would begin a conversation with him, or with someone, concerning money: soft and hard."

"Why not discuss it with a Spaniard? They know how to make money that people respect all around the world."

"It is precisely because the English coinage is so pathetic that I wish to take up the matter with an Englishman," Eliza returned. "No one here can believe that Englishmen accept those blackened lumps as specie. And yet the trade of England is great, and the country is as prosperous as any. So to me England seems like an enormous Lyon: poor in specie, but rich in credit, and thriving through a system of paper transfers."

"Which will boot them nothing in a war," said the Marquis. "For in war, a king must send his armies abroad, to places where soft money is not accepted. Therefore he must send hard money with them that they may buy fodder and other necessaries. How then can England war against France?"

"The same question might be asked of France! By your leave, monsieur, her money is not as sound as you might like to think,"

"Do you suppose that this Dr. Waterhouse will have answers to such questions?"

"No, but I hope that he will engage in a discourse with me whence answers might emerge."

"I believe that the answer lies in Trade," said the Marquis. "Colbert himself said, ‘Trade is the source of finance, and finance is the vital sinews of war.' What our countries cannot pay for with bullion, they will have to get in trade."

"C'est juste, monsieur, but do not forget that there is trade not only in tangible stuff like Monsieur Wachsmann's wax, but also in money itself: the stock in trade of Lothar von Hacklheber. Which is a murky and abstruse business, and a fit topic of study for Fellows of the Royal Society."

"I thought they only studied butterflies."

"Some of them, monsieur, study banks and money as well; and I fear they have got a head start on our French lepidopterists."

15 DECEMBER 1689

A DUTCHMAN PAINTING THIS SCAPE would have had little recourse to pigments; a spate of gull-shit on a bench could have served as his palette. The sky was white, and so was the ground. The branches of the trees were black, except where snow had begun sticking to them. The château was half-timbered, therefore plaster-white in most places, webbed with ancient timbers that had turned the color of charcoal as they absorbed snow-damp. The roof was red tile; but this was mostly covered in snow. From place to place the presence of a stove underneath was betrayed by a seeping lake of red. It was not especially grand as châteaux went nowadays: a rectangular court open on the side facing the Channel, with stables to one side, servants' quarters to the other, and the big house holding them together, squarely facing the sea. Before it the ground dropped away sharply, and so the shoreline was not visible: just a distant strip of gray saltwater, which faded into the white atmosphere far short of the Dover shore.

A four-horse carriage and a two-horse baggage-wain were drawn up in the court. Booted footmen and drivers, wrapped in damp wool, were stomping from horse to horse, removing empty feed-bags and cinching harnesses. A large woman, her face lodged at the end of a tunnel of bonnet, emerged from the servants' quarters, tugging a heavy blanket over her shoulders. She got a foot on the step below the carriage door and launched herself into it, making the vehicle list and oscillate on its suspension. A pair of men emerged from the stable, whacking smoky wads from the bowls of their clay pipes. They pulled on heavy gloves and mounted horses; as they swung legs over saddles, their heavy riding-coats parted for a moment, showing that each of these men was rigged like a battleship with an assortment of small cannons, daggers, and cutlasses.

The front door of the main house swung open and color burst forth: a dress in green silk, complicated by ribbons and flounces in many other colors, a pink face, blue eyes, yellow hair held up with diverse jewelled pins and more ribbons. She turned about to bid a last farewell to someone inside, which made the skirt flare out, then turned again and walked into the courtyard. Her attention was fixed on the one person here who had not yet mounted a horse or climbed aboard a vehicle: a man as brief and stout as a mortar, in a long coat and boots that had turned black from damp. His hat—a vast tricornered production rimmed in gold braid and fledged with ostrich-plumes—had toppled from his head and listed on the snow like a beached flagship. The prints made in the snow by his boots, and the furrows carved by the skirts of his coat and the scabbard of his small-sword, proved that he had been eddying about the court for quite a while. His gaze was fixed on a small bundle that was in midair just in front of him.

The woman in the green dress bent down to pick up the forgotten hat, and gave it a shake, releasing a flurry of snow from the ostrich-plume.

The bundle reached an apogee, hung there for a moment a few feet above the man's bare head, and began to accelerate toward the ground. He let it drop freely for a moment, then got his gloved hands underneath it and began gently to slow its descent. The bundle came to a stop only a hand's breadth above the ground, the man bent over like a grave-digger. A scream emerged from the bundle, which made the woman's spine snap straight; but the scream turned out to be nothing more than the prelude to a long, drawn-out cackle of laughter. The woman relaxed and exhaled, then jerked to attention again as the man emitted a long whoop and heaved the bundle high into the air again.

In time she managed to get the man's attention without leading him to drop the baby. Hat was exchanged for infant. She climbed into the coach, handing the baby in before her to a smaller woman who was sitting across from the big one. He—despite being dressed as a gentleman—clambered onto a perch at the back of the coach, normally used by a pair of footmen, but of a comfortable width for one man of his physique. The train of horses and vehicles pulled out onto the frozen road that meandered along the cliff-tops, and turned so that England and the Channel were to the right, France to the left.

A few hundred yards along, they slowed for a few moments so that the woman in the green dress could gaze out the window at some new earthworks that had been thrown up there: a revetment for a pair of mortars. Then they moved on, a thicket of legs and a storm of reins, black against the fresh snow, which muffled the sounds of their passage and swallowed them up, leaving nothing for a painter to depict except a blank canvas, and nothing for a writer to describe except an empty page.

"ONE OF THE OTHER THINGS they have at Versailles is physicians." The voice emerged from a grate in the back of the coach.

"Oh, but we have those in abundance aboard our ships, my lady."

"You have barbers. You have consulted them for months, and still cannot sit down! I am speaking of physicians."

"It is true that barbers make a specialty of the other end of the anatomy from that which concerns me," said the man on the perch. "Nature, though, offers her own remedies. I have packed my breeches with snow. At first it was shocking, intolerable." He had to wait now, for some moments.

"You laugh," he went on, "but, my lady, you do not appreciate the relief that this affords me, in more ways than one. For not only does it relieve the pain and swelling aft, but also, a similar but not so unpleasant symptom fore, which any man would complain of who went on a journey of any length in your company…"

Two of the women laughed again, but the third was having none of it, and answered him firmly: "The journey is not so long, for those of us who can sit down. The destination is a place where wit is prized, so long as it is discreet and refined, and does not offend the likes of Madame de Maintenon. But these sailorly jests of yours shall be immense faux pas, and shall defeat the whole purpose of your coming there."