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I was struck by the seeming discrepancy between the preter-human control of gravitation possessed by this curious people, and their somewhat primitive modes of warfare and conveyance. Judging them, as I did, by terrestrial standards, I could not reconcile these things; and the true explanation was too bizarre and fantastic for me to have imagined it beforehand.

We proceeded toward our unknown destination, with the dragons trotting at a leisurely pace that covered more ground than one would have expected. I began to observe the surrounding milieu and to take note of much that had escaped me heretofore.

The plain, I saw, was treeless, with low hummocks and intervals of winding mounds, and was wholly covered with a short, lichenous growth that formed a kind of yellow-green turf. One of the two suns was hanging at meridian; and the other was either just rising or setting, for it hovered close to a far-off horizon of glaucous hills. The sky was tinted with deep green, and I saw that this color was due to the combined light of the suns, one of which was azure blue and the other verging upon amber.

After we had gone on for several miles and had passed a row of intervening hummocks, I beheld a strange city in the near distance, with low mushroom domes and peristyles of massive pillars that gleamed like rosy marble in the sunlight amid plots of orange and indigo and violet vegetation.

This city proved to be our objective. It was thronged with people among whom we passed on the dragon-drawn platform, borne like the trophies of a triumph. The buildings were roomy and well-spaced and were characterized by deep porticoes with swelling, bulbous columns. We learned subsequently that the material used in their construction was a sort of petrified wood, belonging to a genus of giant prehistoric trees, that had been quarried in enormous blocks.

After passing through many streets, we neared, in what was apparently the center of the town, a huge circular edifice. It consisted of a single dome upborne on rows of open, colossal pillars, with an entrance broad and high enough to admit with ease the vehicle on which the time-sphere was being carried. We rolled smoothly through the portals and along a level pavement beneath the vast dome.

The place was illumed by the horizontal rays of the sinking yellow sun, which fell on the ruddy floor in broad shafts between the massy pillars. I received an impression of immense empty space, of rosy-golden air and light. Then, in the center, as we went forward, I saw a sort of dais on which stood an extraordinary machine or contrivance of parti-colored metals, towering alone like an idol in some pagan fane. The dais, like the building, was circular, and rose four or five feet above the main pavement. It was perhaps sixty feet in diameter, and there were several stairs, graduated to the steps of the pygmy people, that gave access to it. Around the dais, in semi-circles on the pavement, with ample space between, there stood many low tables, supported on carven cubes and with benches about them, all of the same material as the edifice itself. The tables were set with numerous black pots, deep and shallow and multiform, in which grew flowers of opulent orange and cassava colors, together with others of delicate white, of frail pink and silvery green.

These details I perceived hastily and confusedly as our conveyance moved on toward the central dais without endangering any of the tables. A sprinkling of people, who gave the impression of menials, were hurrying about the place, bringing new flower-pots or re-arranging certain of the ones that had already been disposed. Many of the elfin warriors, dismounting from their chariots, had followed us through the great portals.

Now the vehicle had drawn up beside the dais. By the operation of the black arm with its magnetic disk, the time-machine was lifted from the platform and deposited on the dais not far from the tall contrivance of multi-colored metals. Then, circling the dais, the vehicle withdrew with its dragon-team and vanished through the open entrance.

Whether the place was a temple or merely a public hall, I could not decide. It was like the phantasmagoria of some bewildering dream, and the mystery of it all was not solved when I noticed that hundreds of the faery people were seating themselves at the flower-laden tables and were bending toward the blossoms with a regular contraction and expansion of their voluted nostrils, as if they were inhaling delicious perfumes. To complicate my bewilderment still further, I could distinguish nothing on any of the tables in the form of food, nourishment or even drink, such as these heroic warriors might well be expected to require after an arduous battle.

Dismissing temporarily the baffling enigma, I turned my attention to the peculiar mechanism which occupied the dais together with the time-sphere. Here, too, I found myself at a loss, for I could not even surmise its nature and purpose. I had never seen anything like it among the most ingenious, pernicious and grotesque inventions of terrene mechanics.

The thing was quite gigantic, with a bristling, serried and fearsome array of highly polished rods and pistons, of long, spiral bands and abrupt, angular flanges, behind which I made out the half-hidden outlines of a squat cylindrical body, mounted on at least seven or eight ponderous legs that terminated in huge pads like the feet of hippopotami.

Above the complicated mass, there towered a sort of triple head, or superstructure of three globes, one above the other on a long metal neck. The heads were fitted with rows of eye-like facets, cold and bright as diamonds, and possessed numerous antennae and queer, unnamable appendages, some of great length. The whole apparatus had the air of some mysterious living entity—a super-machine endowed with sentience and with intellect; and the three-tiered head with its chill eyes appeared to watch us malignly and inscrutably like a metal Argus.

The thing was a miracle of machinery; and it gleamed with hues of gold and steel, of copper and malachite, of silver and azurite and cinnabar. But more and more I was impressed by an evil and brooding intentness, an aura of the sinister and the inimical. The monstrosity was motionless—but intelligent. Then, as I continued my inspection, I saw a movement of the foremost legs, and became aware that the machine was advancing stiffly on its massive pads toward the time-vessel.

It paused at an interval of five or six feet, and put out a long, thin, supple, many-jointed tentacle from the mass of appendages that adorned its topmost head. With this tentacle, like a raised whip, it struck smartly several times at the curving wall of the sphere.

I could not help feeling somewhat alarmed as well as puzzled; for the action was unmistakably hostile. The blows of the tentacle were somehow like a challenge—the equivalent, so to speak, of an actual slap in the face. And the wary movement with which the machine stepped back and stood facing us, after delivering the whip-sharp blows, was curiously like the maneuvre of a fighter, squaring himself for combat. The thing seemed almost to crouch on its elephantine metal legs and pads; and there was an air of covert menace in its poised array of mysterious, deadly-looking parts and appendages.

At this moment there occurred a singular interruption which, in all likelihood, was the means of averting our death and the destruction of the time-globe. A group of the elfin people, four in number, ascended the stairs of the dais and approached us, bearing among them a large vessel, like an open shallow urn or deep basin, which was filled to the brim with a sluggish, hueless liquid, suggesting immediately some sort of mineral oil. Behind this group there came a second, carrying another vessel full of the same oleaginous fluid.

The two delegations, moving forward in perfect unison, deposited their burdens at the same instant, with the same peculiar genuflections, setting one of the basins before the time-sphere and the other at the feet of the belligerent alien mechanism. Afterwards they retired discreetly as they had come. The whole performance had the air of a religious rite—a sacrificial offering, intended to appease doubtful or angry deities.