We carried the painting toward a mahogany pillar, a prominent position in the tastefully restored lobby. Working quickly, we peeled off its wrapping. The huge gilt frame, which had enough dips and waves in it to make a person seasick, caught the light and made the perfect border for a painting of very plump women bathing in a pink, soda-pop spring with strange winged creatures darting about.
Three middle-aged ladies who entered the hotel saw the painting, glanced at one another, then laughed out loud. The desk clerk looked up. When he saw what the patrons were staring at, a look of horror crossed his face. "What are you doing?* he demanded.
"We thought we'd leave it here till the owner claimed it," Joseph replied.
"You must be joking!"
More people entered the lobby. "Mommy, those ladies don't have any clothes on," a child observed.
A quiet buzzer sounded behind the desk. The office door opened and I held my breath, hoping it wasn't Margery, who might recognize me. To my relief, a dark-haired woman emerged.
"What's the problem, Francis?" she asked the desk clerk, but she spotted it as she spoke.
Francis explained how this "unfortunate painting" had materialized in the lobby, then boldly suggested that it be stored in her office.
The woman, whose name tag indicated she was the assistant manager, studied the canvas. "Not while I work there," she said.
"If I could look at the registry," I interjected, I think I would recognize the customer's name."
She nodded. "Come behind the desk. It's on the computer."
I did so, scanning the list, making sure to search beyond Westbrook, Room 305.
"Got it. McCutcheon. Room 313."
Joseph scribbled the number on the tag.
"She's expecting us, but we'll use the house phone to tell her we're coming up," I said, hoping to keep Francis from making such a call.
"Thank you, we are rather busy," the woman replied, smiling, then disappearing into her office, leaving behind a pouting desk clerk. A few minutes later, after faking the call, Joseph and I discovered that the antiquated guest elevator was too small for transporting the painting. Francis exacted his revenge by informing us that only employees were allowed to use the service elevator. I could have demanded to speak again to the assistant manager, but I was afraid she would tell an employee to accompany us.
"Looks like it's the steps," I said to Joseph.
Wide enough for a dozen people to climb shoulder to shoulder, the Victorian staircase swept up to a large, stained-glass window, then split into two stairways that doubled back, rising to the second floor. After pausing at the split, Joseph went left and I went right. We nearly dropped the painting between us. Then he went right and I went left, both of us grunting as we slammed our foreheads and shoulders against the ornate frame.
"Which way?" he asked, mopping his brow on his sleeve, puffing hard.
"You choose, I'll follow." Usually, the stronger person follows, bearing the weight of an object when climbing stairs, and that was me.
We carried the bathing ladies down to room 313, in case someone checked on our delivery. "Sallie McCutcheon," I said, remembering the name on the registry, "is going to be very surprised."
Joseph, who had lost his sense of humor, simply dried his hands on a handkerchief and walked back to Room 305. I caught up with him at the door and pressed my ear against it. At first I couldn't figure out whose voices I heard, then I squeezed Joseph's arm. "It's the telly," I whispered, "tuned into a children's program. Patrick's here!"
"Do you think Trent is with him?"
I listened a moment longer. "I doubt it. He's probably back at Mason's Choice, pretending he has nothing to do with this." I knocked on the door.
When no one answered, I rapped harder.
"Patrick may be bound or drugged," Joseph said, then slipped from his pocket a case of small tools. In the last few weeks he had become skilled at opening locked boxes and bureaus, both in the shop and at his mother's house. What he lacked in muscle, he made up for with dexterity. A minute later, he turned his head toward me, smiled a little, and softly opened the door.
The room was dark and stuffy, its heavy drapes pulled across the windows. Patrick lay on the bed, sunken into the pillows. I ran to him. "Patrick, are you all right?"
His glassy eyes slid away from the cartoon he was watching. He turned his head slowly, his eyes gradually focusing on me, then he pulled the bedcovers around him.
"I'm so glad to see you!" I said, hugging him. I felt him recoil, though his drugged body didn't have enough strength to pull away from me. I let go.
"Patrick?"
"He's been given something," Joseph said, standing on the other side of the bed.
"It's more than that," I replied bitterly. "Someone has been telling him things about me. They've been lying about me."
I reached for Patrick's hand. He flinched.
"Patrick, listen to me. I didn't want to abandon you. I was fired. I was forced to leave."
Patrick moved closer to Joseph.
"You may be right," Joseph observed.
"We're here to help you, " I continued. "We're going to take you back to your father."
Patrick didn't respond.
"We should call Adrian," I said to Joseph, "and tell him where we are, in case something prevents us from getting Patrick out of here."
"The front desk may be able to monitor hotel phones," Joseph replied, pulling out his cellular. "What's the number?"
I gave him Adrian's private line.
"Should we leave a message if he isn't there? — Wait, I have him. Adrian, hold on for Kate." He handed me the phone.
"Kate? Where are you?"
"At the Queen Victoria," I answered. "Joseph and I have found Patrick. He has been sedated, but he seems all right. He was here alone."
"At the hotel? Do you know how he got there? Did he say who took him?"
I suspect Trent, since he is friends with the manager. We slipped into the room with the help of Joseph's tools from the store. Patrick is awake, but hasn't spoken yet. I think he's afraid of me, Adrian."
"Let me talk to him."
I handed the phone to Patrick. "It's your father."
Patrick listened for a minute or two, then handed back the phone.
"Was he there?" Adrian asked, sounding both irritated and anxious.
"Yes. He's just not speaking. We'll bring him home."
"Not yet," Adrian said. "Get him out of there-Trent just left the house and may be headed in your direction. But don't bring Patrick here. Emily is hysterical, and I want to talk to him before she gets him upset and confused. I don't think Trent is alone in this, and Patrick may be the only one who can tell us the details we need. The hotel must have a back way out, a fire exit."
"We'll find it."
"I'll meet you at the auction house. It's closed today. No one will be there, and we can talk. I'll go in the back way to turn off the alarm and lock up the dogs," he continued. "Then I'll meet you at the front. You should make it in twenty minutes. If you're not there in forty, I'll call the police. What vehicle are you taking?"
I gave him a description of Joseph's S.U.V. When I hung up, I told Joseph the plan, then checked the hall for a fire escape. A set of inside steps was designated as the fire exit, but I thought I had seen the stairway's door near the front desk. Having entered the lobby with a large, ugly painting, we'd surely be remembered and questioned if we exited with a drugged child.
There was an old iron fire escape, a zigzagging ladder, attached to the outside of the building. The problem with that route was that Patrick, in his doped-up state, couldn't be counted on to climb down safely by himself. Returning to the room, I told Joseph that I would carry Patrick piggyback down the outside steps.