The lighting effects made a fire seem to blaze up in one corner of the stage. A pupil was working a pair of bellows to fan the flames higher. The torturer picked a black triangular item out of this mock fire: a piece of wood the size of Josephine’s upper body. There were curious red protuberances at its three angles. The torturer took the triangle to the front of the stage and told the audience, “These red-hot metal balls will burn their way so deep into the witch’s body that she’ll wish she had never been born.”
Then he went back to the cook, stood between her legs, and placed the triangular wooden board on her body. The corners of the triangle were now lying on her breasts and her mount of Venus, and he began rocking it back and forth.
All was so quiet in the auditorium that you could almost hear the spectators’ hearts beating. The torturer rocked the wooden triangle again, pressing it firmly down on Josephine’s body, and cried, “Confess that you’re in league with the Devil, witch! Confess it!” The cook began to moan. It was only because Farid was in the know, and watching closely, that he saw Theodore not just pressing the board down over her genital area but vibrating it slightly every time.
Josephine tried to struggle, which made the scene even more credible. She opened her eyes and whispered a plea. “No, please don’t!”
But that just spurred Theodore on.
“Confess, you witch!”
The cook responded with moans that grew ever louder and wilder. She twisted and turned to escape the hand making the triangle vibrate, but Theodore just stepped up the pace. Now her cries were ardent. They echoed around the courtyard, they made their way right into the bodies of the audience. The Fathers in the two front rows looked around in embarrassment.
Apparently on the point of orgasm, the cook was no longer calling for help but just moaning, “Yes, yes, yes!” Her voice made the stones of the building tremble. Some of the Fathers and monks rose in anger and left the courtyard.
Suddenly everyone heard a loud cry, this time not from the stage but from an attic window. The spellbound audience looked up. There stood a thin figure clad in white, illuminated by demonic radiance. For a split second Farid thought that it was part of the show.
“Get all that damned fornication off the stage! It’s the Devil’s work!” cried the elderly protester.
Abbot Maximus rose abruptly from his seat and shouted in the direction of the platform, “Bring the curtain down! The play’s over!”
The curtain fell, and Father Samuel, the principal loser in the whole affair, sat hunched on his own in the front row, while the audience left the inner courtyard. He never wrote another play again. Abbot Maximus decided to end the tradition of a dramatic performance on St. Ignatius’s Day. There was in fact another attempt to produce one two years later, by popular request, but when that too was a failure, plays performed in honour of the founder of the order on his saint’s day were finally over.
On 1 August 1953, a day after the performance of Joan of Arc, the monastery pupils took the stage down again. Farid and Marcel lent the electrician a hand.
“You knew more than you were letting on,” said Farid quietly, but with a reproachful note in his voice.
“Yes,” said Marcel, “I knew Theodore had found out how quickly Josephine comes if you just put a bit of pressure on her mount of Venus.”
“Mount of what?” asked Farid. It was the first time he had heard the term.
“Mount of Venus,” explained Marcel, showing off. “That hairy triangle above a woman’s cunt, get it?” Farid nodded. “If you just rub that place a bit, and touch her breasts, she goes right out of her mind in no time at all,” Marcel added.
“And who was that weird old man shouting from the attic window?” asked Farid.
“I’ll tell you later,” Marcel murmured.
122. Nights in Autumn
September was the harvest month. The great heat of summer was over, but there was even more work. Not only were the grapes ripe, but figs and other fruit were ready to be dried too. Farid felt increasingly that he wanted to be out in the open air and hated staying indoors in a workshop.
Early in September he was given the job of drying figs. He worked for a week on a gigantic threshing floor paved with white stone. The figs were laid out side by side and close together in rectangles, with narrow paths left between them, so that the fruits could be turned once a day without any danger of being trodden on.
The grapes ripened at the same time and attracted more insects, although butterflies liked the figs. Farid, who did not find the work here hard, followed the course of their flight with interest. He felt something like happiness, watching the butterflies in flight as he sat in the shade of a simple shelter made of poplar branches.
But then something happened that was to haunt him in his dreams for years. It was a Tuesday afternoon. Farid was sitting in the shade of his shelter, looking down into the valley. There was much coming and going in the fields and on the threshing floors. A column of three mules had been going between the threshing floors and barns for days, bringing in huge sacks of hay. On the outward journey an experienced monk went on foot, leading the mules downhill, on the way back he always rode one of the animals and led the others after him on a rope.
But now the mules were suddenly racing round the bend in the path of their own accord, and at great speed. The hay on their backs had caught fire.
Terrible screams filled the air. The mules disappeared into the valley leading to the sea, apparently in search of water to save themselves, and so they did not turn to the monastery but galloped through the village. Two peasants’ huts caught fire, and an old woman trying to halt the animals was trampled to death. The mules never stopped until they reached the sea below. One of the animals escaped with a singed mane because it had thrown off its blazing load in time, the other two died horribly of their burns. Rumour in the monastery that evening said it was arson, and the hay had been soaked with petrol. Farid slept badly that night, and was distressed for several days. No one ever found out who was behind the incident.
“You want to know how I am?” Farid whispered one September night, full of longing for Rana. “Not too bad. I have three props to support me here. What? Yes, to support me, like legs. Gabriel, Marcel, and Butros. And if I get a fourth leg then I’ll be a donkey. No, not a table, a donkey, I like donkeys,” he whispered into his imaginary telephone. Then he smiled at his idea, never guessing that he had just made a prophesy.
The fourth leg was Bulos.
123. The Inquisitor
The vacation lasted until early October. A week after the Feast of the Holy Cross on September the 14th, Farid was back working with the builders, who were now repairing a large crack in the monastery wall. He hated the master builder so much that he could already feel cramps in his stomach on the way to join the site. Four pupils from grades eight and nine were in the same working party, but before an hour was up the four had ganged up with the builder and his men against Farid. Soon they were all leaning against the scaffolding, laughing at him.
Farid knew that refusing to work would bring a harsh punishment, and an entry in his monastery records that would never be deleted. Was it worth it, just for that lousy, ugly man on the scaffolding? He gritted his teeth and said to his fellow pupils, low-voiced, “You cowardly traitors!” They just laughed even louder. When the master builder heard what Farid had said he knocked the basket of stones off his shoulder and shouted at him. “I don’t like cheek from my boys. Fetch larger stones!”