“Syracuse. Obviously, I didn’t ‘see’ you: I was still a kid out west when you were the Syracusan Stock Company’s treasurer.”
“You must have seen an old wanted poster.”
“Do Barrett and Buchanan know?”
“All of it. The ticket fraud. The gambling that drove me to the fraud. The foolish going on the run. The arrest. The prison sentence.”
“Why did they hire you?”
“They say I learned my lesson.”
“So they trust you.”
“I’ve never given them reason not to.”
Dashwood raised a skeptical brow.
Young said, “They are decent men, Detective— Now, if you’ll excuse me, I have to load eighty people and two sensational scenic effects featuring the height of mechanical realism onto a railroad train.”
Isaac Bell gathered the Cutthroat Squad in his car.
“We’ve infiltrated both tours and narrowed the field of suspects. Harry Warren and Grady Forrer exonerated the Alias Jimmy Valentine head rigger, Bill Milford, and scenic designer, Roland Phelps, who grew up in New York and were definitely living in the city during the Ripper’s rampage in England — Milford in the Tenderloin, Phelps in his family’s Washington Square town house.
“Helen Mills has eliminated the actor Lockwood, from Alias Jimmy Valentine, by establishing that he is neither strong enough nor quick enough to overwhelm his victims. On the other hand, she has learned that Lucy Balant is getting ‘coached’ by the star of the show, Mr. Vietor. Her roommate, Anna Waterbury, was coached by the Cutthroat. So we keep the book open on Mr. Vietor. Fortunately, Jimmy Valentine will catch up with us in St. Louis the day after tomorrow.
“Meanwhile, Grady discovered the Deaver brothers spent their college years, in the late eighties and early nineties, in England after being kicked out of schools in Pennsylvania and Massachusetts. But the time I spent with them convinced me that neither Joe Deaver nor Jeff Deaver has the brains not to trip himself up for twenty minutes, much less never get caught in twenty years.”
“Are you sure it’s not an act, Mr. Bell?”
“Edwin Booth could not put over such an act. Now, what about Mr. Rick L. Cox, the lunatic writer?”
“Cox,” said Forrer, “was locked up in a Columbus asylum before Beatrice Edmond was murdered in Cincinnati.”
Bell said, “Scudder and I couldn’t pry much out of Jackson Barrett and John Buchanan.”
“Opaque,” Smith interrupted. “No clue that either’s from London.”
Dashwood relayed Henry Young’s claim that Barrett and Buchanan trusted their stage manager not to defraud them.
“Go back and find out what he has on them. What’s his leverage? Somehow they have each other by the short hairs.”
Archie Abbott said, “Gossip says Henry Young rarely leaves the theater ’til it’s time to board the train to the next city.”
Bell wrapped it up. “We are down to Barrett, Buchanan, Vietor, and Young— Back to it, everyone! See you tomorrow in St. Louis!”
They were trooping out of the car when an explosion rattled the windows.
“That was close.”
Isaac Bell said, “Better see if we can help. Go first, James, you’re the detective. The rest, remember to act like regular helpful citizens.”
They hurried into the station hall, Dashwood in the lead.
People were crowding out the front entrance. From there, they saw a pillar of smoke lit orange by flames rising several blocks over. They joined the mob running toward it. Bell forged ahead, with a sinking feeling it was on Plum Street. He caught up with Dashwood, and they reached Plum just as teams of wild-eyed fire horses pulling steam pumpers thundered toward the smoke. It was gushing from the field office’s shattered front door and windows and from the building next door.
“Our chief works late most nights.”
Bell shoved through the crowds. He skirted the firemen, who were stringing their hoses and raising ladders to the next-door windows, and cut down the side alley. The back door had been blown open. He ran into the dark, shouting for the chief.
“Sedgwick! Jerry Sedgwick!”
No one answered. Bell soaked a hand towel in the lavatory, covered his mouth and nose, and ran up the hall to the front office. The interior was demolished. Plaster had fallen from the ceiling. The cellar door was open. Flames were leaping from the stairs.
He pushed into the front room, where a wall of smoke and flame stopped him short. Through it, he thought he could see a figure slumped over the desk. At that moment, the firemen finished tying into the city hydrants. Hose water blasted through the windows, scattering glass and dropping flames to the floor. The smoke shifted. Jerry Sedgwick was there, coughing violently and trying to stand.
Bell got halfway to him before the water stopped. By the time he reached the chief’s desk, flames were jumping to the ceiling again, and the wet towel he pressed to his face had dried stiffly in the heat. Bell slung Sedgwick over his shoulder and tried to retrace his steps. But the smoke was suddenly so dense, he could not see the way. The water streams sprayed again, knocking down smoke. The respite was brief, the smoke thicker. He was running out of air.
“Mr. Bell!”
Dashwood was calling.
“Mr. Bell! Isaac!”
Bell staggered toward the sound of his voice.
He saw Dashwood reaching for him and, behind the young detective, the alley door. He pushed Sedgwick into Dashwood’s arms. In the alley, half a dozen deep breaths of cool, fresh air had the eager chief gasping, “I’m O.K. I’m O.K.”
“Hospital,” said Bell.
“No! I’m O.K. I gotta talk to you.”
“Talk in the ambulance,” said Bell.
The Cutthroat Squad had swung into action, quietly bribing an ambulance crew for their help and the police to clear a path. Once inside the motor wagon, Bell asked, “You sure you’re O.K.?” Sedgwick had lost his eyebrows and most of his hair.
“I mined coal when I was a kid. This was nothing compared to that. Mr. Bell, he blew us up.”
“Who blew us up?”
“Gas fitter said he was from Cincinnati Gas and Electric, and I fell for it, hook, line, and sinker. Little while ago, I smelled something funny and went down to check. He had unhooked the meter and laid a slow fuse. That’s what I smelled. I went to put it out, but I was too late. It blew me back up the stairs. What I don’t know is, who he was and why he did it.”
Bell exchanged a glance with Dashwood.
Dashwood said, “Sounds like he knows we’re here?”
“Not the Cutthroat Squad,” Bell said after a moment’s reflection. “More likely, our wanted poster set him off. And now we know something else about him.”
“What’s that?”
“He’s a counterpuncher.”
When the Jekyll & Hyde Special started out for St. Louis, Bell joined the closing-night cast party in the dining car. While pretending to trade small talk, Archie Abbott explained the gas-fitter connection to the Cutthroat.
“If we’re right that he’s had backstage experience, it’s no coincidence that he’s a gas fitter. These days, lighting effects are all electrical. But theater electricians also manage water effects, like rain and floods. That’s because plumbing and gas fitting are similar trades and used to fit pipes to light theaters with gas.”
“He’s an actor, first and foremost,” said Isaac Bell. “It’s one thing to know how to be a gas fitter, but to impersonate a fitter — to costume himself and portray himself as a workman so believably that he could fool an operator as sharp as Jerry Sedgwick, inside our field office, which has his face on a wanted poster — the Cutthroat has got to be one heck of an actor.”