saw only Klara Olsufyevna, near her Andrey Filippovitch, then Vladimir Semyonovitch, two or three officers, and, finally, two or three other young men who were also very interesting and, as any one could see at once, were either very promising or had actually done something. . . . He saw some one else too. Or, rather, he saw nobody and looked at nobody . . . but, moved by the same spring which had sent him dashing into the midst of a ball to which he had not been invited, he moved forward, and then forwarder and forwarder. On the way he jostled against a councillor and trod on his foot, and incidentally stepped on a very venerable old lady's dress and tore it a little, pushed against a servant with a tray and then ran against somebody else, and, not noticing all this, passing further and further forward, he suddenly found himself facing Klara Olsufyevna. There is no doubt whatever that he would, with the utmost delight, without winking an eyelid, have sunk through the earth at that moment; but what has once been done cannot be recalled . . . can never be recalled. What was he to do? "If I fail I don't lose heart, if I succeed I persevere." Mr. Golyadkin was, of course, not "one to intrigue," and "not accomplished in the art of polishing the floor with his boots." . . . And so, indeed, it proved. Besides, the Jesuits had some hand in it too . . . though Mr. Golyadkin had no thoughts to spare for them now! All the moving, noisy, laughing groups were suddenly hushed as though at a signal and, little by little, crowded round Mr. Golyadkin. He, however, seemed to hear nothing, to see nothing, he could not look . . . he could not possibly look at anything; he kept his eyes on the floor and so stood, giving himself his word of honour, in passing, to shoot himself one way or another that night. Making this vow, Mr. Golyadkin inwardly said to himself, "Here goes!" and to his own great astonishment began unexpectedly to speak. He began with congratulations and polite wishes. The congratulations went off well, but over the good wishes out hero stammered. He felt that if he stammered all would be lost at once. And so it turned out - he stammered and floundered . . . floundering, he blushed crimson; blushing, he was overcome with confusion. In his confusion he raised his eyes; raising his eyes he looked about him; looking about him - he almost swooned . . . Every one stood still, every one was silent, a little nearer there was laughter. Mr. Golyadkin fastened a humble, imploring look on Andrey Filippovitch. Andrey Filippovitch. Andrey Filippovitch responded with such a look that if our hero had not been utterly crushed already he certainly would have been crushed a second time - that is, if that were possible. The silence lasted long. "This is rather concerned with my domestic circumstances and my private life, Andrey Filippovitch," our hero, half-dead, articulated in a scarcely audible voice; "it is not an official incident, Andrey Filippovitch . . ." "For shame, sir, for shame!" Andrey Filippovitch pronounced in a half whisper, with an indescribable air of indignation; he pronounced these words and, giving Klara Olsufyevna his arm, he turned away from Mr. Golyadkin. "I've nothing to be ashamed of, Andrey Filippovitch," answered Mr. Golyadkin, also in a whisper, turning his miserable eyes about him, trying helplessly to discover in the amazed crowd something on which he could gain a footing and retrieve his social position. "Why, it's all right, it's nothing, gentlemen! Why, what's the matter? Why, it might happen to any one," whispered Mr. Golyadkin, moving a little away and trying to escape from the crowd surrounding him. They made way for him. Our hero passed through two rows of inquisitive and wondering spectators. Fate drew him on. He felt himself, that fate was leading him on. He would have given a great deal, of course, for a chance to be back in the passage by the back stairs, without having committed a breach of propriety; but as that was utterly impossible he began trying to creep away into a corner and to stand there - modestly, decorously, apart, without interfering with any one, without attracting especial attention, but at the same time to win the favourable notice of his host and the company. At the same time Mr. Golyadkin felt as though the ground were giving way under him, as though he were staggering, falling. At last he made his way to a corner and stood in it, like an unconcerned, rather indifferent spectator, leaning his arms on the backs of two chairs, taking complete possession of them in that