Quinten looked up, cracked his thumbs, and got to his feet. Twenty to twelve. Outside the pounding of loud music rang out, obviously from a stationary car with its door open. His father was asleep; leaning forward on the next bench, his head on his crossed arms, he breathed through his mouth with a deep rattling sound. Quinten shook his shoulders.
"Wake up!"
Onno got up with a groan. "Are we still here?"
A little later he stumbled after Quinten, feeling as if he were only now beginning to dream.
At the door Quinten turned around and whispered: "Have you got the case with you?"
The case! Without saying a word Onno went to the confessional, where it was still under the bench. Meanwhile Quinten had lifted the lock off the entrance door, and back in the chapel the oil turned out to have done its work: the barred gates of the altar opened without a sound.
Now there appeared two bronze doors, with depictions of Peter and Paul on the top panels; on these two was another heavy lock. He could see it properly for the first time. It seemed to be a different type, but to his relief he saw that it was a classic key lock. When it failed to respond to any of his skeletons, he looked for a hook from his backpack and inserted it in the keyhole. After fiddling around for a bit, he pressed down on the body of the lock with it so that the locking bar was pressed against the tongues of the levers; then with a second hook he carefully took out the levers, until the bar went into the connecting grooves and the lock could move. He pulled the shackle forward out of the lock, slid it off the four bronze rings, and put it on the step, alongside the three that were already there.
"There you are," he whispered, and looked at his watch. "Two minutes left. We're on our way."
He pulled the doors open with both hands.
From the illustration in Grisar's book Onno also immediately recognized the carved cyprus-wood relic shrine. Although it was over eleven hundred years old, it looked as fresh as though it had just recently been delivered by the joiner. On its top edge it said in Latin that the box came from Leo III, the unworthy servant of God; but the text was interrupted by a wooden shield, on which was written in gold letters:
SCA
SCORV
An extremely illiterate abbreviation of Sancta Sanctorum. It was obvious that the inscription had been put on later: when the relics had been brought here from the Lateran basilica and the chapel had been given that name.
Because Moses' tablets of the Law were contained in them from that moment on? Onno looked at Quinten. Quinten looked at the four square, decorated doors, which looked like the luggage lockers in a station. On each door there was a small ring to pull it open with. Everything was in turn guarded with locks, but he saw immediately that they were not locked. He pursed his lips and pulled the top left-hand door open. While the silver covering of the acheiropoeton gleamed on the altar, Onno focused the beam of light into it. The drawer was empty. Quinten pulled out the top right-hand drawer: empty. The lower left-hand drawer; the right left-hand drawer: all empty.
Quinten looked at his watch. Five to twelve. He stood up and said: "We must go."
When he made to leave the chapel, Onno whispered: "Shouldn't we clear up in here? We can't leave it like this, can we?"
"We're coming back in half an hour."
Onno stiffened.
"To do what? They're not here, Quinten. You were wrong. Everything has gone well up to now, let's call it a day."
Quinten put a finger to his lips — and for the umpteenth time Onno realized that there was nothing he could say.
Back for the second time in the chapel of San Lorenzo, sitting next to each other in the dark on a bench, Onno thought of the mess that they had made — picked locks, opened doors, tools lying everywhere. Imagine an insomniac father of the Holy Cross taking his prayer book and going for a walk through the building, praying as he went, and then seeing that chaos in the sanctum! But he was even more tormented by the question how he could support Quinten.
For reasons that were obscure to him, the boy had invested so much in this adventure that he could obviously not stand the fact that it all had been for nothing. How could he get it through to him that this was how things were in life? When you were seventeen, you thought that the world was made of the same substance as your own theories, so that you had control of it and could turn it to your own advantage. But one day everyone had to confront the bitter truth that it wasn't like that, that the world was soup and thought was generally a fork: it seldom resulted in a good meal. Today the moment of truth had struck for Quinten — differently than for other boys, that was true, but it amounted to the same thing.
"Quinten?"
"Yes?"
"What do you want to do?"
"Have another good look."
"We did have a good look."
"But still no better than Grisar. Or Flavius Josephus."
Onno sighed in resignation. Again he was encountering granite. He could keep his wise sermons to himself; it was as though Freud's father were to try to convince his son that the subconscious did not exist — and it was very questionable whether it existed. At the same time it gave him a feeling of satisfaction: Quinten still had the kind of unspoiled self-confidence that he himself had long since lost — if he'd ever possessed it; he wasn't even sure of that anymore. He mustn't try to talk him around at all; he had to empty that cup to the dregs. What's more, he might otherwise have to hear for the rest of his life that the tablets might have been in that damn altar after all. On their ascetic beds the fathers meanwhile rose for a short while to the second stage of their sleep, before sinking back to the fourth.
At quarter past twelve, Quinten took the flashlight and said: "Now for it."
By now they both felt at home in the chapel that they kept going in and out of. Quinten squatted down, laid the flashlight against the marble step, rested his elbows on his knees, put his hands on his cheeks, and looked intently at the shrine. He had to finish in ten minutes.
It had not surprised him that the four drawers were empty, because he knew that. But where else could two flat stones have been hidden? Actually, only behind the treasure chest. At the back, the altar was built against the wall; it couldn't be reached from the side. But it must be possible to take the box out: it had once been put in. In the center of the lower frame he noticed a ring, obviously intended to pull the whole thing forward; but that was impossible, since the marble pillars of the altar blocked the sides of the box. So this meant that the shrine had not been pushed into the altar but that the altar had been built around the shrine. And that had happened in about the year 800, while the tablets of the Law had only been brought here from the basilica four centuries later. In other words: they couldn't be behind the box. So? So they must be underneath.
The box was not resting on the ground; there was a narrow chink. Obviously it was on legs, but they were obscured from view by the pillars. Quinten lay down on his stomach, put his cheek on the step, and shone the flashlight underneath. Had Grisar done this too? What reason would he have had to do that? There was all kinds of rubbish that was difficult to distinguish — shards, pieces and fragments, perhaps remains of masonry work. On either side the shrine was supported not by feet but by flat stones.
Quinten looked inside numbly, feeling the blood draining from his face. From his backpack he produced a long skeleton key and put the key around the back of the right-hand stone. Helping it along with the flat of his hand, which just fitted through the gap, he tried to see if it could be moved. Scraping over the dust, the stone moved forward. It was not supporting anything!