It was after one o’clock when Peppel finally threw the lasso high and far enough to capture the flagpole. I stopped sulking and joined in the general cheering. But new difficulties emerged right away. Kortenhof climbed the stepladder and tugged the lasso up to within a foot of the ball, but here it snagged on the pulley and flag cables. The only way to propel a tire over the top would be to snap the rope vigorously up and down:
When we strung the tire out on the rope, however, it sagged out of reach of the top:
To raise the tire, Kortenhof had to pull hard on the rope, which, if you were standing on a ladder, was a good way to launch yourself over the balustrade. Four of us grabbed the ladder and applied counterforce. But this then wildly stressed the flagpole itself:
The flagpole made worrisome creaking and popping sounds as it leaned toward us. It also threatened, in the manner of a strained fishing rod, to recoil and cast Kortenhof out over Selma Avenue like a piece of bait. We were thwarted yet again. Our delight in seeing a tire rubbing up against the desired ball, nudging to within inches of the wished-for penetration, only heightened our anguish.
Two months earlier, around the time of her fifteenth birthday, my first-ever girlfriend, Merrell, had dumped me hard. She was a brainy Fellowship girl with coltish corduroy legs and straight brown hair that reached to the wallet in her back pocket. (Purses, she believed, were girly and antifeminist.) We’d come together on a church-membership retreat in a country house where I’d unrolled my sleeping bag in a carpeted closet into which Merrell and her own sleeping bag had then migrated by deliriously slow degrees. In the months that followed, Merrell had corrected my most egregious mannerisms and my most annoying misconceptions about girls, and sometimes she’d let me kiss her. We held hands through the entirety of my first R-rated movie, Lina Wertmüller’s Swept Away, which two feminist advisors from Fellowship took a group of us to see for somewhat opaque political reasons. (“Sex but not explicit,” I noted in my journal.) Then, in January, possibly in reaction to my obsessive tendencies, Merrell got busy with other friends and started avoiding me. She applied for transfer to a local private academy for the gifted and the well-to-do. Mystified, and badly hurt, I renounced what Fellowship had taught me to call the “stagnation” of romantic attachments.
Although the flagpole situation was hopeless, Kortenhof and Schroer were yanking the rope more violently, causing the pole to lurch and shudder while the worriers among us — Manley and I — told them to stop. Finally, inevitably, somebody lost hold of the rope, and we all went home with a new problem: if the rope was still in place on Monday morning, the administration would guess what we’d been up to.
Returning the next night, Saturday, we smashed the padlock at the base of the pole, released the flag cables, and tried to jostle the rope free by tugging on the cables, with no success. The once stiff rope dangled flaccidly alongside the unconquered administrative mast, its frayed end twisting in the wind, twenty feet off the ground. We came back on Sunday night with a new padlock and took turns trying to shinny up the too-thick pole, again with no success. Most of us gave up then — we may have had homework, and Schroer was heavily into Monty Python, which aired at eleven — but Manley and Davis returned to the school yet again and managed to release the rope by boosting each other and yanking on the cables. They put our padlock on the flagpole; and now it was our hostage.
MANLEY’S PARENTS WERE permissive, and Kortenhof’s house was big enough to exit and enter inconspicuously, but most of us had trouble getting away from our parents after midnight. One Sunday morning, after two hours of sleep, I came down to breakfast and found my parents ominously untalkative. My father was at the stove frying our weekly pre-church eggs. My mother was frowning with what I now realize was probably more fear than disapproval. There was fear in her voice as well. “Dad says he heard you coming in the front door this morning after it was light,” she said. “It must have been six o’clock. Were you out?”
Caught! I’d been Caught!
“Yeah,” I said. “Yeah, I was over at the park with Ben and Chris.”
“You said you were going to bed early. Your light was off.”
“Yeah,” I said, looking at the floor. “But I couldn’t sleep, and they’d said they’d be over at the park, you know, if I couldn’t sleep.”
“What on earth were you doing out there so long?”
“Irene,” my father warned, from the stove. “Don’t ask the question if you can’t stand to hear the answer.”
“Just talking,” I said.
The sensation of being Caught: it was like the buzz I once got from some cans of Reddi-wip whose gas propellent I shared with Manley and Davis — a ballooning, dizzying sensation of being all surface, my inner self suddenly so flagrant and gigantic that it seemed to force the air from my lungs and the blood from my head.
I associate this sensation with the rushing heave of a car engine, the low whoosh of my mother’s Buick as it surged with alarming, incredible speed up our driveway and into our garage. It was in the nature of this whoosh that I always heard it earlier than I wanted or expected to. I was Caught privately enjoying myself, usually in the living room, listening to music, and I had to scramble.
Our stereo was housed in a mahogany-stained console of the kind sold nowadays in thrift stores. Its brand name was Aeolian, and its speakers were hidden behind doors that my mother insisted on keeping closed when she played the local all-Muzak station, KCFM, for her dinner guests; orchestral arrangements of “Penny Lane” and “Cherish” fought through cabinetry in a muffled whisper, the ornate pendent door handles buzzing with voices during KCFM’s half-hourly commercial announcements. When I was alone in the house, I opened the doors and played my own records, mostly hand-me-downs from my brothers. My two favorite bands in those pre-punk years were the Grateful Dead and the Moody Blues. (My enthusiasm for the latter survived until I read, in a Rolling Stone review, that their music was suited to “the kind of person who whispers ‘I love you’ to a one-night stand.”) One afternoon, I was kneeling at the Aeolian altar and playing an especially syrupy Moodies effort at such soul-stirring volume that I failed to hear my mother’s automotive whoosh. She burst into the house crying, “Turn that off! That awful rock music! I can’t stand it! Turn it off!” Her complaint was unjust; the song, which had no rock beat whatsoever, offered KCFMish sentiments like Isn’t life strange / A turn of the page /…it makes me want to cry. But I nevertheless felt hugely Caught.
The car I preferred hearing was my father’s car, the Cougar he commuted to work in, because it never showed up unexpectedly. My father understood privacy, and he was eager to accept the straight-A self that I presented to him. He was my rational and enlightened ally, the powerful engineer who helped me man the dikes against the ever-invading sea of my mother. And yet, by temperament, he was no less hostile to my adolescence than she was.
My father was plagued by the suspicion that adolescents were getting away with something: that their pleasures were insufficiently trammeled by conscience and responsibility. My brothers had borne the brunt of his resentment, but even with me it would sometimes boil over in pronouncements on my character. He said, “You have demonstrated a taste for expensive things, but not for the work it takes to earn them.” He said, “Friends are fine, but all evening every evening is too much.” He had a double-edged phrase that he couldn’t stop repeating whenever he came home from work and found me reading a novel or playing with my friends: “One continuous round of pleasure!”