‘By?’
‘Two questions. First, Kaminsky knows the Shoemaker. He was the Threshold. But he never told Brack. He kept quiet, leaving his handler to look under all the beds in Warsaw. Meanwhile Roza is being tortured. Her husband is taken out and shot. So is Stefan Binkowski. How does all that fit into the price worth paying? Why didn’t Kaminsky lead Brack to the Shoemaker in nineteen fifty-one?’
Sebastian had been nodding while Anselm spoke. The point had struck him, too. He’d arrived at an answer while examining the files.
‘My guess is this. When Kaminsky presented himself after the war, he was planning on a long and lucrative arrangement. Long, because he genuinely believed in Stalinist socialism; lucrative because, as he said, tongue in cheek, he’d counted the cost of losing and wanted to be paid for his trouble… up front, right now’ Sebastian loosened his tie, one finger pulling at the knot. ‘He retained the one piece of information that his controller wanted because that kept their relationship vital… and it kept the payments coming. He gave his controller a few gems close to the target, like Roza and Pavel, but the main prize, the Shoemaker, is left out of reach, keeping Brack on the move. And along the way, rebel voices, drawn to the Shoemaker like bees to jam, are systematically betrayed.’
The snapshot appalled Anselm: Kaminsky had been using Brack in a counter-subversion operation of his own invention; by leaving the Shoemaker free, he’d caught more insects. In that light, the money appeared more as a salary for having managed his handler than a top-up for his stipend. Anselm stared at the night sky behind his own reflection. ‘And Brack thought he was running the show when, in fact, he was being led by the hand…’
‘Yes, led to do the rough stuff required by an “uncompromising engagement with the times’.’.” added Sebastian, swinging his feet off the table. He walked to the shelving units that covered the wall and pulled out a box file. Back at his desk he flipped open the cover and took out a flimsy publication.
‘This is a copy of Freedom and Independence,’ he said, bringing it to Anselm, ‘the last edition before printing ceased in October nineteen fifty-one.’
Anselm held the paper in his hands with an instinctive reverence. His eyes ran across the imposing letters and words, his finger traced the soft indentations made by the stamp of the press. Not being able to understand anything, a blasphemy instantly suggested itself: why would anyone die for these impressions on paper? How on earth could they matter so much? They were just shapes; they made an arresting pattern. But then again, what was an idea if not flotsam in the mind? How could anything so insubstantial turn out to be so strong; so insignificant, and yet so important?
‘The publication was silent until thirty years later,’ said Sebastian, leaning against the front of his desk, arms folded. ‘He only spoke because Roza insisted. Prior to that moment he’d been silenced by Kaminsky Even the Shoemaker was being led by the hand.’
Anselm looked up, ‘How?’
‘It all comes back to those executions,’ replied Sebastian. ‘As the Threshold, Kaminsky knew how the organisation was structured. He knew that the Shoemaker was the indispensable figure who had to stay out of reach, for the sake of Freedom and Independence. Others could die, but not him, never him; he was the living breath behind the living word. He had to be protected. But that was all in theory. No one had been killed. But then Pavel and Stefan were shot in Mokotow What did Kaminsky say to the Shoemaker afterwards? I reckon he told him enough is enough. He told him the cost of his words was a touch too high. He roused the guilt that came with the privileged position of the protected. Who’d argue with that? Who’d want to write about freedom after Roza had been tortured and widowed?’ Sebastian drew breath, arching his eyebrows. ‘Kaminsky ran a brilliant operation: he hid the Shoemaker from the SB because he was a lure; manipulating that lure, he snagged the capitalists who were out for a fight with Marx; and, almost by default, he secured what he and Brack wanted above all, the suppression of the most powerful and respected dissident voice in the country. The real professional was Kaminsky Brack, with his obsession for one man in hiding showed himself to be what he was… an amateur. The butcher used by the State to work in its secret abattoir.’
Anselm couldn’t argue with the harsh lines drawn by Sebastian. The former Gilbertine was the still point in a world of whispering and death. He was, ironically a man who’d skilfully effected a ‘withdrawal from the crisis’, leaving Brack to think he was leading the charge, using the likes of Edward Kolba to watch Roza the widow and Magda the Zionist. Far away in his parish, with his eye on the greater picture, and without attracting the slightest suspicion, he’d no doubt consoled the Shoemaker. Assured him that he’d done his bit. Cried with him over the untold fate of the unsung martyrs. And as soon as Roza turned up, he sucked in a few more flies and then told Brack where to catch them.
‘You have a second question?’
Sebastian was looking upon Anselm with the camaraderie of shared disappointment. While it was illogical, he understood only too well that Kaminsky’s standing as a religious figure affected him personally.
‘How am I going to speak to such a man?’ murmured Anselm, trying to envisage the encounter. The former monk was alive and well, his address listed at the back of Roza’s statement, along with all the others. ‘What can I appeal to in his past that might have some bearing on the present? Why would he agree to co-operate with Roza’s quest for justice?’
Sebastian’s humph showed he had no answers this time. As if to leave him completely empty-handed he took back Freedom and Independence and filed it away.
‘Funny, really, that he never cleared off altogether,’ said Anselm, recalling Roza’s cited dictum: no church, no solidarity, no revolution. ‘He stayed on as part of the institution. An institution that had helped put a nail in the coffin of his beliefs… his political beliefs.’
The mirroring of that word gave Anselm a fresh angle on to Father Kaminsky’s complex character. ‘He still believes,’ said Anselm, obviously.
‘What?’
‘Roughly what I believe and what Roza believes about the silence in Saint Klement’s. It’s got a shape, a pattern, like those strange marks on the page.’ even if you can’t understand them half the time… and to him who listens, to him who believes, it’s important. It’s worth a fight with a lion, knowing you’re going to lose. And whatever else, Kaminsky cares enough about his church to forgive her role in the demise of his utopia:
‘You’ve lost me.’ Sebastian had returned to his desk and was bending a paperclip to occupy his hands.
‘Kaminsky has two faiths,’ explained Anselm, tentatively ‘One for this world and another for the next. How they impinge on each other is anyone’s guess, but a meeting point might be murder. Maybe the executions were a step too far, a price he didn’t want to see paid by anyone — least of all on the back of his informing.’
A picture of Father Kaminsky radically different to that described by Sebastian began to filter into Anselm’s imagination: a tormented man, perhaps, limping through the years, powerless to go back and erase his footprints, not daring to turn around and see once more where they’d been. Leaving the monthly payments aside — a feature difficult to excuse from any angle — Kaminsky could have been horrified by Brack’s brutality, finding himself implicated in actions he would never have sanctioned.
‘He handed over information, reflected Anselm. ‘He gave them essays, lectures, illegal books… the ideas he didn’t like… it’s a long way from endorsing summary justice.’
‘Where are you going with this?’ asked Sebastian.
‘I have one chance,’ said Anselm, increasingly sure of his ground. ‘If Kaminsky feels any compassion for what happened to Roza, then he might be prepared to help her — especially when I tell him that the only reason she chose silence over justice was out of respect for their shared beliefs.’