Then—right when Matt was entertaining the idea of choking the big guy into unconsciousness—the giant let out another high, hollow roar and buried his elbow deep into Matt's gut.
Matt released him, staggered backward. Gasped for air.
In a second, the Ojibwe was on his feet, had turned, had reached Matt and slung both arms around his waist in a bear hug.
He lifted Matt off his feet and began to squeeze.
Matt gasped. His head was ten feet in the air. He felt paralyzed from the waist down. His hands were free but seemed unable to do anything but brace themselves against the giant's shoulders as the big man's trunk-like arms crushed him like twin anacondas.
His ribs creaked. Unable to draw a breath, Matt felt his vision dim with black fireworks. Straight ahead, he could see—but not hear—the cheering, fist-pumping night shift, the snarling laugh of Jesse Weston, the blonde's tear-stained cheeks.
I'm going to die, Matt thought as the blood roared in his ears. And for some reason, he had a sudden image of Janey saying the same thing while staring out the hospital window, and of himself telling her, You'll be with me, Janey . . . What I see, you'll see. What I do, you'll do. I'll never let you go. Never.
And the thought occurred to him: If I die, Janey—what's left of her—dies with me.
And that was not an option.
Breathless, he looked down at the beast that was crushing the life out of him. Looked into the freakish triangular mask, with its single eye slit and long, jagged shark's teeth encrusting its tapered edge.
Had an idea.
Grabbed the top of the mask with both hands and pulled it towards himself.
The elastic band stretched, stretched . . . and snapped.
Immediately, the top of the mask jerked away from the Ojibwe's face, towards Matt, and the narrow, jagged-toothed end of the triangle tipped over the giant's chin, until the shark's teeth came to rest against his Adam's apple.
With the last of his strength, Matt drew back his arm as far as it would go, and then slammed the heal of his palm against the top of the mask, driving the triangular tip—with its cluster of shark's teeth—deep into the Ojibwe's neck.
The huge arms released him, and Matt collapsed into the sand. Gulping air, he watched as the giant doubled over and grabbed the mask. The Ojibwe gave a high, panicky whine and ripped the mask out of his neck, flinging it over the heads of the night shift.
A huge jet of black blood sprayed from his open throat, and then another. He staggered in a circle, gagging, clutching his neck, tripped over his own feet, and came crashing down into the sand of the pit.
The giant gave a last, pitiful croak; his limbs trembled as a black pool spread beneath him. His crossed eyes rolled in confusion and pain, and his piranha's jaw worked soundlessly.
Watching him expire, Matt felt certain that the giant had had no idea what he was doing, that he was nothing more than a puppet. And Matt had no doubt who had been pulling the strings.
He got to his feet. Looked deep into the furious eyes of Jesse Weston.
Said, "Next."
CHAPTER ELEVEN
The night shift hissed like a snake pit. Four or five had been butchered by the Ojibwe, but that still left about a dozen, and they had spaced themselves around him in a perfect ring again, knives extended.
Weston seemed too enraged to speak.
Oh, what the hell, Matt thought. "You said you wanted blood, Jesse?" He gestured towards the fallen giant, to the dismembered pieces of the night shift that darkened the sands. "Why don't you come down into the ring with me? We got all you want, right here."
"I think not," Weston said in a quaking, oily voice. "I think I'll let my subjects pin you, skin you, and spread salt on what's left. But not until I've quenched my thirst with the blood of your little friend."
Weston grabbed the kneeling girl by her blond hair and jerked her head backward so that she was looking at Matt, upside down. Her kohl-smudged eyes were blank with trauma yet seemed to reach out to him across the distance.
"No!" Matt took a step towards her, but the night shift clustered in front of him, knives glinting in the moonlight.
The man in the black robe knelt next to the girl. "See these bandages, Matt? Dindren's work. He bit me twice. But once I gave myself over to Rotting Jack? I was able to revenge myself on the doc many, many times over. He showed you my bite marks, right? He was proud of them, in the end. It's an honor, after all, to quench the thirst of a god."
Matt couldn't believe his ears. "Did you say 'god'?"
"Of course." Weston's bandages crackled as he grinned at Matt. "That's what happens when you give in to them. I gave in to mine. Just like you—if you hadn't come here—would have eventually given in to yours."
Mine? Yours? Matt's mind raced. Was Weston saying that Rotting Jack was different from Mr. Dark? How could he possibly know that?
Weston lowered his bandaged face to within inches of Annica's upraised chest. His eyes flicked outwards to Matt.
"You really don't know what you're missing," he said, casually putting his hand on her pink sports bra. "Because, to tell the truth, the act of biting another human being is surprisingly habit-forming. Especially"—and here he ripped the bra off, exposing her small white breasts—"the tits."
And he bit her.
As the first streak of blood ran from his mouth, Matt charged the wall of knives arrayed before him. But the instant before they would have run him through, two things happened.
First, the girl's pupils rolled back into her skull, so that only the whites showed.
Second, the four halogen lights simultaneously dimmed, then exploded in a fountain of white sparks.
Chaos: the night shift cried out and bolted every which way, trying to escape the fiery rain that poured out of the halogens in burst after burst.
Matt didn't waste a second. He crashed into the scattering group, flattened a fleeing aide, and ripped a ten-inch carving knife out of his hand. Then he bounded up the stone seats towards the girl.
Weston was crouched above her, his mouth red with her blood, grinning.
"Now you see the power of—"
"Oh, shut up," Matt said, and slung the blade with such force that it cut through Weston's entire neck and most of his vertebrae. Weston's bandaged head flipped off like the top of a Pez container and remained connected to his torso by only a small strip of flesh. He collapsed backward, jetting gore.
Matt stuck the knife in his belt and turned his attention to the blonde. Her pupils had reappeared, but they were blank, disconnected. Matt slid one arm beneath the damp flesh of her bare back and another beneath her knees. He lifted her up. She weighed almost nothing.
Matt looked down into the small stone amphitheater. A cloud had covered the moon, and the only light came from the pulsing bursts of sparks from the halogens, which were getting smaller and farther apart with every passing second. When the sparks died out, the entire scene became pitch-dark. When they spurted again, like a slowing heartbeat, he could see the empty ring of seats, the bloodied pit, the bodies and limbs strewn within it. And shapes between the trees, moving, shifting, reassembling. He looked at his feet and saw Weston's beheaded body. The black robe had fallen open, revealing the huge circular scars around his nipples and the jagged, jack-o'-lantern mouth cut below the navel. Then the sparks faded again, and darkness fell.
When the halogens showered fire into the arena a final time, the upper ring was empty, and Matt was gone.