way, and trying, as far as he could, to glance confidently at Olsufy Ivanovitch's guests, grouped about him. Standing nearest him was an officer, a tall and handsome fellow, beside whom Golyadkin felt himself an insect. "These two chairs, lieutenant, are intended, one for Klara Olsufyevna, and the other for Princess Tchevtchehanov; I'm taking care of them for them," said Mr. Golyadkin breathlessly, turning his imploring eyes on the officer. The lieutenant said nothing, but turned away with a murderous smile. Checked in this direction, our hero was about to try his luck in another quarter, and directly addressed an important councillor with a cross of great distinction on his breast. But the councillor looked him up and down with such a frigid stare that Mr. Golyadkin felt distinctly as though a whole bucketful of cold water had been thrown over him. He subsided into silence. He made up his mind that it was better to keep quiet, not to open his lips, and to show that he was "all right," that he was "like every one else," and that his position, as far as he could see, was quite a proper one. With this object he rivetted his gaze on the lining of his coat, ten raised his eyes and fixed them upon a very respectable-looking gentleman. "That gentleman has a wig on," thought Mr. Golyadkin; "and if he takes off that wig he will be bald, his head will be as bare as the palm of my hand." Having made this important discovery, Mr. Golyadkin thought of the Arab Emirs, whose heads are left bare and shaven if they take off the green turbans they wear as a sign of their descent from the prophet Mahomet. Then, probably from some special connection of ideas with the Turks, he thought of Turkish slippers and at once, apropos of that, recalled the fact that Andrey Filippovitch was wearing boots, and that his boots were more like slippers than boots. It was evident that Mr. Golyadkin had become to some extent reconciled to his position. "What if that chandelier," flashed through Mr. Golyadkin's mind, "were to come down from the ceiling and fall upon the company. I should rush at once to save Klara Olsufyevna. Save her! I should cry. 'Don't be alarmed, madam, it's of no consequence, I will rescue you, I.' Then . . ." At that moment Mr. Golyadkin looked about in search of Klara Olsufyevna, and saw Gerasimitch, Olsufy Ivanovitch's old butler. Gerasimitch, with a most anxious and solemnly official air, was making straight for him. Mr. Golyadkin started and frowned from an unaccountable but most disagreeable sensation; he looked about him mechanically; it occurred to his mind that if only he could somehow creep off somewhere, unobserved, on the sly - simply disappear, that it, behave as though he had done nothing at all, as though the matter did not concern him in the least! . . . But before hour hero could make up his mind to do anything, Gerasimitch was standing before him. "Do you see, Gerasimitch," said our hero, with a little smile, addressing Gerasimitch; "you go and tell them - do you see the candle there in the chandelier, Gerasimitch - it will be falling down directly: so, you know, you must tell them to see to it; it really will fall down, Gerasimitch. . . ." "The candle? No, the candle's standing straight; but somebody is asking for you, sir." "Who is asking for me, Gerasimitch?" "I really can't say, sir, who it is. A man with a message. Is Yakov Petrovitch Golyadkin here? says he. Then call him out, says he, on very urgent and important business . . . you see." "No, Gerasimitch, you are making a mistake; in that you are making a mistake, Gerasimitch." "I doubt it, sir." "No, Gerasimitch, it isn't doubtful; there's nothing doubtful about it, Gerasimitch. Nobody's asking for me, but I'm quite at home here - that is, in my right place, Gerasimitch." Mr. Golyadkin took breath and looked about him. Yes! every one in the room, all had their eyes fixed upon him, and were listening in a sort of solemn expectation. The men had crowded a little nearer and were all attention. A little further away the ladies were whispering together. The master of the house made his appearance at no great distance from Mr. Golyadkin, and though it was impossible to detect from his expression that he, too, was taking a close and direct interest in Mr. Golyadkin's position, for everything was being done with delicacy, yet, nevertheless, it all made our hero feel that the decisive moment had come for him. Mr. Golyadkin saw clearly that the time had come for a old stroke, the chance of putting his enemies to shame. Mr. Golyadkin was in great