They were all life-size; and they all offered a most singular medley of historical periods. Yet it would seem that all of them, by the sameness of their dark material, like a black marble, and the uniform realism and verisimilitude of their technique, might well have been sculptured by the same hand. There were boys and bearded men in the chitons of Greece, there were medieval monks, and knights in armor, there were soldiers and scholars and great ladies of the Renaissance, of the Restoration, there were people of the eighteenth, the nineteenth, the twentieth centuries. And in every muscle, in every lineament of each, was stamped an incredible suffering, an unspeakable fear. And more and more, as I studied them, a ghastly and hideous conjecture was formulated in my mind.
The old man was at my elbow, leering and peering into my face with a demoniac malice.
“You are admiring my collection of statuary,” he said. “And I can see that you are impressed by its realism... But perhaps you have already guessed that the statues are identical with their models. These people are the unfortunates who were not content to see Medusa only in a mirror... I warned them... even as I have warned you... But the temptation was too much for them.”
I could say nothing. My thoughts were full of terror, consternation, stupefaction. Had the old man told me the truth, did he really possess anything so impossible and mythical as the Gorgon’s head? Those statues were too life-like, too veridical in all their features, in their poses that preserved a lethal fear, their faces marked with a deadly but undying torment. No human sculptor could have wrought them, could have reproduced the physiognomies and the costumes with a fidelity so consummate and so atrocious.
“Now,” said my host, “having seen those who were overpowered by the beauty of Medusa, it is time for you to behold the Gorgon herself.” He stepped to one side, eyeing me intently; and I saw in the metal mirror the whole of that strange altar which his body had partially intercepted from my view. It was draped with some funereal black fabric; and lamps were burning on each side with their tall and frozen flames. In the center, on a broad paten of silver or electrum, there stood the veritable Head, even as the ancient myths have depicted it, with vipers crawling and lifting among its matted locks.
How can I delineate or even suggest that which is beyond the normal scope of human sensation or imagining? I saw in the mirror a face of unspeakably radiant pallor—a dead face from which there poured the luminous, blinding glory of celestial corruption, of superhuman bale and suffering. With lidless, intolerable eyes, with lips that were parted in an agonizing smile, she was lovely, she was dreadful beyond any vision ever vouchsafed to a mystic or an artist; and the light that emanated from her features was the light of worlds that lie too deep or too high for mortal perception. Hers was the dread that turns the marrow into ice, and the anguish that slays like a bolt of lightning.
Long did I gaze in the mirror, with the shuddering awe of one who beholds the veilless countenance of a final mystery. I was terrified, appalled—and fascinated to the core of my being; for that which I saw was the ultimate death, the ultimate beauty. I desired, yet I did not dare, to turn and lift my eyes to the reality whose mere reflection was a fatal splendor.
The old man had stepped closer; he was peering into the mirror and watching me with furtive glances, by turns.
“Is she not beautiful?” he whispered. “Could you not gaze upon her forever? And do you not long to behold her without the intermediation of the mirror, which hardly does her justice?”
I shivered at his words, and at something which I sensed behind them.
“No! no!” I cried, vehemently. “I admit all that you say. But I will not gaze any longer; and I am not mad enough to let myself be turned into a stone image.”
I thrust the mirror into his hands as I spoke, and turned to leave, impelled by an access of overmastering fright. I feared the allurement of Medusa; and I loathed that evil ancient with a loathing that was beyond limit or utterance.
The mirror clattered on the floor, as the old man dropped it and sprang upon me with a tigerish agility. He seized me with his knotted hands, and though I had sensed their sinewy vigor, I was not prepared for the demoniacal strength with which he whirled me about and thrust me toward the altar.
“Look! look!” he shrieked, and his voice was that of a fiend who urges the damned to some further pit of perdition.
I had closed my eyes instinctively, but even through my lids I felt the searing radiance. I knew, I believed implicitly the fate which would be mine if I beheld Medusa face to face. I struggled madly but impotently against the grip that held me; and I concentrated all my will to keep my lids from lifting even by the breadth of an eyelash.
Suddenly my arms were freed, and I felt the diabolic fingers on my brow, groping swiftly to find my eyes. I knew their purpose, and knew also that the old man must have closed his own eyes to avoid the doom he had designed for me. I broke away, I turned, I grappled with him; and we fought insanely, frantically, as he strove to swing me about with one arm and tore at my shut eyelids with his other hand. Young as I am, and muscular, I was no match for him; and I swerved slowly toward the altar, with my head bent back till my neck was almost broken, in a vain effort to avoid the iron fumbling of his fingers. A moment more, and he would have conquered; but the space in which we fought was narrow, and he had now driven me back against a row of the stone figures, some of which were recumbent on the floor. He must have stumbled over one of these, for he fell suddenly with a wild, despairing cry, and released me as he went down. I heard him strike the floor with a crash that was singularly heavy—a crash as of something harder and more massive and more ponderous than a human body.
Still standing with shut eyes, I waited; but there was no sound and no movement from the old man. Bending toward the floor, I ventured to look between half-open lids. He was lying at my feet, beside the figure on which he had tripped; and I needed no second glance to recognize in all his limbs, in all his lineaments, the same rigidity and the same horror which characterized the other statues. Like them, he had been smitten instantaneously into an image of dark stone. In falling, he had seen the very face of Medusa, even as his victims had seen it. And now he would lie among them forever.
Somehow, with no backward glance, I fled from the room, I found my way from that horrible mansion, I sought to lose it from sight and memory in half-deserted, mysterious alleys that were no legitimate part of London. The chill of ancient death was upon me; it hung in the web of timeless twilight along those irrecognizable ways, around those innominable houses; and it followed me as I went. But at last, by what miracle I know not, I came to a familiar street, where people thronged in the lamplit dusk, and the air was no longer chill except with a falling fog.
AN OFFERING TO THE MOON
I
“I believe,” announced Morley, “that the roofless temples of Mu were not all devoted to solar worship, but that many of them were consecrated to the moon. And I am sure that the one we have now discovered proves my point. These hieroglyphics are lunar symbols beyond a doubt.”
Thorway, his fellow-archaeologist, looked at Morley with a surprise not altogether due to the boldly authoritative pronouncement. He was struck anew by the singularity of Morley’s tones and expression. The dreamy, beardless, olive features, that seemed to repeat some aboriginal Aryan type, were transfigured by a look of ecstatic absorption. Thorway himself was not incapable of enthusiasm when the occasion seemed to warrant it; but this well-nigh religious ardor was beyond his comprehension. He wondered (not for the only time) if his companion’s mentality were not a trifle… eccentric.