'But you've never — you've never — ?'
Colette didn't reply.
'No, don't answer,' said Brighton. 'You're right not to. The words would dirty your lips. I'm sure you never have. You're purity itself. Now, Miss Rousseau, I'm going to get started. I want to so very badly, and I no longer think we're going to be married. I hope you don't mind that Samuels sees us; just put him right out of your head. Please don't make any violent movements. Samuels might shoot.'
Brighton leaned down, evidently to kiss her. Colette waited as long as she could bear it, even until Brighton's mouth was actually upon her, before she thrust an elbow into Samuels's stomach, pushed Brighton with all her strength — causing the ungainly man to fall to the floor — and bolted from the office. The factory floor was empty now; she rushed through it to the main door. But the doorknob wouldn't turn; it was locked. Desperately, Colette looked around, and she saw something that gave her an idea. If she'd been able to run, she could have reached it in a moment. But a voice froze her.
'Stop where you are, Miss Rousseau,' ordered Brighton. 'Please don't make Samuels shoot you.'
Colette turned. 'Miss McDonald worked here,' she said, 'didn't she?'
'You mean the one with that — thing on her neck?' said Brighton. 'Yes, she did. A lovely girl. I thought for a time she might be my wife, before that hideousness grew on her.'
As Brighton and Samuels came nearer, Colette took a step back from them, along the wall, as if out of fear. 'Radium got into her jaw,' said Colette. 'You knew. You kept it a secret to sell your watches.'
'No, my dear,' replied Brighton earnestly. 'I don't care about the watches. It's the radium itself. If the public were to learn that radium causes that sort of thing to grow on a girl's neck, no one would want any radium products anymore. The price of radium would fall ninety percent — back to what it used to cost. For a mine-owning man like me, that would be a substantial loss. Very substantial.'
'Amelia worked here too,' said Colette, taking another step backward. 'She was losing her teeth.'
'Yes. Most unattractive. I was very angry at her. She was almost your undoing, you know. Samuels was certain Amelia had told you all our secrets. That's why we had to — to take action against you.'
'You had me kidnapped,' she said, still backing away.
'It was the most efficient thing in the world. We had some foreigners in town for another task — Serbs, weren't they, Samuels? — very well suited for the job.'
'You tried to kill me — and then proposed to me?'
'That is one of my great strengths, Miss Rousseau. I admit my mistakes. I learn from them. It was all a misunderstanding. Do you know why Amelia tried to see you at your hotel? It's because some of the girls overheard you at our factory in Connecticut saying that my company was killing people. But you didn't mean my paint was doing any harm. You meant that luminous watches divert radium from medical uses. How preposterous — that misunderstanding nearly killed you! It was I who came to your rescue. You owe your life to me, Miss Rousseau. I saw Samuels's mistake immediately after I heard you at the church. That's why I ordered the attacks against you to stop.' Brighton shook his head ruefully. 'But now look how things have turned out. What a pity. Samuels, can we keep her in the infirmary? If I can't marry her, that would be my second choice.'
'They'll come for her,' said Samuels.
Brighton sighed: 'You're right, as always.' While Samuels kept his gun trained on Colette, Brighton went to a metal barrel positioned on top of a worktable. Opening a tap at its base, he filled a glass measuring cup with greenish paint. 'Since you aren't receptive to me, Miss Rousseau, would you mind at least opening your mouth and holding quite still? Please say you'll cooperate. It will make things so much easier.'
Colette didn't answer. She was touching the wall with her hands behind her back, feeling for something. Where was it?
'Does your silence mean yes?' asked Brighton. 'I would be very impressed with you. Girls are usually so unreasonable. Most people are. I remember as a boy I would propose something perfectly sensible, and my parents would say it was "wrong." They would get that look on their faces. What does it mean — wrong? It's as if they were suddenly speaking in tongues. I don't believe the word has any meaning. I've asked people many times to explain it to me; no one can. They just give examples. It's gibberish. I look at people sometimes, Miss Rousseau, and honestly I think they're all cattle. I may be the only one with a mind of his own. Samuels, open Miss Rousseau's mouth.'
'You're going to make me drink your paint?' asked Colette, aghast, taking another step back
'Please don't be concerned,' said Brighton. 'We've done it before; it works splendidly. The paint will make you sick, and we'll rush you to the Sloane Hospital for Women, where a specialist named Lyme will treat you. He'll give you something that will keep you from speaking. You'll get weaker, and your hair may fall out. That will make you very unattractive, but it's all right — I won't come to visit. You'll be diagnosed with syphilis, I imagine. Then you'll die. It all goes very smoothly, I promise you. Won't you please open your mouth? You'll be doing me a great favor.'
'Mr Brighton, I beg you,' she said, turning her back to him. 'Shoot me now. Get it over with.'
'But I can't,' answered Brighton. 'If we shot you, Miss Rousseau, either your body would have to disappear, which would raise all sorts of questions, or else we'd have to turn you over to the police with bullets in you, which would raise even more. I assure you, the paint is much — '
Brighton never finished this sentence. Colette, her back to the two men, had taken hold of the red wooden handle of the light switch the master switch, which the working girl had warned her of earlier and she plunged the factory into darkness. Immediately she dropped to all fours as shots rang out and bullets ricocheted off the metal plate above her.
'Stop shooting!' ordered Brighton. 'There's nowhere she can go. Get the lights back on.'
Colette could see nothing except the glass measuring cup of radio- luminescent paint in Brighton's hands, glowing greenish yellow, casting an eerie light on his nose and chin. She darted to him, seized the cup with both hands, and threw the paint in his face.
'Get it off me!' yelled Brighton. 'Get it off!'
Colette rushed to the far wall, which had four great windows in it. The dimmest hint of light was coming back to the factory floor. Samuels had thrown the master switch, but the overhead lamps, with their thick filaments, only gradually came to life. Samuels stood next to Brighton with a handkerchief, trying vainly to rub the glowing paint off his employer's face.
'Never mind!' said Brighton. 'Where is she?'
Colette picked up one of the girls' stools and smashed it into the windowpanes, opening a gaping hole. Samuels fired in her direction, but the darkness saved her. She scrambled out of the window, the leather gloves preventing the glass shards from cutting her too deeply, and let herself drop to the street below. Heedless of direction, heart pounding, Colette ran from the factory. She didn't hear anyone pursuing her; still she ran on.
Turning a corner, she found herself on a short, narrow, empty street without a single streetlight. She came to a small park. She ran across it, under several trees, until she reached an old, high, massive stone building with wooden doors. It was Trinity Church. She was at a side entrance: the doors were locked. Breathing hard from running, she beat on the doors with all her might, but no one answered. Again she ran off into the night.
'Got to go to Grand Central,' said Littlemore to Younger as they walked down Wall Street toward the subway station at the corner of Broadway, where, directly facing them at the end of Wall Street, the dim Gothic spires of Trinity Church loomed up in the night sky. 'Want to come?'