Petros hurried back to Maya. “This is good,” he whispered. “Very promising. An old monk on Lake Tana has been saying that a powerful Tekelakai is coming to Ethiopia.”
“A woman or a man?” Maya asked.
“A man-perhaps-but there is some disagreement. The guardian will consider your request. He wants you to say something.”
“Tell me what to do, Petros.”
“Explain why you should be allowed into the sanctuary.”
What am I supposed to say? Maya wondered. I’m probably going to insult their traditions and get shot. Keeping her hands away from the sword, she took a few steps forward. As she bowed to the guardian, she remembered the phrase Petros had used back at the airport.
“Egziabher Kale,” she said in Amharic. If God wills it. Then she bowed again and returned to her place next to the Land Rover.
Petros’s shoulders relaxed as if a disaster had just been avoided. Simon Lumbroso was standing behind Maya, and she heard him chuckle. “Brava,” he said softly.
The guardian stood quietly for a moment, considering her words, and then he said something to Petros. Still clutching his walking staff, he turned and shuffled back to the main church followed by the other priests. Only the three young men with the assault rifles remained.
“What just happened?” Maya asked.
“They’re not going to kill us.”
“Well, that’s an accomplishment,” Lumbroso said.
“This is Ethiopia, so there must be a long conversation,” Petros said. “The guardian will make the decision, but he will hear everyone’s opinion on this matter.”
“What do we do now, Petros?”
“Let’s get some dinner and rest. We’ll come back late tonight and find out if you’re allowed inside.”
MAYA DIDN’T WANT to eat at a hotel where they might encounter tourists, so Petros drove to a bar and restaurant outside the city. After dinner, the place began to get crowded and two musicians stepped onto a small stage. One man carried a drum while his friend had a single-string instrument called a masinko that was played with a curved bow like a violin. They performed a few songs, but no one paid attention until a little boy led a blind woman into the room.
The woman had a massive body and long hair. She wore a white dress with a full skirt and several copper and silver necklaces. Sitting on a chair in the middle of the stage, she spread her legs slightly as if anchoring herself to the ground. Then she picked up a microphone and began to sing in a powerful voice that reached every part of the room.
“This is a praise singer. A very famous person here in the north,” Petros explained. “If you pay her, she’ll sing something nice about you.”
The drummer kept the beat going as he circulated through the crowd. He would accept money from a customer, learn a few things about him, and then return to the stage, where he whispered the information into the blind woman’s ear. Without missing a beat, she would sing about the honored man-lyrics that caused the man’s friends to laugh and pound the table with their hands.
After an hour of this entertainment, the band took a short break and the drummer approached Petros. “Perhaps we could sing for you and your friends.”
“That’s not necessary.”
“No, wait,” Maya said when the drummer began to walk away. As a Harlequin, she had lived a secret life under a series of false names. If she died, there would be no memorial to mark her passing. “My name is Maya,” she told the drummer, and handed him a wad of Ethiopian currency. “Perhaps your friend could make up a song for me.”
The drummer whispered in the blind woman’s ear and then returned to their table. “I am very sorry. Please excuse me. But she wants to speak to you.”
While people ordered more drinks and the bar girls wandered around looking for lonely men, Maya stepped onto the stage and sat on a folding chair. The drummer knelt beside the two women and translated as the singer pushed her thumb against Maya’s wrist like a doctor taking her pulse.
“Are you married?” the singer asked.
“No.”
“Where is your love?”
“I’m searching for him.”
“Is the journey difficult?”
“Yes. Very difficult.”
“I know this. I can feel this. You must cross the dark river.” The singer touched Maya’s ears, lips, and eyelids. “May the saints protect you from what you must hear and taste and see.”
The woman began singing without a microphone as Maya returned to the table. Surprised, the masinko player hurried back to the stage. The song for Maya was different from the praises that had been given earlier in the evening. The words came sad and slow and deep. The bar girls stopped laughing; the drinkers put down their beers. Even the waiters paused in the middle of the room, money still clutched in their hands.
And then, just as suddenly as it started, the song was over, and everything was the same as before. Petros’s eyes glistened with tears, but he turned away so that Maya couldn’t see him. He threw some money on the table and spoke in a harsh voice. “Come on. It’s time to get out of here.” Maya didn’t ask him for a translation. For once in her life, she had been given her own song. That was enough.
IT WAS ALMOST one o’clock in the morning when they returned to the compound and parked in the courtyard. Most of the area was filled with shadows, and they stood under the only light. Wearing his black suit and necktie, Simon Lumbroso looked somber as he stared at the sanctuary. Petros, the smaller man, seemed nervous. He ignored the sanctuary and watched the church.
This time, everything happened much faster. First the young men appeared with their rifles; then the church door opened and the guardian came out, followed by the other priests. Everyone appeared very solemn, and it was impossible to predict the old man’s decision.
The guardian stopped on the pathway and raised his head as Petros approached him. Maya was expecting a special ceremony-some kind of proclamation-but the guardian simply tapped his walking staff on the ground and said a few words in Amharic. Petros bowed and hurried back to the Land Rover.
“The saints have smiled on us. He has decided that you are a Tekelakai. You have permission to enter the sanctuary.”
Maya slung the talisman sword over her shoulder and followed the guardian to the sanctuary. A priest with a kerosene lantern unlocked the outer gate, and they went inside to the fenced-in area. The guardian’s face was a mask without emotion, but it was clear that he felt pain whenever he moved his body. He climbed one step to the front door of the sanctuary, stopped to compose himself, and then took another step forward.
“Only Weyzerit Maya and the Tebaki will go inside the sanctuary,” Petros said. “Everyone else stays here.”
“Thank you for your help, Petros.”
“It was an honor to meet you, Maya. Good luck with your journey.”
Maya was going to offer her hand to Simon Lumbroso, but the Roman stepped forward and embraced her. This was the most difficult moment of all. Some small part of her wanted to stay within that circumference of comfort and safety.
“Thank you, Simon.”
“You’re as brave as your father. I know he’d be proud of you.”
A priest lifted up the red plastic tarp, and the guardian unlocked the door to the sanctuary. The old man placed the key ring inside his robes and accepted the kerosene lantern. He grunted a few words in Amharic and gestured to Maya. Follow me.