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'Just some more coins,' she says. 'Nothing much.'

'Where's Erik?' asks Shona, slightly too casually Ruth thinks.

'Talking to Nelson.'

'Really?' Shona raises her eyebrows at Ruth. 'I thought they couldn't stand each other.'

'So did I but they seem matey enough now.'

Then,' says Shona lightly, pulling her jacket more tightly round her. 'It's bloody freezing. How long are you going to stay?'

'I was just thinking of going back to the house for a cup of tea.'

'What are we waiting for then?'

CHAPTER 21

On the way back to the house, Ruth wrestles with her conscience. Shona has really been very kind to her, letting her stay with her at a moment's notice. Ruth hasn't even thanked her properly, just disappeared yesterday leaving a brief answerphone message. She needs to go back and pick up her things. Shona has been a good friend to her over the years. When Ruth split up with Peter, she provided a shoulder to cry on plus several vats of white wine. They have spent countless evenings together, laughing, talking, crying. They even went on holiday together, to Italy, Greece and Turkey. Is Ruth really going to let Cathbad's spiteful rumours get in the way of this friendship?

'I'm sorry about taking off like that,' she says at last.

'For some reason after the funeral I just wanted to be at home.'

They have reached that home now. Ruth opens the door for Shona.

'That's OK,' says Shona. "I completely understand. Was it awful, the funeral?'

'Yes,' says Ruth, putting on the kettle. 'It was terrible.

The parents were just shattered. And the little coffin… it was all too heart-breaking.'

'I can imagine,' says Shona, sitting down and taking off the silver jacket. 'There can't be anything worse than losing a child.'

Everyone says that, thinks Ruth, maybe because it's true.

It's difficult to imagine anything worse than burying your child, a complete inversion of the natural order of things.

Briefly, she thinks of Lucy Downey's parents walking away from the funeral, arm-in-arm. Was that worse? To lose your daughter and not be able to say goodbye?

She makes tea and sandwiches and they sit there companionably in silence. Outside it has started to rain, which strengthens Ruth's resolve not to go back to the dig.

Eventually Ruth says, "I saw Cathbad yesterday.'

'Who?'

'Michael Malone. You know, the one they questioned about Scarlet's murder.'

'Jesus! Where did you see him?'

'Here. He came to talk to me.'

'Bloody hell, Ruth.' Shona shivers. 'I'd have been terrified.'

'Why?'

asks Ruth, even though she had been so scared that she had slept last night with a kitchen knife by her bed. 'He wasn't charged with the murder, you know.'

"I know, but even so. What did he want?'

'Said he wanted me to clear his name.'

'What a cheek.'

'Yes, I suppose so,' says Ruth, who has been obscurely flattered.

'What's he like, this Cathbad?'

Ruth looks at her. 'Don't you remember him? He remembers you.'

What?' Shona has taken out her combs and shaken out her hair. She stares at Ruth, apparently bewildered.

'Don't you remember him from the henge dig? He was the leader of the druids. Always wore this big, purple cloak.

He remembers you were sympathetic to them, joined in the protests.'

Shona smiles. 'Cathbad… Now I remember. Well, he was quite a gentle soul as I recall.'

'Erik says he has magic powers.'

Now Shona laughs aloud. 'Dear old Erik.'

'Cathbad says you had an affair with Erik.'

'What?'

'Cathbad. He says you and Erik had an affair on the henge dig, ten years ago.'

'Cathbad! What does he know?'

'Did you?'

Instead of answering, Shona twists her hair into a tight knot and puts the combs back in, their little teeth digging viciously into her skull. She doesn't look at Ruth, but Ruth knows the answer now.

'How could you do it, Shona?' she asks. 'What about Magda?'

She is shocked at the virulence with which Shona turns on her.

'What do you care about Magda, all of a sudden? You don't know anything about it, sitting there, judging me. What about you and Peter? He's married now, didn't you know?'

'Peter and I aren't…' stammers Ruth. 'We're just friends,' she finishes lamely. Inside, though, she knows that Shona is right. She is a hypocrite. What did she care about Michelle when she invited Nelson into her bed?

'Oh yeah?' sneers Shona. 'You think you're so perfect, Ruth, so above all those human feelings like love and hate and loneliness. Well, it's not as simple as that. I was in love with Erik,' she adds, in a slightly different tone.

'Were you?'

Shona flares up again. 'Yes, I bloody well was! You remember what he was like. I'd never met anyone like him.

I thought he was so wise, so charismatic, I would have done anything for him. When he told me that he was in love with me, it was the most wonderful moment of my life.'

'He told you that he was in love with you?'

'Yes! Does that surprise you? Did you think he had the perfect marriage with Magda? Jesus, Ruth, they both have affairs all the time. Did you know about Magda's toyboy, back home in Sweden?'

"I don't believe you.'

'Ruth, you're such an innocent! Magda has a twentyyear-old lover called Lars. He fixes her sauna and then hops into bed with her. And he's one of many. In return, Erik does what he likes.'

To rid her mind of the image of Magda with her twentyyear-old handyman lover, Ruth turns to the window. The Saltmarsh has almost disappeared beneath the slanting, grey rain.

'Did you think I was the first?' asks Shona bitterly.

'There are graduate students all over England who can say they went to bed with the great Erik Anderssen. It's almost an essential part of your education.'

But not of my education, thinks Ruth. Erik treated me as a friend, a colleague, a promising student. He never once said a single word that could be construed as a sexual invitation.

'If

you knew he was like that,' she asks at last, 'why did you go to bed with him?'

Shona sighs. All the anger seems to seep out of her, leaving her limp, like her silver jacket lying collapsed on the floor.

"I thought I was different, of course. Like all the other silly little cows, I thought I was the one he really loved. He said he'd never felt like that before, he said he'd leave Magda, that we'd get married, have children…' She stops, biting her lip.

And then Ruth remembers Shona's first abortion, just a few months after the henge dig.

'The baby…' she begins.

'Was Erik's,' says Shona wearily. 'Yes. I think it was then that I realised he didn't mean any of it. When I told him I was pregnant, he just went mad, started pressuring me to have an abortion. Do you know, I actually thought he'd be pleased.'

Ruth says nothing. She thinks of Erik talking about his grown-up children: 'You have to set them free.' Well, he hadn't wanted this one set free. As a fervent believer in a woman's right to choose, Ruth doesn't condemn Shona for having an abortion. But she does condemn Erik for his deceit, his hypocrisy, his…

'Poor Ruth,' says Shona, looking at her with a strange, dispassionate smile. 'All this is worse for you. You always admired him so much.'

'Yes,' says Ruth hoarsely. 'Yes I did.'

'He's still a great archaeologist,' says Shona. 'I'm still friends with him. And with Magda,' she adds with a slight laugh. "I guess it's just the way he is.'

'I guess so,' says Ruth tightly.

Shona rises, picking up her silver jacket. At the door she turns. 'Don't blame either of us too much, Ruth,' she says.

When Shona has gone, Ruth sits down at the table. She is amazed to find that she is shaking. What is so surprising about finding out that two grown-up people have had an affair? Alright, Erik was married, but these things happen as she knows all too well. Why does she feel let down, angry, betrayed?