How Griaule came to be paralyzed by a wizard’s magical contrivance is a story without witness, but it has been documented that in this deathlike condition he lived on for millennia, continuing to grow, until he measured more than a mile in length, lying athwart and nearly spanning the westernmost section of the Carbonales Valley. Over the years he came to resemble a high hill covered in grass and shrubs and stunted trees, with here and there a portion of scale showing through, and the colossal head entirely emergent, unclothed by vegetation, engaging everything that passed before him with huge, slit-pupiled golden eyes, exerting a malefic influence over the events that flowed around him, twisting them into shapes that conformed to the cruel designs his discarnate intellect delighted in the weaving of, and profited his vengeful will. During his latter days, a considerable city, Teocinte, sprawled away from Griaule’s flank over the adjoining hill, but centuries before, when few were willing to approach the dragon, Teocinte was scarcely more than an outsized village enclosed by dense growths of palms and bananas, hemmed in between the eminence of Griaule and a pine-forested hill. Scruffy and unlovely; flyblown; its irregularly laid-out dirt streets lined by hovels with rusting tin roofs; it was lent the status of a town by a scattering of unstable frame structures housing taverns, shops, and a single inn, and was populated by several thousand men and women who, in the main, embodied a debased extreme of the human condition. Murderers and thieves and outlaws of various stamp. Almost to a one, they believed that proximity to the dragon imbued them with a certain potency (as perhaps it did) and refused to concern themselves with the commonly held notion that they had been drawn to Teocinte because their depravity resonated with the dragon’s depraved nature, thus making them especially vulnerable to his manipulations. What does it matter whose purpose we serve, they might have asked, so long as it satisfies our own?
By all accounts, the most fearsome of Teocinte’s citizens and, at forty-two, its eldest, was Hota Kotieb, a brooding stump of a man with graying, unkempt hair, his cheeks and jaw scarred by knife cuts. His hands were huge, capable of englobing a cantaloupe and squeezing it to a pulp, and his powerful arms and oxlike shoulders had been developed through years of unloading ships at the docks in Port Chantay. Deep-socketed eyes provided the only vital accent in what otherwise seemed the sort of brutish face sometimes produced by the erosion of great stones. Unlike his fellows, who would make lengthy forays out into the world to perpetrate their crimes, then returned to restore themselves by steeping in the dragon’s aura, Hota never strayed from the valley. Eleven summers previously, after his wife had been run over in the street by a coach belonging to the harbormaster in Port Chantay, he had forsworn the unreliable processes of justice and forced his way into the man’s home. When the harbormaster ordered him ejected, Hota stabbed him, his two sons and several retainers, himself receiving numerous wounds during the skirmish. On realizing that he would be hung were he to remain in the town, he looted the house and fled, killing three policemen who sought to stop him outside the door. Casting aside a lifetime of unobtrusive action and docile labor, he had murdered ten men in the space of less than an hour.
Though he had never attended school and was ignorant of many things, Hota was by no means dull-witted, and when he meditated on these events, his red victory and the grim chaos that preceded it, he was able to place his actions in a rational context. He felt little remorse over the murders of the harbormaster and his sons. They were oppressors and had received an oppressor’s due. As for the rest, he regretted their deaths and believed that some would have been spared had he not been enraged to the point of derangement; yet he refused to use derangement as a sop to his conscience and recognized that the potential for extreme violence had always been his. He had not wished his wife to die, but neither had he loved her. Thirteen years of marriage had doused the spark that once leaped between them. Their union had decayed into indifference and sham. They were like two plow horses harnessed together, endlessly tilling a field barren of children and every other promise, yet led to continue their dreary progress by the litany of empty promises they spoke to one another. It seemed her death had less inspired than legitimized a violent release, and that he had been longing to kill someone for quite some time, motivated in this by feelings of impotence bred over years of abject poverty. Now this tendency had made itself known, he supposed it would rise all the more easily to the surface. For this reason, though he was lonely, he kept no one close.
The money and gems he had stolen from the harbormaster enabled Hota to live as comfortably as the rough consolations of Teocinte permitted. He occupied a third-floor room at the rear of Dragonwood House, a weathered, boxlike building with a tin roof and a tavern downstairs and a newer, less ruinous single-story wing attached, where prostitutes were housed. Its ashen gray facade was dressed with a garishly painted sign that depicted a dragon soaring through a fiery heaven. The inn was situated near the edge of town and serviced the steady stream of visitors that came to look at Griaule, offering views of the dragon’s side from its front windows. Its owner, Benno Grustark, claimed that the boards employed in its construction were manufactured from trees that had grown atop Griaule’s back, but his patrons, knowing that few dared to set foot upon the dragon, let alone cut timber, referred to the inn as Liar’s House.
Having no need to work, Hota passed many of the days at woodcarving, a hobby of his childhood that still pleased him, though he displayed no talent for the work. Since there was little in the town to attract his eye, he took to carving likenesses of Griaule. Dozens of such pieces were crowded together on his shelves, atop the bureau and chairs, and scattered across the floor of his room. On occasion he would give one to a child or to a prostitute who shared his bed, but this made no appreciable dent in the clutter. To avoid further clutter, he began working on a grander scale, walking out into the hills, felling trees, chiseling dragons from the trunks, and leaving the completed figures to the depredations of the rain and the insects. He set no great store by the work, caring only that it distracted him, but was nonetheless pleased that the woods were becoming littered with his sculptures, crude figures weathering into objects that—like their model—appeared to be natural formations that bore a striking resemblance to dragons.
In the early spring, eleven years after his arrival in Teocinte, Hota hired a carter to haul the trunk of a white oak to the crest of a hill from which he had a profile view of Griaule with the valley spreading beyond, an undulant reach of palms and palmettos, figs and aguacastes, threaded by red dirt paths. There he set about his most ambitious project. Previously he had carved the dragon as he might have appeared during more vital days—flying, crouched, or rampant; now he intended to create a sculpture that would depict Griaule as he was: the oddly delicate, birdlike head, jaws half open, tongue and fangs embroidered with lichen, vines depending in loops and snarls from the roof of the mouth; the bluish green folds and struts of the sagittal crest, that same color edging the golden scales; his sinuous body, the haunches, flanks, and back mapped by a forest whose dark green conformation was so similar to the shapes of the hills that lifted higher behind him, it caused Hota to wonder if they, too, might not conceal gigantic dragons. He spent a week in laying out the design and then several days more gathering the details of Griaule’s shape in his mind and letting that knowledge flow into his hands.