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Hunter reached for it.

‘A common meaning associated with the raven or the crow is . . .’ she paused like a schoolteacher to raise her students’ curiosity, ‘. . . death. Some cultures used to send a crow or a raven to an enemy to indicate that they had been marked for death. Sometimes the entire bird, sometimes just their heads.’ She took a deep breath. ‘In South and Central America some still do.’ She indicated the passages on the sheet in Hunter’s hands.

Hunter acknowledged it and had another sip of his Scotch. He finished reading the rest of the document in silence.

‘Before I move on I need to ask you something,’ Alice said.

‘Shoot.’

‘Why in the world would the killer create that sculpture and the shadow puppets? I mean, if he’s trying to communicate, why not just leave a message written on the wall as he did for that poor nurse? Why go to all that trouble, risk the amount of time it takes to create something like that, just to leave us a clue?’

Hunter slowly rotated his neck from left to right. Even after the shower and a couple of drinks, his trapezius muscle still felt stiff.

Usually, when criminals deliberately leave a clue behind, it is for one of two main reasons,’ he said. ‘One: to taunt and challenge the police. They believe they are too smart. They believe they can’t be caught. To them, it’s like a game. The clues up the stakes, make it more challenging.’

‘They believe they are God?’ she asked, remembering what her arts expert friend had told them.

‘Sometimes, yes.’

She chewed on those words for a moment. ‘What’s the second main reason?’

‘To confuse, to throw the police off the scent, so to speak. The clues will have nothing to do with anything, but we don’t know that, and they know that if they leave something apparently significant behind, the police will have to investigate. It’s protocol. Valuable time will be spent trying to decipher whatever bogus cryptic clue they left behind.’

‘And the more cryptic, the more time is lost by the police.’

‘Yes.’

Alice read Hunter’s expression. ‘But you don’t believe that theory applies here, do you?’

‘Not the second one, but there’s a chance that this killer is delusional enough to think he’s invincible, to think he can’t be caught. To think he’s God.’

‘But you’re not convinced.’

‘No,’ Hunter said without hesitation.

‘So what’s on your mind?’

Hunter looked down at his glass, and then back at Alice. ‘I think this killer is leaving clues behind because it’s important to him. Because the sculpture and the shadow puppets have a specific and very important meaning in all this. We don’t know what it is yet, but I just know they do. Something directly related to the killer, the victim, the act itself, or all of it. The sculpture and the shadow puppets weren’t created just for fun, just to challenge the police or to throw us off course. They weren’t created just to show us how clever the killer is. They were created because without them the act wouldn’t be complete. Not to the killer.’

Alice shifted on her seat. Something about that statement made her really uneasy.

‘So what else have you found out?’

Alice placed a third and final sheet of paper on the coffee table. ‘Something very interesting. And I think it might be the answer we’re looking for.’

Hunter leaned forward, his eyes scanning the sheet.

‘I remembered that Derek was into mythology. He was always reading about it. And he never missed an opportunity to make an analogy, or quote a mythological passage, be it in a regular conversation, or during a statement in a court of law. So I took a shot in the dark.’

‘And . . . ?’

‘I found out that the coyote shares many traits with the mythological figure of the raven,’ Alice said, ‘speed, cleverness, stealth . . . but when both figures are combined, that most commonly means . . .’ She indicated on the sheet.

Hunter read the line.

The figure of the coyote, when paired with that of the raven, mainly symbolizes a trickster, a liar, a deceiver . . . a creature or person who betrays.

Thirty-Two

A police siren wailing in the distance disrupted the eerie silence that had taken over Hunter’s living room. Alice tried her best to read Hunter’s face, but failed.

‘The killer has got to be telling us about his feelings for Derek,’ Alice said. ‘He has to be telling us that he considered Derek to be a liar, a deceiver, a betrayer.’ She lifted a hand before Hunter could respond. ‘I know what you’re going to say. Derek was a lawyer, and many people consider lawyers to be deceivers and liars by trade.’

Hunter said nothing.

‘But Derek Nicholson wasn’t your regular, everyday liability or personal-injury lawyer. He was a state prosecutor. He had one client, and one client only – the State of California. His job was to prosecute criminals who’d been apprehended by the LAPD or the California State Police. And his fee didn’t depend on a win or a loss, or on how much he could bleed out of the counterpart.’

Hunter still said nothing.

Alice was getting animated. ‘The point is, I don’t think the killer is alluding to himself as a deceiver. He’s got to be referring to Derek, but not simply because he was a lawyer. It’s got to be because of something else. Something that we haven’t found out yet.’

‘Did you get anywhere with the list of criminals Nicholson prosecuted over the years?’ Hunter asked.

‘No breakthroughs yet,’ Alice said, getting up. ‘Nothing about the ones who’ve been released or the relatives of the ones who are still inside suggests that they’d be capable of anything of this magnitude. But if they’re out there, I’ll find them. Do you mind if I grab another beer?’ She pointed to the kitchen.

‘Make yourself at home.’

Alice opened Hunter’s fridge and frowned at how empty it was. ‘Wow, what do you live on? Protein drinks, Scotch and . . .’ she quickly scanned the kitchen, ‘. . . air?’

‘The diet of champions,’ Hunter replied. ‘How about the ones Nicholson didn’t send to prison? The ones who escaped being sentenced because of a technicality or whatever? How about the victims of the accused? The ones who felt the state didn’t perform its duty. Could any of them be capable of retaliating? Has anyone ever directly blamed Nicholson for losing a case?’

Alice poured the new beer into her glass and returned to the living room. ‘I must admit I haven’t had the time to check that yet. But trust me, if there is a link between Derek’s murder and any of his cases, I’ll find it.’

Hunter’s gaze stayed on Alice. Something about the natural, self-assured way she talked told him that her confidence wasn’t just cockiness and bravado, which was surprising, given that she worked for the cockiest, most self-glorifying law-enforcement office he knew in all of California – the district attorney’s office. No, her confidence wasn’t just shallow words. It was exactly that; confidence in herself and what she knew she could do.

‘The second victim . . .’ Alice asked, sipping her beer. ‘Was he also a lawyer, a prosecutor?’

Hunter got up and moved towards the window. ‘Worse. He was an LAPD cop.’

Alice’s eyes widened in surprise as her brain already started measuring the consequences.

‘His name was Andrew Nashorn,’ Hunter said.

‘Was he a detective?’

‘He was until eight years ago.’