"Have you been meditating today?"
"Yeah I meditate first thing in the morning before breakfast and I always meditate a long time in the afternoon unless I'm interrupted."
"Who interrupts you?"
"Oh, people. Coughlin sometimes, and Alvah came yesterday, and Rol Sturlason, and I got this girl comes over to play yabyum."
"Yabyum? What's that?"
"Don't you know about yabyum, Smith? I'll tell you later." He seemed to be too sad to talk about yabyum, which I found out about a couple of nights later. We talked a while longer about Han Shan and poems on cliffs and as I was going away his friend Rol Sturlason, a tall blond goodlooking kid, came in to discuss his coming trip to Japan with him.
This Rol Sturlason was interested in the famous Ryoanji rock garden of Shokokuji monastery in Kyoto, which is nothing but old boulders placed in such a way, supposedly mystically aesthetic, as to cause thousands of tourists and monks every year to journey there to stare at the boulders in the sand and thereby gain peace of mind. I have never met such weird yet serious and earnest people. I never saw Rol Sturlason again, he went to Japan soon after, but I can't forget what he said about the boulders, to my question, "Well who placed them in that certain way that's so great?"
"Nobody knows, some monk, or monks, long ago. But there is a definite mysterious form in the arrangement of the rocks. It's only through form that we can realize emptiness." He showed me the picture of the boulders in well-raked sand, looking like islands in the sea, looking as though they had eyes (declivities) and surrounded by a neatly screened and architectural monastery patio. Then he showed me a diagram of the stone arrangement with the projection in silhouette and showed me the geometrical logics and all, and mentioned the phrases "lonely individuality" and the rocks as "bumps pushing into space," all meaning some kind of koan business I wasn't as much interested in as in him and especially in good kind Japhy who brewed more tea on his noisy gasoline primus and gave us added cups with almost a silent Oriental bow. It was quite different from the night of the poetry reading.
Chapter 4
But the next night, about midnight, Coughlin and I and Alvah got together and decided to buy a big gallon jug of Burgundy and go bust in on Japhy in his shack.
"What's he doing tonight?" I asked.
"Oh," says Coughlin, "probably studying, probably screwing, we'll go see." We bought the jug on Shattuck Avenue way down and went over and once more I saw his pitiful English bicycle on the lawn. "Japhy travels around on that bicycle with his little knapsack on his back all up and down Berkeley all day," said Coughlin. "He used to do the same thing at Reed College in Oregon. He was a regular fixture up there. Then we'd throw big wine parties and have girls and end up jumping out of windows and playing Joe College pranks all up and down town."
"Gee, he's strange," said Alvah, biting his lip, in a mood of marvel, and Alvah himself was making a careful interested study of our strange noisy-quiet friend. We came in the little door again, Japhy looked up from his crosslegged study over a book, American poetry this time, glasses on, and said nothing but "Ah" in a strangely cultured tone. We took off our shoes and padded across the little five feet of straw to sit by him, but I was last with my shoes off, and had the jug in my hand, which I turned to show him from across the shack, and from his crosslegged position Japhy suddenly roared "Yaaaaah!" and leaped up into the air and straight across the room to me, landing on his feet in a fencing position with a sudden dagger in his hand the tip of it just barely stabbing the glass of the bottle with a small distinct "clink."
It was the most amazing leap I ever saw in my life, except by nutty acrobats, much like a mountain goat, which he was, it turned out. Also it reminded me of a Japanese Samurai warrior-the yelling roar, the leap, the position, and his expression of comic wrath his eyes bulging and making a big funny face at me. I had the feeling it was really a complaint against our breaking in on his studies and against wine itself which would get him drunk and make him miss his planned evening of reading. But without further ado he uncapped the bottle himself and took a big slug and we all sat crosslegged and spent four hours screaming news at one another, one of the funniest nights. Some of it went like this: japhy: Well, Coughlin, you old fart, what you been doin? coughlin: Nothin. alvah: What are all these strange books here? Hm, Pound, do you like Pound? japhy: Except for the fact that that old fartface flubbed up the name of Li Po by calling him by his Japanese name and all such famous twaddle, he was all right-in fact he's my favorite poet. ray: Pound? Who wants to make a favorite poet out of that pretentious nut? japhy: Have some more wine, Smith, you're not making sense. Who is your favorite poet, Alvah? ray: Why don't somebody ask me /my /favorite poet, I know more about poetry than all of you put together. japhy: Is that true? alvah: It might be. Haven't you seen Ray's new book of poems he just wrote in Mexico-"the wheel of the quivering meat conception turns in the void expelling tics, porcupines, elephants, people, stardusts, fools, nonsense…" ray: That's not it! japhy: Speaking of meat, have you read the new poem of…
Etc., etc., then finally disintegrating into a wild talkfest and yellfest and finally songfest with people rolling on the floor in laughter and ending with Alvah and Coughlin and I going staggering up the quiet college street arm in arm singing "Eli Eli" at the top of our voices and dropping the empty jug right at our feet in a crash of glass, as Japhy laughed from his/ /little door. But we'd made him miss his evening of study and I felt bad about that, till the following night when he suddenly appeared at our little cottage with a pretty girl and came in and told her to take her clothes off, which she did at once.
Chapter 5
This was in keeping with Japhy's theories about women and lovemaking. I forgot to mention that the day the rock artist had called on him in the late afternoon, a girl had come right after, a blonde in rubber boots and a Tibetan coat with wooden buttons, and in the general talk she'd inquired about our plan to climb Mount Matterhorn and said "Can I come with ya?" as she was a bit of a mountainclimber herself.
"Shore," said Japhy, in his funny voice he used for joking, a big loud deep imitation of a lumberjack he knew in the Northwest, a ranger actually, old Burnie Byers, "shore, come on with us and we'll all screw ya at ten thousand feet" and the way he said it was so funny and casual, and in fact serious, that the girl wasn't shocked at all but somewhat pleased. In this same spirit he'd now brought this girl Princess to our cottage, it was about eight o'clock at night, dark, Alvah and I were quietly sipping tea and reading poems or typing poems at the typewriter and two bicycles came in the yard: Japhy on his, Princess on hers. Princess had gray eyes and yellow hair and was very beautiful and only twenty. I must say one thing about her, she was sex mad and man mad, so there wasn't much of a problem in persuading her to play yabyum. "Don't you know about yabyum, Smith?" said Japhy in his big booming voice striding in in his boots holding Princess's hand.
"Princess and I come here to show ya, boy."
"Suits me," said I, "whatever it is." Also I'd known Princess before and had been mad about her, in the City, about a year ago. It was just another wild coincidence that she had happened to meet Japhy and fallen in love with him and madly too, she'd do anything he said. Whenever people dropped in to visit us at the cottage I'd always put my red bandana over the little wall lamp and put out the ceiling light to make a nice cool red dim scene to sit and drink wine and talk in. I did this, and went to get the bottle out of the kitchen and couldn't believe my eyes when I saw Japhy and Alvah taking their clothes off and throwing them every whichaway and I looked and Princess was stark naked, her skin white as snow when the red sun hits it at dusk, in the dim red light.