Morgue man standing on one side of the floating bed, Gordon and the sheriff on the other. A body in the white bag, under the zipper. Shape of a female chest. Shape of a face. A nose. Sheriff standing back and Gordon stepping forward for the unzipping, the most terrible sound, and the breath of the river it releases.
And there she is. Her hair tangled and damp. Her face blue. Lips a darker blue and slightly open, the white of her front teeth bright in the blue. Eyelids down over the curve of her eyeballs, tender thin lashes on her cheeks, washed of all makeup. Over these blue, unmoving features play living expressions, like projections, faces of her youth surfacing, rippling, sinking away again into the blue mask. Wake up, daughter. Wake up. Breathe. Placing his large hand over her forehead as if to take her temperature. So cold. Smooth, cold skin over a hard curve of bone, nothing more. Her bare blue neck, enough of her blue chest to see that she is naked in the bag—yes, Gordon nodding yes, it’s her, and the zipper makes its sound again.
The morgue man wants a moment alone with Sutter but Gordon isn’t going anywhere. Hears his own voice in that place: Whatever you’re gonna say to him you can say to me. And the morgue man fusses with the fit of his gloves, pinching latex over his knuckles and letting go with sharp little snaps until Gordon wants to slap him, until Sutter says, Go ahead, Doug, and the morgue man, Doug, looks up and says, Well, Tom, there was water in the lungs. A good deal of water.
Sutter standing there taking this in. Nodding. Gordon looking from one man to the other, his sight crossing over the body and back. Neither man speaks. Neither man will look at him—and then he understands.
He stands staring dumbly at the white bag. The white shape of her. This body once tiny enough to hold in one hand. To lift over your head two-handed, a squirming, soft giggling little girl. To hold by her hands and spin her around until her skinny legs lifted from the earth and flew.
A hand rests on his shoulder and the sheriff says, Gordon—and he shrugs the hand off.
I know what he’s saying, he says, and turns and walks away before he has to watch the morgue man slide her back into the dark.
11
THE STORY WAS going around, pushed along by the thumbs of girls: Holly Burke had been walking home from her boyfriend’s. No, she was walking home from the bar. She was alone. She was not alone. She’d been drinking. She was high. The girl had problems, no question about that—she’d lost her license to a DUI the year before; Rachel knew this from Gordon. The girl had been cutting through the park, along the river, and had fallen in. Jumped in. Been pushed in. She’d been in the water all night. Someone crossing the bridge on foot—the new concrete bridge, a good mile away from the park—had seen her, pinned up against the concrete piling below like driftwood.
Rachel had left the mall and was in her car again, driving across town. A brilliant, cold blue day. The sun, the blazing trees, the silvered bend of river, all exactly as it should be on a day in October, a pristine day. She was trying to picture it: Holly Burke, this girl she’d known since birth, bobbing in the water with the branches. But all she saw clearly was the blouse, the one she’d given the girl on her nineteenth birthday, Gordon looking on uneasily: a smart silk blouse she’d spent too much on, even with her discount, all night in the river under the black sky, the fabric wetted to the girl’s skin except where air slipped in, raising white, trembling swells on the water…
Gordon opened the door and stood blinking in the brightness. Startled, confused to see her. His gray face, the bruised, unfocusing eyes sweeping away anything she might’ve been ready to say. Not asking her in. Not even letting go of the stormdoor so she could put her arms around him. She wasn’t surprised—certainly not hurt. It had nothing to do with her; he had to handle things his own way, in his own time, like Roger, like every man she’d ever known.
I’m so sorry, Gordon, she said.
They took me to her, he said. The sheriff.
Oh, Gordon. By yourself?
He didn’t answer. He seemed to be listening, and she listened too: someone else in the house, on the phone. A man’s voice. A voice of calm male authority. She glanced at the extra car in the drive, a black, spotless Volkswagen sedan.
Someone’s with you?
Edgar, he said, and she said, That’s good. That’s good, Gordon.
His brother Edgar, she remembered, was some kind of lawyer for the state. She’d met him once and had been struck by the cleanliness of his fingernails, a thing she was not used to in men.
Can I do anything, Gordon, is there anything I can do?
His roving eyes found hers briefly and moved on. He said, Meredith’s on her way. Her sister’s driving her down. I thought it was them when you knocked.
Rachel nodded but couldn’t speak. She hadn’t seen Meredith in years, not since before the split-up. She remembered that night on the deck, with the wine—Mr. B., the art teacher—when her heart had filled with pity and love. They were going to be friends forever, old ladies, arm in arm in Mexico, Europe, after the kids were grown, after the husbands were gone.
They think now someone did this, Gordon said.
They—? said Rachel.
The sheriff and them. He dug at the whiskers on his face. They think someone hit her with a car, or a truck.
My God, Rachel said.
They think this… person didn’t see her maybe, Gordon said. Then tried to cover it up by pushing her in the river.
He looked off toward the woods as if he’d seen something, and she looked too, and for just a moment she thought she heard them—the kids, running through the woods, laughing. Holly in her purple Easter dress, searching for the poorly hidden eggs.
She turned back to Gordon, but he was still looking into the woods and it was like watching the eyes of a sleepwalker; they did not register what he saw of the world or even what he was seeing in his mind. What could you say? What could you possibly say? A child. A daughter.
If there’s anything I can do, Gordon, just anything, she said, and Gordon, looking beyond her with those shut-down eyes, said, Still breathing.
What?
When they pushed her in, he said. She was still breathing.
Oh, Gordon. Oh no—Rachel reaching for him then, but before she could touch him the brother, Edgar, called to him from inside the house and Gordon turned and let go the stormdoor, and she stood watching her own reflection swing into view as the door bounced once on its cylinder, gave a long hiss, and clicked shut.
12
SHE AWOKE TO the painful brightness of the room, and there were men in the room, looming over her like trees, and she immediately looked down at herself in the bed—but she was covered up, the thin sheet pulled neatly to her armpits, and beneath the sheet she wore a thin blue gown.
Her right arm lay below the sheet and her left lay above, a clear plastic tube fixed to the crook of the elbow by strips of white tape, a plastic clip attached to the tip of her forefinger. The tug of the tape on that tender skin and the bite of the clip made her feel as though this arm had been left out so that other things might feed on it while she slept.