Li called her from the studio doorway. She was leaving for Russia in ten days. All she had left to do was to pack up the last of her panels: a sailor with incredibly broad shoulders presenting a bunch of flowers to a wasp-waisted young thing and, on the other one, a naked man and woman squeezed in among a crowd in tuxedos and evening gowns.
Two days later, coming back from Paris, she ran into the doctor-just-between-ourselves. He behaved as if he just happened to be in the road that led out into the square in front of the station. She would have believed him if she had not glanced through the window of the coach a few seconds before the train stopped. She recognized this man in a brown suit. The speed with which he moved as he left the shade of a plane tree, where he had been sheltering from the sun, gave him away. The train was slowing down and through the win-dowpane she saw him watching the station exit then slightly adjusting his shirt collar…
They walked back together. Listening to him she thought that, had she not glanced through that coach window, his words would have had quite another meaning. And that he himself, the man walking beside her, chatting, animated andjovial, would have been somebody else. Yes, he would still have been the "doctor-just-between-ourselves," self-effacing and obliging. Now she was aware of the suppressed energy in him, with which he had emerged out of the shadows. And also the easy smoothness that had colored his feigned surprise: "My goodness, it's you! What fair wind has brought you my way?" Now she was seeing things she had never noticed before: his heavy and strangely unpleasant-looking cuff links, the backs of his very broad hands, covered in hairs on which little drops of sweat glistened… But, in particular, his brown, oily eyes, with which he gave her swift sidelong glances that seemed, as they slid away, to hold her prisoner in their reflection. Yes, he walked without looking at her but she felt she was held, snared beneath his eyelids.
She had no recollection of inviting him to take tea with her. And yet there he was, seated opposite her in the kitchen that still glowed with the sunset; and he was talking, only breaking off to take a little sip for form's sake. She got up from time to time, chased a bee, set about pretending to listen to him but in reality was noticing, despite herself, fresh, absurd, and mysteriously important details: his square, yellowish fingernails; his forehead that filled with wrinkles when he gave a theatrical sigh, wrinkles that went right up to his bald pate and made it less shiny… It was one of those odd moments when you sense the imminent approach of some gesture, drawing inexorably closer.
As he was leaving he stopped in the hall and kissed her hand. Or rather, without bowing, he raised her hand and pressed it for a long time to his lips. When she made a movement of impatience he caught her by the waist with unexpected agility. She drew back to avoid his face. But to her surprise he did not go for her mouth. He remained still for a moment, forcing her into this precariously off-center posture, and supporting the weight of her body arched against his palm. Clumsily she pulled herself free from him and collided with the door frame. And her shout of "Go away!" was mingled with a brief cry of pain and her hand rubbing her bruised elbow. Facing her, he smiled, massive, sure of himself. But the voice that emerged from this mass was strangely shrill, stammering, like those sentences that have been long prepared but which, when the time comes, emerge quite convoluted and breathless: "I'll come again tomorrow… Maybe we could first… Well, I know a little restaurant…"
That night her focus switched restlessly between several very different personages. The elderly gentleman who had come out from the Caravanserai several times, often at nightfall in the snow, to care for an ailing boy… The man in the brown suit who came walking toward her without noticing her and suddenly uttered a cry of joy… The man who took little sips of tea and spoke of the solitude "we must confront together"… And that other man, again, who confessed that for years he had wanted to speak to her. And as he said it, his cuff links and his hairy wrists seemed to belong to someone else. She found it impossible to reassemble all these men into one, this aging male with his smooth, tanned, bald head, who had seized her waist, already taking delight in her submissive body.
On her return from Paris the next day she studied with concern the trees at the edge of the station square. Nobody. On the door of her house there was a little rectangle of paper. "I called for tea, I will be back for dinner." It was in deciphering the signature that she recognized the element that was common to all the men who had troubled her in the night. As if this commonplace, mildly ridiculous name, that she had known but forgotten-yes, as if simply seeing it written down, "Sergei Golets," had created a generic term for all these characters.
He was the man who had fathomed her secret (she did not know how, nor to what extent). The madness of her secret. Her madness… Yes, he was someone who treated her as he would have treated a simpleminded person who can be exploited.
It was already almost nine o'clock in the evening. She walked along beside the house with hurried steps, plunged in under the trees of the wood. You could cross it in five minutes, but the maze of footpaths created the illusion of a refuge. The ground was dappled with long copper rays, slowly turning pale. Darkness was gradually spilling into the shady corners. The moonlight turned the glades into lakes, into streams of a somnolent blue. The repeated cry of a bird rang out with the sound of icicles snapping. She had the sudden idea that it might be possible to stay there, not to leave these moments in time, to travel back through them… Then, remembering the madness a man had just detected in her, she hastened to return.
As she pressed the switch she thought that Golets might notice the light and come… At the same moment she heard the steady, almost nonchalant rapping at the door. She switched off the light, then at once switched it on again, annoyed by her own cowardice, went to the hall but decided not to open up and to say nothing. He knocked again and remarked without raising his voice, sensing that she was close at hand, "I know you're there. Open the door… I have a message for you." There was a jarring note of barely disguised mockery in his voice. "Yes, he talks as if to a feebleminded woman," she thought again. She went back into the kitchen and suddenly heard the snapping of a stem: he was walking along beside the wall, treading on the flowers in the darkness. She remembered that the French door in her bedroom had been left ajar. Hardly had the thought occurred when it became reality: at the end of the corridor the ancient hinges emitted a long musical creak. She rushed to the other end of the apartment, switched on the light, just had time to focus her eyes on the familiar and woeful interior: the lamp with the patched-up china base, the stove, the bed, the wardrobe with a mirror…
And amid all these objects, with their patina of familiarity, a man putting his head through the gap where the French door was ajar, just like one of those volatile interiors in a bad dream.
"Just two words… Yesterday I forgot to tell you…" He smiled, hypnotizing her with his fixed stare, and made his way into the room with brief, swift advances, while seeming to be motionless every time she was on the point of rebuking him.
She felt desperately distant from this scene. The words that rang out in her head and then burst forth from her lips seemed to emanate from somebody else: "Go away! Get out! Quickly!" Ineffectual commands that had not affected the distracted look on her own face nor produced any effect on the man who did not move and yet kept coming closer. She, too, was absent from her body and the man knew it: infancy, drunkenness, and madness all disarm the body in this way and it becomes an easy prey.