She froze suddenly and then went limp in my arms. She half turned, her head lolling sideways onto my shoulder. At the same time she gave a trembling sob of exhaled breath. She slumped against me, making me take her weight as her body pressed against mine.
Disconcerted, I relaxed my hold—and she jackknifed at the optimum moment, the back of her head slamming with sickening force into the bridge of my nose. I fell backward against the wall of the tunnel, and she was away. By the time I could see through my watering eyes, there was no sign of her.
With my head throbbing and my pride hurting a damn sight worse, I climbed the steps back up to street level and took a look in both directions. Nothing. Even in six-inch heels, the kid had a good turn of speed on her.
The pain in my head was getting worse, making my stomach churn with nausea. I sat down on a low wall to regroup and re-equip. Being beaten up by women seemed to be one of the hazards of this particular job. At least Cheryl had been gentle with me.
One thing surfaced through the throbbing ache and bobbed around on top of it, cheerful as only an abstract fact can be in a world of intense physical pain. She just kept saying roses, Farhat had told me when I had asked her about the ghost, going on and on about roses. And Cheryl had said the same thing, back in that first interview. But they were both wrong. I was willing to bet that what the ghost was talking about was Rosa.
I reviewed my options. There were some ideas I wanted to follow up at the archive now—ideas about plastic bags and flat roofs. And Rosa was suddenly looking like someone I needed to talk to urgently the next time I caught her without a kitchen implement in her hand. But the immediate priority was Nicky’s notes—and if I took them back to the Bonnington, I was risking a run-in with Alice.
So I took them down into the Underground instead. Not as good as Bunhill Fields, but it was a lot closer, and it did the same trick, to some extent. Fast-moving vehicles act as a kind of block or damper on my psychic antennae—so in spite of the engine noise, the vibration and the rocking, the nonexistent air-conditioning, the smell of used food and the proximity of other people’s armpits, for me the place has a haze of contemplative calm hanging over it like an angel’s protective wing. I often ride the Circle Line when I need to think long and deep.
Uncomfortably ensconced in a seat that had had one of its plastic arms ripped out at the root, and therefore sharing rather too deeply in the personal space of a burly guy in a Scissor Sisters T-shirt who smelled strongly of acetone, I took the notes out of my pocket and looked them over. There was a lot more there than I’d thought at first—about ten sheets of deceptively thin onionskin printout paper, all full of dense, unformatted type with the occasional “your guess is as good as mine” percentage sign. God alone knew where Nicky had dug this stuff up.
They were database entries for suspicious deaths, and they were made slightly impenetrable by the fact that the fields were all run together without headings or even spaces. The first entry began:
MARYPAULINEGLEESON2BROWNBLUE5BLUNTINSTRUMENTTRAUMAIMPACTED12NOTDETERMINED7SKULLCLAVICLELEFTHUMERUSPAVEMENTOUTSIDEOLDBARRELHEADPUBLICHOUSEYESWITNESSACCOUNT2253YES12MINMULTIPLESEEATTACHED1ST2ND3RD4TH5TH6TH7THSEEATTACHED8TH9TH10THSEEATTACHED11TH12THABRADEDCLEARABRADED
It went on for a long while in this grim, deadpan tone. Then there was a second name, KATHERINE LYLE, followed by another cascade of words and numbers. It occurred to me as I scanned it that I should probably make a point of never handling the original document; the black emotions locked up in it would probably clothesline me straight out.
In some ways the printout was completely impenetrable; in others, it told a lot of depressing variations on a bleak and familiar story. Mindful of my limitations, Nicky had included on some of the later sheets material of a different kind—downloads from news-agency summaries or other less telegraphically terse sources. With the help of these crib notes, I was able to work my way through the main list a lot more quickly.
It was mostly a case of weeding out the ones that were impossible, and after that, the ones that were possible but didn’t feel right. Straightforward accidents with lots of witnesses; domestic manslaughters where the victim lived in the area and would have far stronger links to her own home than to the Bonnington, which after all was only a refrigerated warehouse full of moldering paper; heart attacks and strokes and all the banal tragedies of human existence that normally let you slip into the afterlife without raising too much of a splash.
I got it down to a short list of three, but I realized that I’d need a bit more information to tell me which if any of the three was actually the archive ghost. And at that point, an inspiration equivalent in weight and momentum to a half brick neatly aimed hit me smartly at the base of the brain.
I had a contact, one I could bring in on this. He wouldn’t like it a whole lot, but that which doesn’t kill us makes us strong.
I looked up at the electronic display strip on the wall of the carriage: THE NEXT STATION IS MOORGATE, it read. The train had almost finished its circuit of the Circle Line. After Moorgate came the Barbican and then Farringdon, from where it was an easy step to Damjohn’s club. Two stops after that and I’d be back in Euston Square, at the archive. But Alice was gunning for me at the archive—according to Rich, anyway. And I didn’t really have anything I could usefully do there until Nicky finished interrogating the laptop and got back to me.
So Kissing the Pink was where I went first. The idea in my head was that I’d make my peace with Rosa and find out how she was connected to the archive ghost. I was pretty vague on details after that, but I hoped that something would present itself.
As I was walking there, I took out my mobile phone, which for once I’d remembered to recharge, and placed a call to a Hampstead number. I got through on the first try. James Dodson wasn’t happy to hear from me again, and when he heard that I wanted to come over and visit, it pretty near spoiled his day. I had to insist. Things might have got ugly if we’d been talking face to face. But that was a treat I still had to look forward to.
There was no sign of Rosa in the downstairs area of the club, and my courage failed me at the thought of questioning the whores upstairs. I did ask one of the waitresses, though. Yes, Rosa had been around earlier in the day, but her shift was finished now. She might possibly come in again tomorrow; she usually did on a Friday. I bought myself an overpriced gin and tonic and drank it slowly in the club area downstairs, staring glumly at a parade of beautiful, naked, emphatically alive women who somehow seemed a lot less real and tangible to me right then than a single dead one.
There was a small, decorous commotion over to my right as two men were settled at one of the tables by a very deferential waitress. I squinted into the half dark and without any surprise at all identified the pair of them by their build: the squat, hairy-browed Damjohn and the tall, patrician Gabe McClennan.
They were oblivious to the room, continuing some intense conversation that had already been under way when they sat down. Intense on Gabe’s part, anyway—he was talking with his hands as much as with his mouth, and his face was working with anger and frustration. Damjohn responded with imperturbable calm, or perhaps with the very mildest irritation.
I’d already made up my mind that I’d bail out if Damjohn showed up; there wasn’t anything to be gained by letting him know that I was looking for Rosa, and it might even get her into trouble. But somehow retreat seemed like a very unpalatable option right then—and sometimes whacking the nest with a stick is the best way of finding out what kind of insect you’re dealing with—the downside being that sometimes you get stung.