“Well—what did he say?”
Mrs. Lethbury’s agitation deepened. It was clear that the blow had fallen.
“He…he said…that we…had never understood Jane… or appreciated her…” The final syllables were lost in her handkerchief, and she left him marvelling at the mechanism of a woman.
After that, Lethbury faced the future with an undaunted eye. They had done their duty—at least his wife had done hers—and they were reaping the usual harvest of ingratitude with a zest seldom accorded to such reaping. There was a marked change in Mr. Budd’s manner, and his increasing coldness sent a genial glow through Lethbury’s system. It was easy to bear with Jane in the light of Mr. Budd’s disapproval.
There was a good deal to be borne in the last days, and the brunt of it fell on Mrs. Lethbury. Jane marked her transition to the married state by an appropriate but incongruous display of nerves. She became sentimental, hysterical and reluctant. She quarrelled with her betrothed and threatened to return the ring. Mrs. Lethbury had to intervene, and Lethbury felt the hovering sword of destiny. But the blow was suspended. Mr. Budd’s chivalry was proof against all his bride’s caprices, and his devotion throve on her cruelty. Lethbury feared that he was too faithful, too enduring, and longed to urge him to vary his tactics. Jane presently reappeared with the ring on her finger, and consented to try on the wedding-dress; but her uncertainties, her reactions, were prolonged till the final day.
When it dawned, Lethbury was still in an ecstasy of apprehension. Feeling reasonably sure of the principal actors, he had centred his fears on incidental possibilities. The clergyman might have a stroke, or the church might burn down, or there might be something wrong with the license. He did all that was humanly possible to avert such contingencies, but there remained that incalculable factor known as the hand of God. Lethbury seemed to feel it groping for him.
In the church it almost had him by the nape. Mr. Budd was late; and for five immeasurable minutes Lethbury and Jane faced a churchful of conjecture. Then the bridegroom appeared, flushed but chivalrous, and explaining to his father-in-law under cover of the ritual that he had torn his glove and had to go back for another.
“You’ll be losing the ring next,” muttered Lethbury; but Mr. Budd produced this article punctually, and a moment or two later was bearing its wearer captive down the aisle.
At the wedding-breakfast Lethbury caught his wife’s eye fixed on him in mild disapproval, and understood that his hilarity was exceeding the bounds of fitness. He pulled himself together, and tried to subdue his tone; but his jubilation bubbled over like a champagne-glass perpetually refilled. The deeper his draughts, the higher it rose.
It was at the brim when, in the wake of the dispersing guests, Jane came down in her travelling-dress and fell on her mother’s neck.
“I can’t leave you!” she wailed, and Lethbury felt as suddenly sobered as a man under a douche. But if the bride was reluctant her captor was relentless. Never had Mr. Budd been more dominant, more aquiline. Lethbury’s last fears were dissipated as the young man snatched Jane from her mother’s bosom and bore her off to the brougham.
The brougham rolled away, the last milliner’s girl forsook her post by the awning, the red carpet was folded up, and the house door closed. Lethbury stood alone in the hall with his wife. As he turned toward her, he noticed the look of tired heroism in her eyes, the deepened lines of her face. They reflected his own symptoms too accurately not to appeal to him. The nervous tension had been horrible. He went up to her, and an answering impulse made her lay a hand on his arm. He held it there a moment.
“Let us go off and have a jolly little dinner at a restaurant,” he proposed.
There had been a time when such a suggestion would have surprised her to the verge of disapproval; but now she agreed to it at once.
“Oh, that would be so nice,” she murmured with a great sigh of relief and assuagement.
Jane had fulfilled her mission after alclass="underline" she had drawn them together at last.
THE RECKONING
I
“THE marriage law of the new dispensation will be: Thou shalt not be unfaithful—to thyself.”
A discreet murmur of approval filled the studio, and through the haze of cigarette smoke Mrs. Clement Westall, as her husband descended from his improvised platform, saw him merged in a congratulatory group of ladies. Westall’s informal talks on “The New Ethics” had drawn about him an eager following of the mentally unemployed—those who, as he had once phrased it, liked to have their brain-food cut up for them. The talks had begun by accident. Westall’s ideas were known to be “advanced,” but hitherto their advance had not been in the direction of publicity. He had been, in his wife’s opinion, almost pusillanimously careful not to let his personal views endanger his professional standing. Of late, however, he had shown a puzzling tendency to dogmatize, to throw down the gauntlet, to flaunt his private code in the face of society; and the relation of the sexes being a topic always sure of an audience, a few admiring friends had persuaded him to give his after-dinner opinions a larger circulation by summing them up in a series of talks at the Van Sideren studio.
The Herbert Van Siderens were a couple who subsisted, socially, on the fact that they had a studio. Van Sideren’s pictures were chiefly valuable as accessories to the mise en scene which differentiated his wife’s “afternoons” from the blighting functions held in long New York drawing-rooms, and permitted her to offer their friends whiskey-and-soda instead of tea. Mrs. Van Sideren, for her part, was skilled in making the most of the kind of atmosphere which a lay-figure and an easel create; and if at times she found the illusion hard to maintain, and lost courage to the extent of almost wishing that Herbert could paint, she promptly overcame such moments of weakness by calling in some fresh talent, some extraneous re-enforcement of the “artistic” impression. It was in quest of such aid that she had seized on Westall, coaxing him, somewhat to his wife’s surprise, into a flattered participation in her fraud. It was vaguely felt, in the Van Sideren circle, that all the audacities were artistic, and that a teacher who pronounced marriage immoral was somehow as distinguished as a painter who depicted purple grass and a green sky. The Van Sideren set were tired of the conventional color-scheme in art and conduct.
Julia Westall had long had her own views on the immorality of marriage; she might indeed have claimed her husband as a disciple. In the early days of their union she had secretly resented his disinclination to proclaim himself a follower of the new creed; had been inclined to tax him with moral cowardice, with a failure to live up to the convictions for which their marriage was supposed to stand. That was in the first burst of propagandism, when, womanlike, she wanted to turn her disobedience into a law. Now she felt differently. She could hardly account for the change, yet being a woman who never allowed her impulses to remain unaccounted for, she tried to do so by saying that she did not care to have the articles of her faith misinterpreted by the vulgar. In this connection, she was beginning to think that almost every one was vulgar; certainly there were few to whom she would have cared to intrust the defence of so esoteric a doctrine. And it was precisely at this point that Westall, discarding his unspoken principles, had chosen to descend from the heights of privacy, and stand hawking his convictions at the street-corner!
It was Una Van Sideren who, on this occasion, unconsciously focussed upon herself Mrs. Westall’s wandering resentment. In the first place, the girl had no business to be there. It was “horrid”—Mrs. Westall found herself slipping back into the old feminine vocabulary—simply “horrid” to think of a young girl’s being allowed to listen to such talk. The fact that Una smoked cigarettes and sipped an occasional cocktail did not in the least tarnish a certain radiant innocency which made her appear the victim, rather than the accomplice, of her parents’ vulgarities. Julia Westall felt in a hot helpless way that something ought to be done—that some one ought to speak to the girl’s mother. And just then Una glided up.