Holding on to the dagger, I took my right hand from his arm and spread it over the back of his head, grinding his face into the carpet, taking it easy, waiting for more of the strength that was coming back into me with each breath. A minute or two more and I would be ready to pick him up and get words out of him.
But I wasn't allowed to wait that long. Something hard pounded my right shoulder, then my back, and then struck the carpet close to our heads. Somebody was swinging a club at me.
I rolled off the skinny man. The club-swinger's feet stopped my rolling. I looped my right arm above the feet, took another rap on the back, missed the legs with my circling arm, and felt skirts against my hand. Surprised, I pulled my hand back. Another chop of the club-on my side this time-reminded me that this was no place for gallantry. I made a fist of my hand and struck back at the skirt. It folded around my fist: a meaty shin stopped my fist. The shin's owner snarled above me and backed off before I could hit out again.
Scrambling up on hands and knees, I bumped my head into wood-a door. A hand on the knob helped me up. Somewhere inches away in the dark the club swished again. The knob turned in my hand. I went in with the door, into the room, and made as little noise as I could, practically none, shutting the door.
Behind me in the room a voice said, very softly, but also very earnestly:
"Go right out of here or I'll shoot you."
It was the plump blonde maid's voice, frightened. I turned, bending low in case she did shoot. Enough of the dull gray of approaching daylight came into this room to outline a shadow sitting up in bed, holding something small and dark in one outstretched hand.
"It's me," I whispered.
"Oh, you!" She didn't lower the thing in her hand.
"You in on the racket?" I asked, risking a slow step towards the bed.
"I do what I'm told and I keep my mouth shut, but I'm not going in for strong-arm work, not for the money they're paying me."
"Swell," I said, taking more and quicker steps towards the bed. "Could I get down through this window to the floor below if I tied a couple of sheets together?"
"I don't know Ouch! Stop!"
I had her gun-a .32 automatic-in my right hand, her wrist in my left, and was twisting them. "Let go," I ordered, and she did. Releasing her hand, I stepped back, picking up the dagger I had dropped on the foot of the bed.
I tiptoed to the door and listened. I couldn't hear anything. I opened the door slowly, and couldn't hear anything, couldn't see anything in the dim grayness that went through the door. Minnie Hershey's door was open, as I had left it when I tumbled out. The thing I had fought wasn't there. I went into Minnie's room, switching on the lights. She was lying as she had lain before, sleeping heavily. I pocketed my gun, pulled down the covers, picked Minnie up, and carried her over to the maid's room.
"See if you can bring her to life," I told the maid, dumping the mulatto on the bed beside her.
"She'll come around all right in a little while: they always do."
I said, "Yeah?" and went out, down to the fifth floor, to Gabrielle Leggett's room.
Gabrielle's room was empty. Collinson's hat and overcoat were gone; so were the clothes she had taken into the bathroom; and so was the bloody nightgown.
I cursed the pair of them, trying to show no favoritism, but probably concentrating most on Collinson; snapped off the lights; and ran down the front stairs, feeling as violent as I must have looked, battered and torn and bruised, with a red dagger in one hand, a gun in the other. For four flights of down-going I heard nothing, but when I reached the second floor a noise like small thunder was audible below me. Dashing down the remaining flight, I identified it as somebody's knocking on the front door. I hoped the somebody wore a uniform. I went to the door, unlocked it, and pulled it open.
Eric Collinson was there, wild-eyed, white-faced, and frantic.
"Where's Gaby?" he gasped.
"God damn you," I said and hit him in the face with the gun.
He drooped, bending forward, stopped himself with hands on the vestibule's opposite walls, hung there a moment, and slowly pulled himself upright again. Blood leaked from a corner of his mouth.
"Where's Gaby?" he repeated doggedly.
"Where'd you leave her?"
"Here. I was taking her away. She asked me to. She sent me out first to see if anybody was in the street. Then the door closed."
"You're a smart boy," I grumbled. "She tricked you, still trying to save you from that lousy curse. Why in hell couldn't you do what I told you? But come on; we'll have to find her."
She wasn't in any of the reception rooms off the lobby. We left the lights on in them and hurried down the main corridor.
A small figure in white pajamas sprang out of a doorway and fastened itself on me, tangling itself in my legs, all but upsetting me. Unintelligible words came out of it. I pulled it loose from me and saw that it was the boy Manuel. Tears wet his panic-stricken face and crying ruined all the words he was trying to speak.
"Take it easy, son," I said. "I can't understand a word you're saying."
I understood, "Don't let him kill her."
"Who kill who?" I asked. "And take your time."
He didn't take his time, but I managed to hear "father" and "mama."
"Your father's trying to kill your mother?" I asked, since that seemed the most likely combination.
His head went up and down.
"Where?" I asked.
He fluttered a hand at the iron door ahead. I started towards it, and stopped.
"Listen, son," I bargained. "I'd like to help your mother, but I've got to know where Miss Leggett is first. Do you know where she is?"
"In there with them," he cried. "Oh, hurry, do hurry!"
"Right. Come on, Collinson," and we raced for the iron door.
The door was closed, but not locked. I yanked it open. The altar was glaring white, crystal, and silver in an immense beam of blue-white light that slanted down from an edge of the roof.
At one end of the altar Gabrielle crouched, her face turned up into the beam of light. Her face was ghastly white and expressionless in the harsh light. Aaronia Haldorn lay on the altar step where Riese had lain. There was a dark bruise on her forehead. Her hands and feet were tied with broad white bands of cloth, her arms tied to her body. Most of her clothes had been torn off.
Joseph, white-robed, stood in front of the altar, and of his wife. He stood with both arms held high and wide-spread, his back and neck bent so that his bearded face was lifted to the sky. In his right hand he held an ordinary horn-handled carving knife, with a long curved blade. He was talking to the sky, but his back was to us, and we couldn't hear his words. As we came through the door, he lowered his arms and bent over his wife. We were still a good thirty feet from him. I bellowed:
"Joseph!"
He straightened again, turning, and when the knife came into view I saw that it was still clean, shiny.
"Who calls Joseph, a name that is no more?" he asked, and I'd be a liar if I didn't admit that, standing there-for I had halted ten feet from him, with Collinson beside me-looking at him, listening to his voice, I didn't begin to feel that perhaps, after all, nothing very terrible had been about to happen. "There is no Joseph," he went on, not waiting for an answer to his question. "You may now know, as the world shall soon know, that he who went among you as Joseph was not Joseph, but God Himself. Now that you know, go."
I should have said, "Bunk," and jumped him. To any other man, I would have. To this one I didn't. I said: "I'll have to take Miss Leggett and Mrs. Haldorn with me," and said it indecisively, almost apologetically.
He drew himself up taller, and his white-bearded face was stern.
"Go," he commanded; "go from me before your defiance leads to destruction."