agitation. He was aware of a sort of inspiration and, in a quivering and impressive voice, he began again, addressing the waiting butler - "No, my dear fellow, no one's calling for me. You are mistaken. I will say more: you were mistaken this morning too, when you assured me. . . . dared to assure me, I say (he raised his voice), "that Olsufy Ivanovitch, who has been my benefactor for as long as I can remember and has, in a sense, been a father to me, was shutting his door upon me at the moment of solemn family rejoicing for his paternal heart." (Mr. Golyadkin looked about him complacently, but with deep feeling. A tear glittered on his eyelash.) "I repeat, my friend," our hero concluded, "you were mistaken, you were cruelly and unpardonably mistaken. . . ." The moment was a solemn one. Mr. Golyadkin felt that the effect was quite certain. He stood with modestly downcast eyes, expecting Olsufy Ivanovitch to embrace him. Excitement and perplexity were apparent in the guests, even the inflexible and terrible Gerasimitch faltered over the words "I doubt it . . ." when suddenly the ruthless orchestra, apropos of nothing, struck up a polka. All was lost, all was scattered to the winds. Mr. Golyadkin started; Gerasimitch stepped back; everything in the room began undulating like the sea; and Vladimir Semyonovitch led the dance with Klara Olsufyevna, while the handsome lieutenant followed with Princess Tchevtchehanov. Onlookers, curious and delighted, squeezed in to watch them dancing the polka - an interesting, fashionable new dance which every one was crazy over. Mr. Golyadkin was, for the time, forgotten. But suddenly all were thrown into excitement, confusion and bustle; the music ceased . . . a strange incident had occurred. Tired out with the dance, and almost breathless with fatigue, Klara Olsufyevna, with glowing cheeks and heaving bosom, sank into an armchair, completely exhausted . . . All hearts turned to the fascinating creature, all vied with one another in complimenting her and thanking her for the pleasure conferred on them, - all at once there stood before her Mr. Golyadkin. He was pale, extremely perturbed; he, too, seemed completely exhausted, he could scarcely move. He was smiling for some reason, he stretched out his hand imploringly. Klara Olsufyevna was so taken aback that she had not time to withdraw hers and mechanically got up at his invitation. Mr. Golyadkin lurched forward, first once, then a second time, then lifted his leg, then made a scrape, then gave a sort of stamp, then stumbled . . . he, too, wanted to dance with Klara Olsufyevna. Klara Olsufyevna uttered a shriek; every one rushed to release her hand from Mr. Golyadkin's, and in a moment our hero was carried almost ten paces away by the rush of the crowd. A circle formed round him too. Two old ladies, whom he had almost knocked down in his retreat raised a great shrieking and outcry. The confusion was awful; all were asking questions, every one was shouting, every one was finding fault. The orchestra was silent. Our hero whirled round in his circle and mechanically, with a semblance of a smile, muttered something to himself, such as, "Why not?" and "that the polka, so far, at least, as he could see, was a new and very interesting dance, invented for the diversion of the ladies. . . but that since things had taken this turn, he was ready to consent." But Mr. Golyadkin's consent no one apparently thought of asking. Our hero was suddenly aware that some one's hand was laid on his arm, that another hand was pressed against his back, that he was with peculiar solicitude being guided in a certain direction. At last he noticed that he was going straight to the door. Mr. Golyadkin wanted to say something, to do something. . . . But no, he no longer wanted to do anything. He only mechanically kept laughing in answer. At last he was aware that they were putting on his greatcoat, that his hat was thrust over his eyes; finally he felt that he was in the entry on the stairs in the dark and cold. At last he stumbled, he felt that he was falling down a precipice; he tried to cry out - and suddenly he found himself in the courtyard. The air blew fresh on him, he stood still for a minute; at that very instant, the strains reached him of the orchestra striking up again. Mr. Golyadkin suddenly recalled it all; it seemed to him that all his flagging energies came back to him again. He had been standing as though rivetted to the spot, but now he started off and rushed away headlong, anywhere, into the air, into freedom, wherever chance might take him.