Well, among the lesser fry taken that night was a lad of eighteen, Emilio Verna, who was the only brother of Donna Candida. The Verna family was one of the most respected in Modena. It consisted, at that time, of the mother, Countess Verna, of young Emilio and his sister. Count Verna had been in Spielberg in the twenties. He had never recovered from his sufferings there, and died in exile, without seeing his wife and children again. Countess Verna had been an ardent patriot in her youth, but the failure of the first attempts against Austria had discouraged her. She thought that in losing her husband she had sacrificed enough for her country, and her one idea was to keep Emilio on good terms with the government. But the Verna blood was not tractable, and his father’s death was not likely to make Emilio a good subject of the Estes. Not that he had as yet taken any active share in the work of the conspirators: he simply hadn’t had time. At his trial there was nothing to show that he had been in Menotti’s confidence; but he had been seen once or twice coming out of what the ducal police called “suspicious” houses, and in his desk were found some verses to Italy. That was enough to hang a man in Modena, and Emilio Verna was hanged.
The Countess never recovered from the blow. The circumstances of her son’s death were too abominable, to unendurable. If he had risked his life in the conspiracy, she might have been reconciled to his losing it. But he was a mere child, who had sat at home, chafing but powerless, while his seniors plotted and fought. He had been sacrificed to the Duke’s insane fear, to his savage greed for victims, and the Countess Verna was not to be consoled.
As soon as possible, the mother and daughter left Modena for Milan. There they lived in seclusion till Candida’s marriage. During her girlhood she had had to accept her mother’s view of life: to shut herself up in the tomb in which the poor woman brooded over her martyrs. But that was not the girl’s way of honoring the dead. At the moment when the first shot was fired on Menotti’s house she had been reading Petrarch’s Ode to the Lords of Italy, and the lines l’antico valor Ne Vitalici cor non e ancor morto had lodged like a bullet in her brain. From the day of her marriage she began to take a share in the silent work which was going on throughout Italy. Milan was at that time the centre of the movement, and Candida Falco threw herself into it with all the passion which her unhappy marriage left unsatisfied. At first she had to act with great reserve, for her husband was a prudent man, who did not care to have his habits disturbed by political complications; but after his death there was nothing to restrain her, except the exquisite tact which enabled her to work night and day in the Italian cause without giving the Austrian authorities a pretext for interference.
When I first knew Donna Candida, her mother was still living: a tragic woman, prematurely bowed, like an image of death in the background of the daughter’s brilliant life. The Countess, since her son’s death, had become a patriot again, though in a narrower sense than Candida. The mother’s first thought was that her dead must be avenged, the daughter’s that Italy must be saved; but from different motives they worked for the same end. Candida felt for the Countess that protecting tenderness with which Italian children so often regard their parents, a feeling heightened by the reverence which the mother’s sufferings inspired. Countess Verna, as the wife and mother of martyrs, had done what Candida longed to do: she had given her utmost to Italy. There must have been moments when the self-absorption of her grief chilled her daughter’s ardent spirit; but Candida revered in her mother the image of their afflicted country.
“It was too terrible,” she said, speaking of what the Countess had suffered after Emilio’s death. “All the circumstances were too unmerciful. It seemed as if God had turned His face from my mother; as if she had been singled out to suffer more than any of the others. All the other families received some message or token of farewell from the prisoners. One of them bribed the gaoler to carry a letter—another sent a lock of hair by the chaplain. But Emilio made no sign, sent no word. My mother felt as though he had turned his back on us. She used to sit for hours, saying again and again, ‘Why was he the only one to forget his mother?’ I tried to comfort her, but it was useless: she had suffered too much. Now I never reason with her; I listen, and let her ease her poor heart. Do you know, she still asks me sometimes if I think he may have left a letter—if there is no way of finding out if he left one? She forgets that I have tried again and again: that I have sent bribes and messages to the gaoler, the chaplain, to every one who came near him. The answer is always the same—no one has ever heard of a letter. I suppose the poor boy was stunned, and did not think of writing. Who knows what was passing through his poor bewildered brain? But it would have been a great help to my mother to have a word from him. If I had known how to imitate his writing I should have forged a letter.”
I knew enough of the Italians to understand how her boy’s silence must have aggravated the Countess’s grief. Precious as a message from a dying son would be to any mother, such signs of tenderness have to the Italians a peculiar significance. The Latin race is rhetoricaclass="underline" it possesses the gift of death-bed eloquence, the knack of saying the effective thing on momentous occasions. The letters which the Italian patriots sent home from their prisons or from the scaffold are not the halting farewells that anguish would have wrung from a less expressive race: they are veritable “compositions,” saved from affectation only by the fact that fluency and sonority are a part of the Latin inheritance. Such letters, passed from hand to hand among the bereaved families, were not only a comfort to the survivors but an incentive to fresh sacrifices. They were the “seed of the martyrs” with which Italy was being sown; and I knew what it meant to the Countess Verna to have no such treasure in her bosom, to sit silent while other mothers quoted their sons’ last words.
I said just now that it was an unlucky day for me when I fell in love with Donna Candida; and no doubt you have guessed the reason. She was in love with some one else. It was the old situation of Heine’s song. That other loved another—loved Italy, and with an undivided passion. His name was Fernando Briga, and at that time he was one of the foremost liberals in Italy. He came of a middle-class Modenese family. His father was a doctor, a prudent man, engrossed in his profession and unwilling to compromise it by meddling in politics. His irreproachable attitude won the confidence of the government, and the Duke conferred on him the sinister office of physician to the prisons of Modena. It was this Briga who attended Emilio Falco, and several of the other prisoners who were executed at the same time.
Under shelter of his father’s loyalty young Fernando conspired in safety. He was studying medicine, and every one supposed him to be absorbed in his work; but as a matter of fact he was fast ripening into one of Mazzini’s ablest lieutenants. His career belongs to history, so I need not enlarge on it here. In 1847 he was in Milan, and had become one of the leading figures in the liberal group which was working for a coalition with Piedmont. Like all the ablest men of his day, he had cast off Mazziniism and pinned his faith to the house of Savoy. The Austrian government had an eye on him, but he had inherited his father’s prudence, though he used it for nobler ends, and his discretion enabled him to do far more for the cause than a dozen enthusiasts could have accomplished. No one understood this better than Donna Candida. She had a share of his caution, and he trusted her with secrets which he would not have confided to many men. Her drawing-room was the centre of the Piedmontese party, yet so clever was she in averting suspicion that more than one hunted conspirator hid in her house, and was helped across the Alps by her agents.