“I got to,” he repeated. “There ain’t no way out of it.”
Anger left her face. She smiled very tenderly at him.
“Dear old Billie,” she murmured, and crossed the room to a secretary in a corner.
When she turned, an automatic pistol was in her hand. Its one eye looked at Billie.
“Now, lechón,” she purred, “go out!”
The red man wasn’t a quick thinker. It took a full minute for him to realize that this woman he loved was driving him away with a gun. The big dummy might have known that his three broken fingers had disqualified him. It took another minute for him to get his legs in motion. He went toward the door in slow bewilderment, still only half believing this thing was really happening.
The woman followed him step by step. I went ahead to open the door.
I turned the knob. The door came in, pushing me back against the opposite wall.
In the doorway stood Edouard Maurois and the man I had swatted on the chin. Each had a gun.
I looked at Inés Almad, wondering what turn her craziness would take in the face of this situation. She wasn’t so crazy as I had thought. Her scream and the thud of her gun on the floor sounded together.
“Ah!” the Frenchman was saying. “The gentlemen were leaving? May we detain them?”
The man with the big chin — it was larger than ever now with the marks of my tap — was less polite.
“Back up, you birds!” he ordered, stooping for the gun the woman had dropped.
I still was holding the doorknob. I rattled it a little as I took my hand away — enough to cover up the click of the lock as I pushed the button that left it unlatched. If I needed help, and it came, I wanted as few locks as possible between me and it.
Then — Billie, the woman and I walking backward — we all paraded into the sitting-room. Maurois and his companion both wore souvenirs of the row in the taxicab. One of the Frenchman’s eyes was bruised and closed — a beautiful shiner. His clothes were rumpled and dirty. He wore them jauntily in spite of that, and he still had his walking stick, crooked under the arm that didn’t hold his gun.
Big Chin held us with his own gun and the woman’s while Maurois ran his hand over Billie’s and my clothes, to see if we were armed. He found my gun and pocketed it. Billie had no weapons.
“Can I trouble you to step back against the wall?” Maurois asked when he was through.
We stepped back as if it was no trouble at all. I found my shoulder against one of the window curtains. I pressed it against the frame, and turned far enough to drag the curtain clear of a foot or more of pane.
If the Whosis Kid was watching, he should have had a clear view of the Frenchman — the man who had shot at him earlier in the evening. I was putting it up to the Kid. The corridor door was unlocked. If the Kid could get into the building — no great trick — he had a clear path. I didn’t know where he fit in, but I wanted him to join us, and I hoped he wouldn’t disappoint me. If everybody got together here, maybe whatever was going on would come out where I could see it and understand it.
Meanwhile, I kept as much of myself as possible out of the window. The Kid might decide to throw lead from across the alley.
Maurois was facing Inés. Big Chin’s guns were on Billie and me.
“I do not comprends ze anglais ver’ good,” the Frenchman was mocking the woman. “So it is when you say you meet wit’ me, I t’ink you say in New Orleans. I do not know you say San Francisc’. I am ver’ sorry to make ze mistake. I am mos’ sorry zat I keep you wait. But now I am here. You have ze share for me?”
“I have not.” She held her hands out in an empty gesture. “The Kid took those — everything from me.”
“What?” Maurois dropped his taunting smile and his vaudeville accent. His one open eye flashed angrily. “How could he, unless—?”
“He suspected us, Edouard.” Her mouth trembled with earnestness. Her eyes pleaded for belief. She was lying. “He had me followed. The day after I am there he comes. He takes all. I am afraid to wait for you. I fear your unbelief. You would not—”
“C’est incroyable!” Maurois was very excited over it. “I was on the first train south after our — our theatricals. Could the Kid have been on that train without my knowing it? Non! And how else could he have reached you before I? You are playing with me, ma petite Inés. That you did join the Kid, I do not doubt. But not in New Orleans. You did not go there. You came here to San Francisco.”
“Edouard!” she protested, fingering his sleeve with one brown hand, the other holding her throat as if she were having trouble getting the words out. “You cannot think that thing! Do not those weeks in Boston say it is not possible? For one like the Kid — or like any other — am I to betray you? You know me not more than to think I am like that?”
She was an actress. She was appealing, and pathetic, and anything else you like — including dangerous.
The Frenchman took his sleeve away from her and stepped back a step. White lines ringed his mouth below his tiny mustache, and his jaw muscles bulged. His one good eye was worried. She had got to him, though not quite enough to upset him altogether. But the game was young yet.
“I do not know what to think,” he said slowly. “If I have been wrong — I must find the Kid first. Then I will learn the truth.”
“You don’t have to look no further, brother. I’m right among you!”
The Whosis Kid stood in the passageway door. A black revolver was in each of his hands. Their hammers were up.
IX
It was a pretty tableau.
There is the Whosis Kid in the door — a lean lad in his twenties, all the more wicked-looking because his face is weak and slack-jawed and dull-eyed. The cocked guns in his hands are pointing at everybody or at nobody, depending on how you look at them.
There is the brown woman, her cheeks pinched in her two fists, her eyes open until their green-grayishness shows. The fright I had seen in her face before was nothing to the fright that is there now.
There is the Frenchman — whirled doorward at the Kid’s first word — his gun on the Kid, his cane still under his arm, his face a tense white blot.
There is Big Chin, his body twisted half around, his face over one shoulder to look at the door, with one of his guns following his face around.
There is Billie — a big, battered statue of a man who hasn’t said a word since Inés Almad started to gun him out of the apartment.
And, last, here I am — not feeling so comfortable as I would home in bed, but not actually hysterical either. I wasn’t altogether dissatisfied with the shape things were taking. Something was going to happen in these rooms. But I wasn’t friendly enough to any present to care especially what happened to whom. For myself, I counted on coming through all in one piece. Few men get killed. Most of those who meet sudden ends get themselves killed. I’ve had twenty years of experience at dodging that. I can count on being one of the survivors of whatever blow-up there is. And I hope to take most of the other survivors for a ride.
But right now the situation belonged to the men with guns — the Whosis Kid, Maurois and Big Chin.
The Kid spoke first. He had a whining voice that came disagreeably through his thick nose.
“This don’t look nothing like Chi to me, but, anyways, we’re all here.”
“Chicago!” Maurois exclaimed. “You did not go to Chicago!”
The Kid sneered at him.
“Did you? Did she? What would I be going there for? You think me and her run out on you, don’t you? Well, we would of if she hadn’t put the two X’s to me the same as she done to you, and the same as the three of us done to the boob.”