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During the trial, as her father fell apart, Robin studied the catechism at St. Dymphna’s and made two further claims on Brian’s new money. First she quit her job at the experimental school. She was no longer satisfied to work for parents paying $23,000 a year per child (although, of course, she and Brian were paying nearly that much to school Sinéad and Erin). And then she embarked on a philanthropic project. In a badly blighted section of Point Breeze, less than a mile south of their new house, she bought a vacant city block with a single derelict row house standing on one corner. She also bought five truckloads of humus and good liability insurance. Her plan was to hire local teenagers at minimum wage, teach them the rudiments of organic gardening, and let them share the profits from whatever vegetables they could sell. She threw herself into her Garden Project with a manic intensity that was scary even by Robin standards. Brian found her awake at her Global Desktop at 4 a.m., tapping both feet and comparing varieties of turnip.

With a different contractor coming to Panama Street every week to make improvements, and with Robin disappearing into a utopist sink of time and energy, Brian reconciled himself to remaining in the dismal city of his childhood. He decided to have some fun of his own. He began eating lunch at the good restaurants of Philadelphia, one after another, and comparing each to his current favorite, Mare Scuro. When he was sure that he still liked Mare Scuro best, he called the chef and made a proposal.

“The first truly cool restaurant in Philly,” he said. “The kind of place that makes a person say, ‘Hey, I could live in Philly — if I had to.’ I don’t care if anybody else actually feels that way. I just want a place that makes me feel that way. So whatever they’re paying you now, I will double. And then you go to Europe and eat for a couple of months at my expense. And then come back and design and operate a truly cool restaurant.”

“You’re going to lose vast amounts of money,” Denise replied, “if you don’t find an experienced partner or an exceptionally good manager.”

“Tell me what to do, and I’ll do it,” Brian said.

“‘Double,’ you said?”

“You’ve got the best place in the city.”

“‘Double’ is intriguing.”

“So say yes.”

“Well, it might happen,” Denise said. “But you’re still probably going to lose vast amounts of money. You’re certainly overpaying your chef.”

Denise had always had trouble saying no when she felt wanted in the right way. Growing up in suburban St. Jude, she’d been kept at safe distances from anybody who might have wanted her in this way, but after she finished high school she worked for a summer in the Signal Department of the Midland Pacific Railroad, and here, in a big sunny room with twin rows of drafting tables, she became acquainted with the desires of a dozen older men.

The brain of the Midland Pacific, the temple of its soul, was a Depression-era limestone office building with rounded rooftop crenellations like the edges of a skimpy waffle. Higher-order consciousness had its cortical seat in the boardroom and executive dining room on the sixteenth floor and in the offices of the more abstract departments (Operations, Legal, Public Relations) whose vice presidents were on fifteen. Down at the reptile-brain bottom of the building were billing, payroll, personnel, and data storage. In between were mid-level skill functions such as Engineering, which encompassed bridges, track, buildings, and signals.

The Midland Pacific lines were twelve thousand miles long, and for every signal and every wire along the way, every set of red and amber lights, every motion detector buried in ballast, every flashing cantilever crossing guard, every agglomeration of timers and relays housed in a ventless aluminum shed, there were up-to-date circuit diagrams in one of six heavy-lidded filing tanks in the tank room on the twelfth floor of headquarters. The oldest diagrams were drawn freehand in pencil on vellum, the newest with Rapidograph pens on preprinted Mylar blanks.

The draftsmen who tended these files and liaised with the field engineers who kept the railroad’s nervous system healthy and untangled were Texan and Kansan and Mis-sourian natives: intelligent, uncultured, twangy men who’d come up the hard way from no-skill jobs in signal gangs, chopping weeds and digging postholes and stringing wire until, by virtue of their aptitude with circuits (and also, as Denise later realized, by virtue of being white), they’d been singled out for training and advancement. None had more than a year or two of college, most only high school. On a summer day when the sky got whiter and the grass got browner and their former gangmates were battling heatstroke in the field, the draftsmen were happy indeed to sit in cushioned roller chairs in air so cool they all kept cardigans handy in their personal drawers.

“You’ll find that some of the men take coffee breaks,” Alfred told Denise in the pink of the rising sun, as they drove downtown on her first morning. “I want you to know they’re not paid to take coffee breaks. I expect you not to take coffee breaks yourself. The railroad is doing us a favor by hiring you, and it’s paying you to work eight hours. I want you to remember that. If you apply yourself with the same energy you brought to your schoolwork and your trumpet-playing, you’ll be remembered as a great worker.”

Denise nodded. To say she was competitive was to put it mildly. In the high-school band there had been two girls and twelve boys in the trumpet section. She was in the first chair and boys were in the next twelve. (In the last chair was a part-Cherokee girl from downstate who hit middle C instead of high Ε and helped cast that pall of dissonance that shadows every high-school band.) Denise had no great passion for music, but she loved to excel, and her mother believed that bands were good for children. Enid liked the discipline of bands, the upbeat normality, the patriotism. Gary in his day had been an able boy trumpeter and Chip had (briefly, honkingly) attempted the bassoon. Denise, when her time came, asked to follow in Gary’s footsteps, but Enid didn’t think that little girls and trumpets matched. What matched little girls was flutes. But there was never much satisfaction for Denise in competing with girls. She’d insisted on the trumpet, and Alfred had backed her up, and eventually it had dawned on Enid that rental fees could be avoided if Denise used Gary’s old trumpet.

Unlike sheet music, unfortunately, the signal diagrams that Denise was given to copy and file that summer were unintelligible to her. Since she couldn’t compete with the draftsmen, she competed with the boy who’d worked in Signals the previous two summers, Alan Jamborets, the corporation counsel’s son; and since she had no way to gauge Jamborets’s performance, she worked with an intensity that she was certain nobody could match.

“Denise, whoa, God, damn,” Laredo Bob, a sweating Texan, said while she was cutting and collating blueprints.

“What?”

“You gonna burn yourself out going that fast.”

“Actually, I enjoy it,” she said. “Once I’m in the rhythm.”

“Thing is, though,” Laredo Bob said, “you can leave some of that for tomorrow.”

“I don’t enjoy it that much.”

“OK, well, but y’all take a coffee break now. You hear me?”

Draftsmen were yipping as they trotted toward the hallway.

“Coffee time!”

“Snack cart’s here!”

“Coffee time!”