would stay. Some did. Others began to drift away. We wandered through the gathering, offering condolences, looking for someone who might know why she'd done it. I got introduced to a few other people whose names were familiar. "Horror writers," someone told us. "They're a pretty close-knit bunch." I tried to imagine what an evening at a bar would be like with a group of people who wrote about swamp monsters. She had a lot of friends. Women talked of good times, men spoke admiringly of her abilities, which were supposed to be references to her writing, but which I came to suspect were code words for Vicki's lustrous brown eyes and her up-front equipment. But maybe I'm selling them short. She'd had a lot of boyfriends, one of whom had apparently put together an avatar of Vicki and now sat talking with it for hours at a time. I wasn't aware of that fact when I met him. Found it out later in the day. But I remember sensing that he was obsessed with the woman. Most painful for him, probably, was knowing she was still alive, her personality more or less intact. But whatever he might have meant to her was gone. He was not even a memory. I found only one person who'd seen her since her return from Salud Afar: Cass Jurinsky, a craggy, ancient-looking female author who wrote about the horror genre. When she asked what I did for a living and I mentioned Alex's name, she got excited. "Vicki was a big fan of his," she said. "She used to talk about using him as a character in one of her novels." Alex in a horror novel. I tried to imagine him playing tag with a poltergeist. "Seriously." She looked at me with sad eyes. "I guess she never got in touch with him, did she?" "Not exactly," I said. Maybe it explained why she'd come to us for help. "What was her state of mind when she got back from her vacation? Did you notice anything unusual, Cass?" "She seemed depressed," Jurinsky said. "I don't know what it was. It was as if all the spirit had gone out of her." She had white hair and a lined face. But her eyes took fire when she talked about Vicki and her diabolical creations. "Nobody was better at it. She didn't have the biggest audience because she wrote a subtler kind of horror than the rest of them. But if you were tuned in to her, nobody could scare the pants off people the way she did." "Where did you last see her?" I asked. "A few weeks ago. At the World Terror Convention. It's for horror fans." (I could have figured that one out.) "They hold it every year in Bentley. Vicki showed up without warning. She wasn't on the schedule, but at one point I looked up and there she was. I didn't even know she was back." "You got to talk to her?" "Oh, yes." She sighed. "I loved that woman. I asked her how the trip had gone, and she said it was all right but she was glad to be home. And I remember thinking she didn't look glad." "How did she look?" "You want the truth? Frightened. And older. She'd aged while she was away." Jurinsky stopped, and I saw her replaying the scene in her mind. "I asked if everything was okay, and she said sure. She said it was good to see me again, then somebody interrupted and I drifted away from her." "That's it?" "That's it." Her lips tightened. "I should have paid more attention. Maybe I could have helped." We stood quietly for a moment. She seemed far away. Then I brought her back. "Why do you think she went to the convention?" "Well, she usually attended World Terror. She enjoyed spending time with her fans. Or, maybe she was looking for someone to talk to." "You?" "I'd guess anybody. Looking back now, I think she just wanted to be in a crowd. A crowd that knew her. But I was too busy to notice." She took a deep breath. "Too dumb."
It was on the whole a depressing hour and I was glad when it was over. Alex had found a couple more who'd seen her, and who'd thought something might be wrong. But nobody had pursued the issue with her. "I talked with Cory again," he said. "And-?" "She bought a new notebook after she got home from Salud Afar." "What happened to the old one?" "Apparently left behind." On the way home, he mentioned that he'd gotten the name of her psychiatrist.
FOUR
Trust your instincts, Shiel. In the end, it's all you've got.
- Nightwalk
The painful truth about humanity is that the only people who can't be bought are the fanatics. Clement Obermaier was not a fanatic. He was the authorizing psychiatrist in Vicki's case. And when Alex offered to contribute substantially to a fund in which he had an interest, he discovered a way around the ethical dilemma posed by the need to talk about a patient. Alex met him at Cokie's Place, a cabaret in the mountains north of St. Thomas. Afterward, he reconstructed the conversation for me.
Obermaier apparently thought Alex hoped there'd be a manuscript around somewhere. If there were, it would be worth a considerable sum. "At first," Alex said, "it was pretty obvious he was hoping he could talk to me, collect the contribution, but not tell me anything." "So what did he tell you?" "Somebody did a lineal block on her." "A what ?" "It's a procedure that's used with psychotic patients. Or with those who have extreme emotional problems. It allows the doctors to isolate a memory, or a set of memories, and prevent the patient from acting on them. From even talking about them." "Why would they want to do that?" "It can negate a wish for vengeance, for example. Or prevent stalking. That sort of thing." "So who used it on her? Why would they do it?" "Obermaier has no idea. There's nothing in her medical record." "Which means it was an illegal procedure." "Yes." "Can they estimate when it happened?" "He's pretty sure it was within the last year." "So what you're telling me is that she had some sort of specific memory that was locked away. She couldn't even tell anybody what it was." "That sounds about right." "But the memory was still there." "Yes." "Why wouldn't they-whoever did it-just do a mind wipe?"
"If we can find them, we'll ask. My guess would be that you can't hide a complete memory abstraction. I mean, the poor woman wouldn't even have been able to find her way home." "Couldn't this guy help her? Other than by removing her memory completely?" "He says he tried. But apparently lineal blocks tend to be permanent." "So he did the extraction because she was having a problem with the lineal block? Do I have that right?" "They did the extraction because she requested it." "Couldn't he have refused?" "He said he saw no recourse except to allow her to proceed." "Why?" "He said that, left to herself, she might have committed suicide." "You think it happened on Salud Afar?" "I don't think there's any doubt." "Are you suggesting maybe she ran into a real werewolf? Something like that?" "I think she found out something she wasn't supposed to know."
Two days later, Alex had something he wanted me to watch. "This is from the Nightline Horror Convention," he said. "It took place a few days before Vicki left for Salud Afar. She was among the guests, and this is one of her panels." The hologram blinked on. Four people at a table. Vicki at one end. I could hear an audience behind me. A tall redheaded man sitting beside her held up his hand, and the crowd quieted. "My name's Sax Cherkowski. And I just want to say my latest novel is Fright Night . I'm the moderator of the panel, and I'd like to take a moment to introduce everyone. We'll be talking about how to set mood, which is to say, how to scare the reader." We fast-forwarded through most of the comments until it was Vicki's turn to speak. "It doesn't have to be dark," she said. She used a dazzling smile to demonstrate that all the mummies and vampires were in fun. "It doesn't have to be gloomy. All you need is a hint that you're setting the stage. The wind suddenly becomes audible. "It might be two o'clock in the afternoon in an office building with a thousand people moving around. But if you know what you're doing, you can still arrange things so that every time someone opens a door, your reader will jump."