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"Here," he whispered, "draw me a line beside the other-yes, just so...." One by one he gave colors to the children and guided their awkward hands. Yellow, orange, red and purple, blue and turquoise and green-the chalk glowed against the dark stone. And when all the colors had been used, Lalo got to his feet, holding the slate carefully.

"Now, let's make something pretty-I can't do it alone. You both come here with me ..." Lalo held out his hand and drew first Arton, then Gyskouras, from his mother's arms. "Come to the window, don't be afraid ..."

Lalo was dimly aware that the room had gone very still behind him, but all his attention was on the two children beside him and the storm outside. They reached the window; Lalo knelt, his greying ginger head touching the dark child's head and the fair.

"Now blow," he said softly. "Blow on the picture and we'll make the nasty clouds all go away."

He felt the children's milky breath warm on his fingers. He bowed his head and expelled his own pent breath outward, saw chalk dust haze the damp air. His eyes blurred with the intensity of his staring, or was the blur in his eyes? Surely now there was more color in the air than they had ever blown into it, and the colors were shimmering. His ears rang with silence.

Lalo sank back on his heels and drew the two storm-children close against him, and together they watched as the rainbow arched over Sanctuary....

AFTERWORD

"Mirror, mirror on the wall,

Which is the skungiest city of them all?"

You know what the mirror replied,

with a sneer at having to state the obvious.

SOME BLATANTLY PERSONAL OBSERVATIONS

Andrew Qffutt

Hanse and I have been in Sanctuary since the foundation stones were set, in a February 1978 letter from genius-creator Asprin. We earliest settlers (eight of us writers then, I think) received maps and descriptions, Hakiem's original background tale, copies of each other's character sketches and sort-of-maybe outlines, and letters from HQ: the Asprin mind. Everybody was excited and pretty chattery. The little description I began of a fellow to be called Hanse became three pages, physical and psychological, with footnotes and sidebars. By the time I'd written all that three or four times, I knew what the first story was about and what sort of stories he had to be in, if there were to be more.

As it developed, letter by letter by letter and packet of Xeroxed materials and All-Points-Bulletins to and from us beginners of that project that seemed such fun, I addressed an envelope to

"Robert L. Asprin

COLOSSUS: The Thieves' World Project."

Only a few weeks later, came the next Asprin APB for us first Thieves' World participants ... and derned if he hadn't made just that his letterhead!

Next, John Brunner, with the character sketches of his Enas Yorl and Jarveena, sent over a treatise on magic. It told us how it had to be in Thieves' World; a sort of logical system of rules of magic that has been ignored ever since. Then Boss Asprin was looking for a name for that first book, and I suggested Tales From the Vulgar Unicorn. Thank all gods he decided to call the first one simply Thieves' World! My title went on the second volume.

(Send your proposed title for the next one; Bob and Lynn just adore mail and if your title is chosen, you will receive a genuine certified Thing. Maybe a no prize for you if you're one of my fellow comics fans.... If you're runner-up, your prize is a date-nocturnal only-with either Tarkle or Roxane, Zip or Ouleh the Man-killer; your choice.

(Send to me that detailed list of all the characters in all the books, with however brief ID for each-and whether still alive, KlA-and-dead, or Undead. I like to remember and include all those little people, such as Thumpfoot and Mungo and Shive the Changer and Frax, former Palace night-sentinel who's been out of work since the arrival of the Beysibs, and Weasel, and ... you know. Spear-bearers, many of whom don't even have speaking roles or are only referred to. Seems to me I haven't referred to York or Jubal and various other big-ikes for several stories.)

Oh, here's an Inside tip for you, Insider: go and look again at the cover of the original TW. Asprin long ago came up with a caption for it, and you'll love it. It's "You're In The Wrong Place, Sucker."

The Solid Gold 50th Anniversary Volume

It honestly seems over a decade ago when we all wrote those first stories. We were a team! We sent them in with gusto and love, having fun-for a nickel a word. That was as advance against royalties if the book sold enough copies to generate any royalties. Hey, did it ever! What now? Another S.F. Book Club volume, I hear, and is it three TW games or four? Translations into German and French and British and Swahili and Newjersese! Interplanetary rights up for bidding! Other publishers hot for novels about TW characters! Ace Books making plans for the solid gold 50th anniversary volume! Asprin and Abbey buying the state of Michigan and bidding for the Detroit Tigers!

You and we have made it quite a phenomenon. And I swear: it's still fun! Thanks, my fellow fan.

Without quite knowing why, I think I'm more comfortable in this town than any of my cohorts-the rest of the TW family. (Baghdad, that's the way I see it: Baghdad or the great old caravan city of Palmyra, about a year after someone put in the Interstate five or so miles away.) To hell with the invasions by Rankans and Stepsons (their big horses making an even worse mess of our streets and consuming so much of our valuable grain); to hell with the invading Beys and the Beysa and the lords 'n' ladies in their palatial manses; with vampires and walking dead and walking gods and Lon Chaney Jr.! Offutt's an Ilsig who writes about Sanctuary and its people. True, most often my people are Not What They Seem....

Who is, in Sanctuary?

Hanse called Shadowspawn, and Ahdio, and the late, beloved Moonflower and Jubal are as real to me as the Maze. (I know it's real because the moment I start to write about it, very late at night usually, with soft pen and cheap lined paper and beer, I swear I can see it and hear its sounds. And smell it.)

I abhor any such snotty, uncultured creep as Hanse, as I loved Moonflower, also my creation. (As you probably know already, since the rules are that we can Not do in each other's characters.) Hanse would be rotten company, so full of swagger and needs. I know. I've met his sort, time after time, at science fiction/fantasy conventions. Sometimes even with the knives! Yet I can't help but love my rotten thief, too, poor guy; sort of as an indulgent father. He was born of me, after all, although Shalpa takes the credit. Now, like Tempus, he's left town, with Moonflower's daughter Mignureal (that's Min-you-ree-Al, and Notable must be with them too, surely.)

As a matter of fact Hanse is up northeast a bit, standing by to star in his own novel, Shadowspawn. Yes, I've already signed the contract and this same publisher may already have the manuscript by the time you read this (eleven months after my writing it, a few days before Thanksgiving '84).

Others love-hate Hanse, as he and I love-hate Tempus and the revenant (?) One Thumb and even the dread-some Ischade and Roxane. (Lots of great role models in Thieves' World!) Lalo and Gilla his wife are people, lovable or not. No one loves Jubal except his creator-who is now co-editor, because we wore him out with gripes and late stories and plot entanglements so that he married a sweet innocent woman and now forces her to do all the work. No one can hate her character, Illyra, who is as unreconstructably lovable as Lynn.

Except when she imported these deleted stare-eye Bey-sibs and their boss stole away from me a character I'd begun to think of as mine: Prince Kadakithis. Wait till Lynn sees my plan for the Final Solution to the Beysib Problem: Throde draws a picture of an M-l tank and Lalo makes it real.