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His father is alive. If he dies one day, it will be because of that stupid black tobacco and not the freezing cold of a prison cell.

Besides, his sperm had shot out like a big bang into the womb of the woman he loved. His experience proves that the world was created so that he could live his love with Patricia Bettini.

Today she’s invited to the graduation ceremony. After his triumph with the campaign, Bettini has gotten new clients. The distributors of a French car have already given him their portfolio. At any rate, Le Monde had acknowledged his talent. Ooh-la-la. He bought his daughter a dress of the finest embroidered satin, open between the thighs like a mineral slash, with beads and Armani’s unruly signature.

He paid more than he had, but he accepts that Pinochet was a genius when he put in circulation the credit card — that’s the only way to get what you cannot afford. After him, the deluge.

Yet Adrián did this on one condition, which the girl humbly accepts — she has to wear the same dress at her own graduation ceremony, which will take place in the Scuola Italiana in three days. She better not dream of changing her wardrobe every two hours, as if she were an international movie star.

By the entrance to the auditorium there is a wreath of white roses, with some green leaves, and a few red carnations. Above, there is black poster board taped to the wall on which someone has written in yellow, “We don’t forget our martyrs.”

There are five names — two students and three teachers. One of them, Don Rafael Paredes.

As they walk into the auditorium, people pretend not to see the poster board. Since the triumph of the No, Lieutenant Bruna decided not to come back to the school. He sent the soldiers in a jeep to pick up his stuff.

The school chorus sings its anthem. Most students and guardians are singing it standing up. “Let it vibrate, comrades, the anthem of the institute, the song of the greatest national school …”

Nico Santos is one of the fifty-five young men who’re graduating. The principal will hand out the diplomas one by one. Fifty-five times the audience will applaud, and the principal will have a picture taken with every student. Afterward, the photographers will be selling them to the relatives as they leave the school.

The students look weird in suit and tie. Their messy hair does not match the formality. Most of them are scratching their neck with their forefinger; others have loosened the knot of their ties. In the second row, Nico Santos and Che seem to argue about the probable outcomes of a soccer game.

Professor Santos and his special guests — Adrián, Magdalena, and Patricia Bettini — are seated in the third row. On their seats is a label that reads “Faculty member.”

Professor Santos is a faculty member.

Professor Paredes was a faculty member.

In the second row, there is a seat with a card that can be easily read because the seat is empty: “Doña María, widow of Paredes.”

“… which had the astonishing fortune of being the nation’s first spotlight,” Professor Santos sings, without taking his eyes off Nico, who wipes his perspiration with the back of his hand. He’s standing on the same stage where only a few weeks before, still a virgin, he performed in The Cave of Salamanca.

Bettini doesn’t know the anthem. Moreover, his attention is now captured by the man who is approaching, resolute, despite the knees that block his way through the row, and walking toward him and gesturing him to make room. When the man gets close to Bettini, he sits with a satisfied sigh and, without looking at him, extends his hand to him.

It’s Minister Fernández.

“How are you, Bettini?” he asks, adjusting the legs of his pants.

“Minister, what are you doing here?”

The man points at a dark-skinned boy with sharp cheekbones who waves at him from the stage.

Fernández answers by lovingly raising the fingers of his right hand, not higher than his neck.

“It’s my grandson’s graduation. My baby. Luis Federico Fernández. And you? What are you doing here?”

Bettini doesn’t know how to respond. He comes up with something vague, “My son-in-law, I mean …”

“I know, your daughter’s boyfriend. That’s it, exactly that, your daughter’s boyfriend. Meaning, Nicolás Santos …”

“No. Nico Santos. How do you know his last name?”

“Don’t you remember, Bettini? The philosophy teacher, Rodrigo Santos … Did everything come out well?”

“Fine, Minister.”

Former minister, don’t forget! And how’s life treating you?”

“Well … I’m alive. Thanks to you, I suppose.”

“Good heavens. You like to exaggerate!”

“I told your men to get the fuck out of there.”

“Wow! How daring of you!”

“Not so much, Dr. Fernández. The construction workers in front of my place were looking at us.”

“Even so.”

Both applauded when the anthem ended and intensified the ovation when the principal came to the front to start his welcome speech.

“And you, what have you been up to lately, Minister?”

“Democracy is coming, my friend. I’m thinking about a position where I could practice my vocation to public service.”

“As a senator?”

“I’d love to. I’m very good at creating projects, laws, all that stuff. Which one of the boys up there is your ‘son-in law’?”

“The hairy one on the left, with a green and blue tie.”

“I see. What’s he going to study?”

“He wants to be either an actor or a writer. And your grandson?”

“Engineer. Like his father. Do you know that my son Basti voted for the No in the plebiscite?”

“Your own son?”

Dr. Fernández tapped his knees, cheerfully, with his fists.

“My own son. Democracy is wonderful, don’t you think so?”

“Despite being ‘a statistical exaggeration’?”

“Despite that. It’s such a tender thing. Imagine — here we are, you and I, happy with life, looking together at the future of our nation. Me, next to my pampered grandson, and you accompanying the young Santos. By the way, I can’t believe you beat us with such a stupid waltz.”

“A stupid waltz, Minister?”

“A waltz super super stupid, Bettini! We can’t deny it!”

“Dr. Fernández, are you familiar with Actuel, the French magazine?”

“What makes you think that? Je ne parle pas français!

“They’ve just published an issue with all the songs that changed the course of history in the last fifty years.”

“You’re kidding! And they included the stupid ‘Waltz of the No’!”

“Exactly, Minister. It’s the 1988 song.”

“And who were the other years’ winners?”

“Jim Morrison, the Beatles, the Rolling Stones.”

“And what are you creating right now?”

“No more songs, Minister. The next step is to win the elections with Olwyn and then send Pinochet to jail.”

Fernández laughed so loudly that the audience looked at him. Even the principal gave him a look full of reproach.

“Hmm. I screwed up, it seems. To put Pinochet in jail?” he said in a low voice. “You won’t be able, Bettini.”

“We will, Dr. Fernández.”

“No, no, no. It feels so good to say no …”

“Yes, yes, yes. We’ll be able to do it.”

“No, no, no. My general won’t be touched, not even with a lady’s petal.”

Now it was Nico Santos’s turn to receive his diploma. Patricia Bettini stood up and applauded, and the audience had the opportunity to admire her Armani dress. Adrián Bettini stood up, shouting, “Bravo,” and Professor Santos scratched his head while holding an unlit cigarette between his lips.