“Hey little mister,” he said to me. “What’s your name?”
Angus, I nearly told him, but stopped myself in time, because mistaken identity was sure to get me killed, cut up and shoveled into buckets, so I turned and ran as fast as I could and when my father caught up with me he said we’d better wait a few minutes before going back home, until I quit shivering. From the cold, he thought.
It was the last Christmas our nuclear family would know, and while it probably wasn’t the same evening, in my mind the trip to the slaughterhouse will be forever linked to the shouts between my parents, and later discovering my father behind the house, when I wasn’t supposed to, in his private place inside the tool shed. I watched as he cried and hung his head, and every several moments chopped at wood with a hatchet. There was something so terrible about seeing him in this fallen state that I, while I knew I should’ve, could no more have gone to him than I could’ve run into the arms of that unshaven troll who’d been shoveling guts.
When our beef was ready I went with my father to pick it up, but we took the car this time and it wasn’t the same as on foot, against the elements, and it’s almost the last thing I recall us doing together. He was gone by spring, my stepfather and his own son in place by summer, and by the week I entered second grade I’d already seen my father for the last time, wondering where he’d gone and when he would send for me and clinging to that final Yule as evidence that we’d had one adventure, at least.
It was more than a decade before I did the math, and realized that over that Christmas my mother had been pregnant with Rachel, and must’ve known even then that it wasn’t Dad’s.
Which explains a lot about his mood, as I look back.
*
“‘Music of the world’ is what that means, literally,” Nathan explained. “Symbolically it means ‘music of the spheres.’ Not like harps and organs and trumpets … more the harmony in creation, say, from the planets orbiting. It was part of the medieval world view. To them music theory was like astrophysics.”
We looked at the words again: Musica mundana.
“I told him about it once — say a year ago? — one night when we were stoned, but … are you positive he’s been dead eight days?”
“We’re just taking his word on it,” I said.
“Because not decaying I can see, with it so chilly in here. But it’s the blood not pooling I can’t figure. You know … if I didn’t know better … I’d almost be tempted to say what we have on our hands might be an incorruptible.”
“Isn’t that more in the line of Catholic saints?” Andre had to ask, and Nathan said usually, and we looked at that spike still in Jamey’s arm and burst out laughing at the absurdity of it, even Andre, everybody laughing but Mae.
Of the five of us standing over him, Mae was youngest and had known Jamey the least amount of time, but perhaps felt she owed him her life. She’d been panhandling and dumpster-diving when he spotted her along North Clark, and for runaways that’s often the last step before prostitution. Probably Jamey wouldn’t’ve noticed had Mae Pak not been staring at the violin she’d brought all the way from South Korea, by way of Los Angeles, and ceremoniously snipping its strings with wire cutters.
He’d helped her find a job in a music store, and a roommate, but later told me that he’d misunderstood everything that day he first talked to her, thought the business with the violin wasn’t so much despair as low-rent performance art.
So maybe to Mae, Jamey really had been a benefactor, since two years later she’d reached her nineteenth birthday without ever slipping on the fishnets each dusk and heading out to gobble an assortment of occidental penii.
But maybe Mae didn’t yet understand the way, in any group of friends who have some history, you develop a sound idea who will be the first to do certain things, like marry or sprout a tumor, and naturally first to die. I had a reasonable expectation that Jamey would be head of that particular class the day an old needle grew too dull to pop into his arm, and I watched him sharpen it on the scratch-strip of a book of matches, then have to forcibly yank it from the vein because his subprecision work had left a tiny spur of steel that caught his skin like a fishhook.
So the five of us stood clustered inside the slaughterhouse, admitting the obvious about Jamey and maybe contemplating personal mortality, the escape clause in our fleshly contracts.
We couldn’t decide what to do with him.
While it seemed clear enough on the surface, once extenuating circumstances were considered the issue became murkier, the most persuasive argument for inaction coming from Jamey himself, as he had left a note, if no guarantee we’d be the ones to find it, and he’d gone to the trouble of coming here in the first place. After all, Rachel said, if he’d simply meant to die and be done with it, he could’ve managed as much in his own crusty bathtub, with far less fuss. Clearly, something about this place had called to him as his mausoleum, guiding his hand as he sprayed Musica mundana for an epitaph, and it wasn’t irony: He’d never even considered a vegetarian lifestyle.
Then there was his refusal to cooperate with putrefaction.
It was Andre who said that if we were planning to leave him, we should at least make it appear that his presence was intended, rather than him just happening to have died where he did.
Mae knelt to slide the needle from his vein and Rachel untied the tourniquet, and when we took him up from the floor we found that he was still flexible without being mushy. Because it seemed a shame to leave him in total darkness we bore him out of the room he’d died in and through a wide iron door that slid back on shrieking rusty rollers, and then another, to relocate him in the grandest room in the slaughterhouse. I felt reasonably sure that this had been the actual killing floor, where mallets met heads, because the ceiling was much higher, and in one area it opened into a short gabled tower, where windows would’ve let in natural lighting for a nice expansive open-air ambience while the brutes swung their mauls. Although the windows had been boarded over, all the boards had weathered apart so that slatted light filtered in.
His clothing didn’t seem right for him now that Jamey was in his place of final repose, so we stripped him, grateful that upon death he’d been considerate enough not to have soiled himself, or had simply neglected to eat that last day or two, what with bigger things on his mind. His pale body was very thin and slat-ribbed, with concave stomach and long toes with dirty unclipped nails, and a cluster of needle tracks.
Since leaving him on the floor seemed no better here than in the other room, Nathan and I hunted down a bedspring that had been around for fifteen years or more, junked by suburban white trash, and laid him out on that. But this seemed not a very pleasing use of space, given the soaring, vaulted quality beneath that steeple-like tower, so since there were still chains hanging from pulleys up there, we ratcheted them down and hooked them to one end of the springs, and wove Jamey’s limbs in and out of the rusty coils so he’d stay in place. We hoisted him aloft so that the springs stood on end, and Jamey hung serene in the metal, facing the doorway we’d carried him through, so that on walking in you couldn’t help noticing him, arms welcoming, something almost benevolent about him, although his head did tend to droop forward. Rachel took care of that, looping the tourniquet around his brow and tying it back to raise his chin off his chest. Mae wedged the syringe into a spring coil near his head, angling it away from his scalp like an exclamation point, or the first ray of light from a fledgling nimbus, and finished, we all stepped back to admire the effect.