However, one will not find the word “Necronomicon” anywhere in it or any reference to an evil book of sorcery. It is also noteworthy to point out that all of the ancient Mesopotamian “books” were not actual books as we think of the word, but were in fact collections of clay or sometimes stone tablets inscribed in cuneiform writing.
Semitic Magic: Its Origins and Development by R. Campbell Thompson (1908) reads very much in the same manner as the others. It has more detail as it was written later than the others and deals more with Semites of a later period. Nonetheless, Lovecraft could easily have used its contents to boost his imagination. Its table of contents alone speaks for itself:
I. Demons and Ghosts
II. Demoniac Possession and Tabu
III. Sympathetic Magic
IV. The Atonement Sacrifice
V. The Redemption of the Firstborn
The Kitab al-jilwah (The Book of Revelation) and the Mishefa Reş (The Black Book) are the sacred books of the Yezidi—the alleged devil worshipers of northern Iraq. Certainly, their books could be real Necronomicons since the original was supposed to be an Arabic manuscript. The only problem is that they are of Kurdish ethnicity, not Arabic ethnicity. Secondly, their books contain no reference to sorcery or black magic and Yezidis do not condone this practice. They are not devil worshipers in any sense. They believe in the same God as other Abrahamic faiths with the main distinction being their belief in Melek Ta’us, the Peacock Angel. He has been identified with the Shaytan of the Qur’an, but instead of a prince of darkness, in Yezidism he is the chief angel and ruler of the Earth who refused to bow to Man. He is revered for this by the Yezidis (who believe he was actually obeying God by refusing to do so), whereas he is condemned in other faiths because of this. They believe he is the revealer of all other religions as well.
That being said, the Yezidis seem far less diabolical. They do, in fact, have a slight connection to the Necronomicon. An alternate name for Melek Ta’us is “Aziz” which translates as “Something Precious.” Aziz is very similar to Azif. Nineteenth century European explorers made a spectacle of the Yezidi religion, telling false stories of their devil worship in remote mountainous regions of the Middle East. There is no proof, but I believe this to be Lovecraft’s inspiration for the alleged Arabic title of “Kitab al-Azif.”
It is easy for something hidden in plain sight to be overlooked. The Egyptian Book of the Dead, translated by E. A. Wallis Budge, was first printed in 1895 and would certainly have been available to Lovecraft. The rituals, gods, and monsters described in it bear a similarity to the Mythos. Ancient Egyptians undoubtedly influenced Lovecraft as they are alluded to in some of his stories, and one of his Outer Gods, Nyarlathotep, was described as a tall, swarthy man who resembled an Egyptian Pharaoh in his first appearance in the Mythos. Also, note the similarity between the names of the Book of the Dead with the English rendition of the Necronomicon—the Book of Dead Names.
In fact, according to La Magie, Egyptian magic is more in line with the type of magic described in the Necronomicon than Mesopotamian. Page 94 states that knowledge of certain magical formulae could elevate man the height of the gods. These mysterious words were only given to the initiated. On page 100, it states that this is unique to Egyptian magic and is absent in other nations. The Chaldean sorcerers only commanded lesser spirits to do their will and only prayers and supplications were used to gain the favor of the gods.
It seems to me that the type of magical system contained within the Necronomicon is more similar to Medieval European ceremonial magic. The Lemegeton (Clavicula Salomonis or The Lesser Key of Solomon) seems more similar to the Necronomicon than any of the Mesopotamian tablets encountered in the above books.
The Lemegeton is a 17th century grimoire that details all of the demons that King Solomon conversed with and how to conjure them into physical appearance and compel them to do the sorcerer’s bidding. It contains many elaborate ceremonies and is laden with different seals of these demons. Although it purports to date to King Solomon’s time, it contains numerous references to Christ and is clearly a European creation. It does contain references to older ceremonies that date to around the 14th century.
There are many real books that could be real life inspirations for the Necronomicon. For instance, The Voynich Manuscript is a lavishly illustrated book from the 15th century that is written entirely in an unknown language. It is supposed that it is not a language but a code that has not been deciphered to date, but no one really knows. The illustrations range from botanical (every page contains at least one plant), astronomical, cosmological and even what are thought to be recipes. The author is, of course, unknown but Roger Bacon is rumored to have written it and sold it to John Dee.
The Devil’s Bible, or Codex Gigas, is another example. It is the largest medieval manuscript in the world and weighs in at 165 pounds. It is known for its diabolical name due to a 50 cm tall illustration of a devil and, according to legend, this bible was written in one night by a monk that sold his sole to the devil.
And finally we have the Book of Soyga. It is a 16th century Latin treatise on magic known to have been in the possession of John Dee. After his death in 1608, it was lost. Then one day in 1994, two manuscripts were found in the British Library and the Bodleian Library! Its contents include the standard lists of angels, magical formulae, demonology, conjuring, etc. It does cite unknown grimoires and 36 blocks of letters that Dee was unable to decipher. Dee, during a scything session with the aid of Edward Kelley, asked the Archangel Uriel about the book and was told that it was first revealed to Adam while in the Garden of Eden and that it could be interpreted by the Archangel Michael. Note that in the Lovecraftian Mythos, John Dee supposedly translated the Necronomicon into English, but it was never printed and only pieces survive.
All of these books could easily have served as a basis for the Necronomicon, but it is unknown if Lovecraft even knew of the existence of any these. Undoubtedly, there are numerous more lost or mysterious books that could be listed here. The Necronomicon is most likely a conglomeration of all such books. I believe that the Necronomicon has become a symbol of all lost books of antiquity. No one can ever really know what was contained in them and they will forever be shrouded in an impenetrable veil of mystery.
What did H.P. himself say about his legendary book? Quite a bit, in fact. Even during his lifetime the debate existed and he was swarmed with inquiries as to the whereabouts of this book. Lovecraft seemed to find the whole debate amusing and even jokingly suggested furthering the confusion. In a letter to Robert E. Howard dated August 14, 1930, he said:
“Long [Frank Belknap Long] has alluded to the Necronomicon in some things of his—in fact, I think it is rather good fun to have this artificial mythology given an air of verisimilitude by wide citation. I ought, though, to write Mr. O’Neail and disabuse him of the idea that there is a large blind spot in his mythological erudition!”
A personal favorite of mine is a pretty straight forward letter to Willis Conover dated July 29, 1936 where he, in no uncertain terms, states:
“Now about the ‘terrible and forbidden books’—I am forced to say that most of them are purely imaginary. There never was any Abdul Alhazred or Necronomicon, for I invented these names myself. Robert Bloch devised the idea of Ludvig Prinn and his De Vermis Mysteriis, while the Book of Eibon is an invention of Clark Ashton Smith’s. The late Robert E. Howard is responsible for Friedrich von Junzt and his Unaussprechlichen Kulten….