Although the furniture in her final draft was sturdy and well made, of good cherry and maple, my brothers and I couldn’t make ourselves want what we didn’t want; I couldn’t prefer her maple nightstand to the scavenged wine crate that I kept by my bed in New York. And yet to walk away and leave her house so fully furnished, so nearly the way she’d always wanted it to look, gave me the same panicked feeling of waste that I’d had two months earlier, when I’d left her still-whole body, with her hands and her eyes and her lips and her skin so perfectly intact and lately functional, for a mortician’s helpers to take away and burn.
In October, we hired an estate liquidator to put a price tag on all the things we’d left behind. At the end of the month, people came and bought, and Tom got a check for fifteen thousand dollars, and the liquidator made whatever she hadn’t sold just disappear, and I tried not to think about the sad little prices that my mother’s worldly goods had fetched.
As for the house, we did our best to sell it while it was still furnished. With the school year under way, and with no eager young Catholic parents bombarding us with offers, we dropped the price to $369,000. A month later, as the estate sale loomed and the oak leaves were coming down, we cut the price again, to $359,000. At Mike’s suggestion, we also ran a newspaper ad that showed the house under a Yuletide mantle of snow, looking the way my mother had most liked to see it pictured, along with a new tag line (also a suggestion of Mike’s): HOME FOR THE HOLIDAYS. Nobody went for it. The house stood empty through all of November. None of the things my parents had thought would sell the house had sold it. It was early December before a young couple came along and mercifully offered us $310,000.
By then I was convinced that the realtor Pat could have sold the house in mid-August for my mother’s suggested price. My mother would have been stricken to learn how much less we took for it — would have experienced the devaluation as a dashing of her hopes, a rejection of her creative work, an unwelcome indication of her averageness. But this wasn’t the big way I’d let her down. She was dead now, after all. She was safely beyond being stricken. What lived on — in me — was the discomfort of how completely I’d outgrown the novel I’d once been so happy to live in, and how little I even cared about the final sale price.
OUR FRIEND KIRBY, it turned out, had charmed the owner of the Florida house, and the beer keg was fully operational, and so our last week of living like rich people unfolded amicably. I spent morbid, delicious amounts of time by myself, driven by the sort of hormonal instinct that I imagine leads cats to eat grass. The half-finished high-rises to our east were poised to engulf our idyll, even if we’d wanted to come back another year, but the transformation of a quiet, sandpiper-friendly beach into a high-density population center was such a novelty for us that we didn’t even have a category for the loss it represented. I studied the skeletal towers the way I studied bad weather.
At the end of the week, my parents and I drove deeper into Florida, so that I could be taken to Disney World. My father was big on fairness, and because my brothers had once spent a day at Disneyland, many years earlier, it was unthinkable that I not be given the equivalent treat of a day at Disney World, whether or not I was too old for it, and whether or not I wanted to be there. I might not have minded going with my friend Manley, or with my not-girlfriend Hoener, and mocking and subverting the place and allowing myself to like it that way. But mocking and subverting in the presence of my parents was out of the question.
In our hotel room in Orlando, I begged my mother to let me wear my cutoff jeans and a T-shirt for the day, but my mother won the argument, and I arrived at Disney World in an ensemble of pleated shorts and a Bing Crosbyish sport shirt. Dressed like this, miserable with self-consciousness, I moved my feet only when I was directly ordered to. All I wanted to do was go sit in our car and read. In front of each themed ride, my mother asked me if it didn’t look like lots of fun, but I saw the other teenagers waiting in line, and I felt their eyes on my clothes and my parents, and my throat ached, and I said the line was too long. My mother tried to cajole me, but my father cut her off: “Irene, he doesn’t want to ride this one.” We trudged on through diffuse, burning Florida sunshine to the next crowded ride. Where, again, the same story.
“You have to ride something,” my father said finally, after we’d had lunch. We were standing in the lee of an eatery while tawny-legged tourist girls thronged toward the water rides. My eyes fell on a nearby merry-go-round that was empty except for a few toddlers.
“I’ll ride that,” I said in a dull voice.
For the next twenty minutes, the three of us boarded and reboarded the dismal merry-go-round, ensuring that our ride tickets weren’t going to waste. I stared at the merry-goround’s chevroned metal floor and radiated shame, mentally vomiting back the treat they’d tried to give me. My mother, ever the dutiful traveler, took pictures of my father and me on our uncomfortably small horses, but beneath her forcible cheer she was angry at me, because she knew she was the one I was getting even with, because of our fight about clothes. My father, his fingers loosely grasping a horse-impaling metal pole, gazed into the distance with a look of resignation that summarized his life. I don’t see how either of them bore it. I’d been their late, happy child, and now there was nothing I wanted more than to get away from them. My mother seemed to me hideously conformist and hopelessly obsessed with money and appearances; my father seemed to me allergic to every kind of fun. I didn’t want the things they wanted. I didn’t value what they valued. And we were all equally sorry to be riding the merry-go-round, and we were all equally at a loss to explain what had happened to us.
TWO PONIES
IN MAY 1970, a few nights after National Guardsmen killed four student protesters at Kent State University, my father and my brother Tom started fighting. They weren’t fighting about the Vietnam War, which both of them opposed. The fight was probably about a lot of different things at once. But the immediate issue was Tom’s summer job. He was a good artist, with a meticulous nature, and my father had encouraged him (you could even say forced him) to choose a college from a short list of schools with strong programs in architecture. Tom had deliberately chosen the most distant of these schools, Rice University, and he’d just returned from his second year in Houston, where his adventures in late-sixties youth culture were pushing him toward majoring in film studies, not architecture. My father, however, had found him a plum summer job with Sverdrup & Parcel, the big engineering firm in St. Louis, whose senior partner, General Leif Sverdrup, had been an Army Corps of Engineers hero in the Philippines. It couldn’t have been easy for my father, who was shy about asking favors, to pull the requisite strings at Sverdrup. But the office gestalt was hawkish and buzz-cut and generally inimical to bell-bottomed, lefty film-studies majors; and Tom didn’t want to be there.
Up in the bedroom that he and I shared, the windows were open and the air had the stuffy wooden house smell that came out every spring. I preferred the make-believe no-smell of air-conditioning, but my mother, whose subjective experience of temperature was notably consistent with low gas and electricity bills, claimed to be a devotee of “fresh air,” and the windows often stayed open until Memorial Day.