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‘With diabolical cunning, Set utilised the national preoccupation with death and ceremonial burial to ensnare his brother. First, by a clever piece of trickery he secured Osiris’s exact measurements. Then he had made the most beautiful sarcophagus that had ever been seen. It was a great heavy chest of fine cedar wood with the figures of the forty-two assessors of the dead, who form the jury of the gods, painted in lapis blue, and the minutest hieroglyphics in black and red; line upon line of them reciting the most effective protections against black magic, and every requisite line of ritual from the great Book of the Dead.

‘As soon as this wonderful coffin was completed, Set prepared a great banquet to which he invited Osiris and seventy-two of the younger nobles, all of whom he had corrupted and drawn one by one into his conspiracy.

‘Then on the night of the feast he had the beautiful sarcophagus placed in a small anteroom through which every guest had to pass on his arrival.

‘You can imagine how envious they were when they saw it, and how each commented on the excellence of the workmanship and the artistry of the designs—Osiris no less than the others.

‘They dined, drank heavily of wine, watched the Egyptian dancing girls, saw Ethiopian contortionists, and listened to the best stringed music of the day. Then as a final hospitality to his guests, the Prince Set rose from his couch and proclaimed:

‘“You have all seen the sarcophagus which stands in the little anteroom, and it is my wish that one of you should receive it as a gift. He whom it fits may take it with my blessing.”

‘Picture to yourselves the nobles as they scrambled up from their couches, thrusting the dancing girls aside, and elbowing their way out into the anteroom, each hoping that the princely gift might fall to him.

‘One after another they got inside and lay down, but not one of them fitted it exactly. Then Set led Osiris into the anteroom and, waving his hand towards the handsome chest said with a little laugh : “Why don’t you try it brother. It is worthy of a King. Even of the Lord of the Two Lands, the Upper and the Lower Nile.”

‘With a smile Osiris lowered himself into the masterpiece. And behold, it fitted his tall, broad-shouldered body to a hair’s breadth. No sooner was he inside than the principal conspirators, who were in the secret, rushed forward with the weighty lid. In frantic haste they nailed it down and poured molten lead upon it, so that Osiris may have survived an hour in agony but died at last of suffocation.

‘Set thus succeeded in his treacherous design of killing his brother without spilling one drop of his blood. He and his turbulent followers then hastened to their chariots, rode forth, and seized the Kingdom. But Isis was warned in time and managed to escape.

The coffer had been left with Osiris in it and, the Egyptian religion being so strongly bound up with the worship of the dead, it was vital to Set’s newly established authority that the body should be disposed of at the earliest possible moment. Otherwise, if the priests got hold of it, they would bury it in state and erect a mighty shrine to the dead King’s memory which would form a rallying point for all the best elements in the Kingdom where they would league themselves against the murderer.

‘Next morning, therefore, immediately he got home, Set had the chest cast into the Nile. But Isis recovered it, and after certain magical ceremonies, succeeded in impregnating herself by means of her husband’s dead body. Then she fled to the papyrus marshes of the Delta, taking Osiris’ body with her in the chest since there was no time to give it proper burial.

‘When Set learned what had happened, he swore that he would hunt Isis down and kill her, and that he would find Osiris’ body and destroy it for ever.

‘Again now, in the story, we get one of those strange glimpses of happenings many thousands of years ago which we can see more clearly than the things of yesterday.

‘In a few phrases it is recounted how Set searched for months in vain, and then one night, the pregnant ex-Queen Isis, now a destitute refugee alone and unattended, is seated beneath a cluster of palm trees in the desert. Her husband’s body, roughly embalmed, is in the wooden chest beside her and she is conscious of the movements of the child she bears. Suddenly her sorrowful meditations are disturbed by a distant rumble breaking the stillness of the night. The noise increases to a drumming thunder as a party of horsemen come galloping across the sand. Isis runs for cover to a nearby papyrus swamp and crouches waist high in the water watching from amidst the reeds. The dusky riders come thundering past. She sees that it is Set and his dissolute nobles hunting by the brilliant light of the Egyptian moon. One of them recognises the chest. With cries of triumph they fling themselves from their saddles, break it to pieces and drag out the body of Osiris. Hidden there, fearful and trembling, Isis watches Set’s dark, proud profile as he orders the body to be torn into fourteen pieces and the parts distributed throughout the length and breadth of the Kingdom so that they might never be brought together again.

‘Years later, Horus, the son of Isis, the Great God, the Hawk of Light, who restored its blessings to mankind and lifted again the veil of darkness that Set’s treachery had brought to dim the world, became the master of the Kingdom. Then Isis roamed the country seeking for the dismembered portions of her husband. She did not attempt to assemble them again, but wherever she found one she erected a great temple to his memory. In all, she succeeded in finding thirteen pieces of the body, but the fourteenth she never found. That Set had carefully embalmed and kept himself. It was for this reason that, although Horus defeated Set three times in battle he was never able to slay him. The portion that Set retained was the most potent of all charms—the phallus of the dead god, his brother.

‘In the secret histories of esoterism it is stated that it has since been heard of many times. For long periods through the ages it has been completely lost. But whenever it is found it brings calamity upon the world, and that is the thing which we have to prevent Mocata securing at all costs today—the Talisman of Set.’

When De Richleau had ceased speaking, they sat silent for a while until Marie Lou said softly : ‘I am feeling rather tired now, Greyeyes, dear, and I think I’d like to rest, even if it is impossible to sleep with all these lights.’

‘All right. Then I’ll say what I have to Princess. But please, all of you’ — the Duke paused to look at each of them in turn — ‘listen carefully, because this is vitally serious.

‘What may happen I have no idea. Perhaps nothing at all and the worst we’ll have to face is an uncomfortable night. But Mocata threatened to get Simon away from us by hook or by crook, and I feel certain that he meant it. I cannot tell you what form his attack is likely to take, but I am sure he will literally do his damnedest to break us up and get Simon out of our care tonight.

‘He may send the most terrible powers against us, but there is one thing above all others that I want you to remember. As long as we stay inside this pentacle we shall be safe, but if any of us sets one foot outside it we risk eternal damnation.

‘We may be called upon to witness the sort of horrors which it is difficult for you to conceive. I mean visions such as you have read of in Gustave Flaubert’s Temptation of Saint Anthony, or seen in pictures of the old Flemish masters such as Brueghel. But they cannot do us the least harm as long as we remain where we are.