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Decker said, "I take it back . . . about not believing in ghosts. Or spirits, or whatever. That was my girlfriend Cathy." "You mean—"

"Yes. My dead girlfriend, Cathy."

Rhoda said, "She couldn't say any more. It was like she was suffering too much to speak."

"She spoke to me the other night," Decker said. "She warned me about Saint Barbara. Somebody painted the words Saint Barbara on my wall, too, the other night, in hu­man blood. It wouldn't surprise me if it was her. Or her ghost. Or whatever that was."

"She's dead, Lieutenant," Hicks put in.

"That makes no difference," Rhoda said, gently. "Our spirit lives on, even after we die. Sometimes, if someone died a vi­olent death, that makes their spirit even stronger ... even more determined to protect the loved ones that they left be­hind. Your Cathy, Lieutenant, is trying very hard to warn you of a coming danger. That is why you carry the shadow with you. You've been marked already, for some kind of revenge, and Cathy knows it."

163

"Rhoda," Hicks protested, "this is my superior officer. You can't go telling him he's doomed or nothing."

"I'm sorry, but I have to. Would you stand by and say nothing if you saw that a man was going to be hit by a car?"

Decker said, "You don't have any idea what this 'coming danger' might be?"

"Your Cathy started to appear to you when you took on the Maitland homicide, so I guess it must be connected in some way. She senses that something very bad is going to happen to you, but I don't think that it's an accident or ill­ness or anything like that. I think she believes that some­thing terrible is after you, something that goes by the name of Saint Barbara."

"Santeria," Decker said.

"What?" Hicks said.

"A saint's name, Saint Barbara. That's the whole thing about Santeria, isn't it? When the slaves were brought over from Africa, the slave owners wouldn't allow them to wor­ship their own gods, so they disguised what they were doing by calling their gods by the names of Catholic saints."

"That's right," Rhoda said. " 'Saint Barbara' may not be Saint Barbara at all, but some god worshiped by the San­terians."

"Santeria?" Hicks said. "That could mean Queen Ache."

"Makes sense," Decker agreed. "We definitely need to in­vestigate that lady a whole lot closer. Although I don't see why she should have been interested in killing the Mait­lands, or Major Drewry. What the hell did they ever do to upset her?"

"I'll check if either of them had any business dealings with the Eguns. Gerald Maitland was into real estate, wasn't he? It's possible that he might have done some property deal that ruffled Queen Ache's feathers."

164

"Okay. Look, it's getting late. Tim—Rhoda—A feel really bad for messing up your meal."

Rhoda said, "Don't. I couldn't let you sit there with that shadow on you, and not say a word. Would you like some coffee before you go?"

"No, thanks. I think me and my shadow will just take ourselves home. See you tomorrow, Tim."

That night, Decker was back in the blazing bushes, his face and his feet lacerated, and even more exhausted than be­fore. He knew that the tall dark figure was very close behind him. He could hear him surging through the underbrush in his ankle-length greatcoat. But the heat and the smoke were searing his throat and his clothes were snarled by bri­ars at every step and he was almost past caring.

"Muster at the plank road, boys! Muster at the plank road!"

He thought that he must have almost reached the plank road by now. Over the crackling and the popping of burning branches he could hear men shouting and screaming for help, and every now and then there was a brisk rattle of ri­fle fire. Minié balls came moaning and snapping through the scrub, and from a mile or so in the distance came the distinctive thudding of artillery.

He turned around to see how close the tall dark figure was, but he couldn't see it, only the fiery latticework of burning briars. Then, however, he heard a heavy rustling sound off to his left, and saw a shadowy shape moving swiftly behind the trees. The figure was outflanking him, and that meant that it would reach the plank road before he did, and cut off any hope of escape. Not only that, God alone knew what it would do to his friends and his fellows.

"It's coming!" he shouted out, even though his throat was raw. "Keep away from the road! It's coming!"

165

The figure stopped, and listened, and then it turned to­ward him. Oh, Christ, he thought. It's heading straight for me. It'll have my guts. He tore his tunic free from the thorns, and tried to run in the opposite direction, but already he could hear the figure coming closer and closer.

He twisted around, spraining his ankle. As he did so, the figure was on top of him, tangling him up in knobbly bones and suffocating cloth. "Can't breathe!" he screamed. "Can't breathe!"

He jolted upright. Jesus. He switched on the light and he could see himself in the mirror on the opposite side of the bedroom, his hair sticking up and his T-shirt dark with sweat.

He eased himself out of bed. His feet were scratched and bleeding, like before, and when he tried to stand up he found that his ankle was swollen. He hobbled into the bath­room, stripped off his T-shirt, and splashed his face with cold water.

He no longer believed that he was hallucinating, or suf­fering from stress. Rhoda had shown him Cathy's fiery face, and for Decker that was proof enough that something malevolent was after him, and that Cathy was trying to pro­tect him from it. He had a pee and flushed the toilet, and then he went back into the bedroom to take a fresh white T-shirt out of the drawer.

As he pulled the T-shirt over his head, he suddenly real­ized that his top bedsheet was missing. He ducked down and looked on the floor. He looked around the other side of the bed, but the sheet was definitely gone. "The hell," he said, and stood perplexed in the middle of the room, trying to work out what could have happened to it.

Keep calm, he told himself. Maybe you never had a top sheet.

166

He went to the linen closet to take out another sheet. As he did so, however, he heard somebody chanting in the liv­ing area. Somebody was singing in a high, breathless voice, like Cathy's—up, down, up, down, plangently, yet he didn't recognize the song. It certainly wasn't Bob Dylan, or Joan Armatrading, or any of those other singers that Cathy used to like. He limped to the bedroom door and pressed his ear against it.

"—ko gbamu mi re oro niglati wa obinu ki kigbo ni na orin oti gbogbo—"

He listened for a moment, and then he opened the door.

"Cathy?" he called, and his heart was thumping hard against his ribs. "Cathy? Is that you?" The living area was to­tally dark. All he could hear now was the sound of traffic in the street below, and the faint whirring of the air conditioner.

"Cathy, if that's you, let me see you. I love you, sweet­heart, and I know that you're trying to help me."

There was no answer. But as Decker's eyes became more accustomed to the darkness, he thought he could see a whitish figure standing close to the kitchen archway. He said, "Cathy?" and he was sure that he saw the figure sway from side to side. He edged across to the nearest wall, winc­ing on his twisted ankle, and reached for the light switches and flicked them on.

He said, "Ah!" out loud.

The figure was draped in his bedsheet, at least five and a half feet tall, with its arms outspread. Its hands were as white as alabaster, and so were its feet, and it appeared to be floating about a half inch above the floor.