He reached the bottom, paused again. It was very dark here; someone had turned out the lights. He looked down the hall. Only the light in the coding cell was open, some fifty paces ahead. He stepped into the darkened corridor, heart hammering.
The device, he thought. The device is in the Wine Cellar, that maze of chambers behind the vault door where all the installation’s little treasures were kept. If there’s a device, and if Klimov means to set it off, then that’s where he’ll be.
He thought of Magda. Klimov would come in to her; she’d recognize a superior, and violate procedure, yes. She’d open the barred door and Klimov would smile at her and kill her swiftly, with a silenced pistol, a ballistic knife, his bare hands. Then he’d have to find the vault combination in the drawer, open the heavy door, and go on in to the labyrinth in there.
Gregor hoped he was wrong. Please let me be wrong, he prayed. Let me find fat Magda reading some absurd American romance novel or cinema magazine or writing a letter to one of her many lovers or her husband or petitioning for a higher living allowance or deciding whether or not to change the color of her nails from Nude Coral to Baby Hush or …
“Magda,” he called softly as he walked down the hall, his head pulsing with pain. “Magda, Magda, are you—”
The cage door to the Wine Cellar door was wide open.
Magda lay on her back, her thighs open, her garters showing, her dress and slip up around her hips. Her face was in shadow.
“Oh, God,” sobbed Gregor. The vision of her death robbed him of all strength and will. His Magda was gone. He wanted to sit down and cry and wail with rage. She would never call him Tata, her very own Prince Tatashkin, noble hero who fought the Witch of Night Forever again. A tear formed in the corner of his eye.
Then he saw that beyond Magda, the vault door lay open. Inside it was dark; he could see the corridor leading away, like a maze, and all the low, black openings off it. Once it had housed the liquid treasures of exalted inebriation, inebriation in a hundred exotic hues and tones, each more rarefied than the one before; now it was a super-hardened puzzle, a collection of possibilities, all of them bad.
Move, Gregor. Time is short. You fat, putrid old man, move. Move! Move!
He had an inspiration, and ran to Magda’s desk and pulled open the third drawer.
There, an old Tula-Tokarev automatic pistol should have been awaiting him.
It was gone, and so was its spare magazine.
Gregor looked into the open strong room, where the device was and where Klimov was with the gun.
He looked at his watch.
It was very near midnight.
Walls hand-over-handed down the rope the six feet back to the ladder, there awkwardly transferred his weight to the top rung, and pivoted, unfolding, from the fetal to a hanging position, planting his boots on a rung five feet below. Damn, it was easy! He scrambled up the ladder and through the open door. The woman was right behind him. He found that he had climbed into some sort of deserted corridor which led down the way to another door. He thumbed the safety off the shotgun; opening its little blazing dot to the world, saying, Ready, Jack. Then he edged along, gun at the ready. Very tricky here. He tried to think it out: his job had been to see how close he could get, then go back and get other guys to plant a bomb or something. But that was all shot now. Now, he was in the goddamn place and it was hours since he’d been in contact: he had no idea who was here. Maybe all those soldiers had gotten into the hole already and he and the girl could just sit down and have a nice Coke and make their report and go home. But he didn’t think so. Those guys who came after him in the tunnel, man, they were too fucking good. They were tough motherfuckers. You don’t get guys like them out easy.
So he figured he’d managed now to get into the place where they could fire the rocket. But nobody had told him what it was like. What should he look for? He remembered as a kid when in school they made them watch rockets shoot little balls or white guys into space from Florida. It was some kind of big room with white guys in white shirts sitting at panels. Somehow he knew that wasn’t right. He figured it’d be a little place, a little room somehow. And as they drew nearer to the far door, Walls became aware of a peculiar sound; it was tantalizingly familiar, coming at him from somewhere in his memory. A siren. The police after him. He stopped. He felt her hand on his arm. He turned, looked at her.
“Some kind of siren,” he said. “You know, like the police are here or something.”
He could see she didn’t comprehend.
“That’s okay,” he said. “We just goin’ to nose ahead and see what’s up. We go real slow. We not goin’ to do nothing stupid, okay, lady? No heroes. We ain’t going to be no heroes. Being hero, that’s the way you get fucked up, and Walls done being fucked up. We just ease our way on up and see what’s to see.”
Phuong looked at the black man. She had no idea what exactly was going on, where exactly they were. But she understood that they were very near the men who would drop the bombs and turn the world’s children to flames. Her heart filled with hate and anguish. She had an image of her daughter in that one instant before the napalm flooded in searing brightness across her: The child ran, screaming, Mother, Mother, as the big jet rushed lazily overhead, and two black, spinning eggs fell from it, drifting in their stately course to earth.
Mother, Mother, the girl cried, and the wall of flames fell over her and the heat beat at Phuong, pushing her back and down and she felt her heart melt and her brain die and she wanted to run into the fire, but hands held her back.
She knew then why she was here, why she had come this long way back into her past.
Mother, her daughter called her, Mother.
I am here, she sang in her heart, joyous at last, for it was time to run into the fire.
Skazy yanked the pull-ring on an eight-second delay detonator jammed into a five-pound block of C-4, looked around, yelled, “Fire in the hole,” and tossed the thing down the shaft. He had a sense of extreme maliciousness: to throw enough explosive to flatten a building down into a hole in the ground, then scamper back until it went boom. He felt giddy and dizzy as the thing fell weightlessly from his fingers and was absorbed by the blackness. He stepped back a few feet, though he knew the blast couldn’t hurt him. He looked about: the dark troopers of the first squadron of the Delta Tunnel Assault Team stood around awkwardly, linked into their harnesses. All were in black; faces, hands, watch caps, armored vests, guns, ropes, knives — all black. In the second before the explosion Skazy had a delirious moment of clarity: it was all behind him now, the stuff with Puller, the so many times Delta had mounted up and gone nowhere, the stand-downs, his own career stalled out by the rumor that he had once smashed a superior in the face. All gone: now there was only Delta, and the moment rushed toward him so beautifully he could hardly stand it.
The explosion was muted from this distance, but still you could feel its force. The ground shook. It was a hard, sharp clap under the earth. Hot gas pummeled up from the shaft and gushed out into the night air.
Skazy tugged once, just for luck, on the metal bit at his belly button through which his ropes ran; he knew they were perfect because he’d done this drill a million times. He went to the shaft and heaved his long rope down it It disappeared, uncoiling, shivering, and clicking off the walls as it fell. Other ropes fell with it down through the long distance. He looked around, and there stood Dick Puller with the earphones and Peter Thiokol looking at him.