"But she is right," exclaimed Hubert, again carried away by her enthusiasm. "Why need you scold her? She is certainly pretty, and dainty enough for a king. Stranger things than that have happened, and who knows what may come?"
Sadly Hubertine looked at him with her calm eyes.
"Do not encourage her to do wrong, my dear. You know, better than anyone, what it costs to follow too much the impulses of one's heart."
He turned deadly pale, and great tears came to the edge of his eyelids. She immediately repented of having reproved him, and rose to offer him her hands. But gently disengaging himself, he said, stammeringly:
"No, no, my dear; I was wrong. Angelique, do you understand me? You must always listen to your mother. She alone is wise, and we are both of us very foolish. I am wrong; yes, I acknowledge it."
Too disturbed to sit down, leaving the cope upon which he had been working, he occupied himself in pasting a banner that was finished, although still in its frame. After having taken the pot of Flemish glue from the chest of drawers, he moistened with a brush the underside of the material, to make the embroidery firmer. His lips still trembled, and he remained quiet.
But if Angelique, in her obedience, was also still, she allowed her thoughts to follow their course, and her fancies mounted higher and still higher. She showed it in every feature-in her mouth, that ecstasy had half opened, as well as in her eyes, where the infinite depth of her visions seemed reflected. Now, this dream of a poor girl, she wove it into the golden embroidery. It was for this unknown hero that, little by little, there seemed to grow on the white satin the beautiful great lilies, and the roses, and the monogram of the Blessed Virgin. The stems of the lilies had all the gracious pointings of a jet of light, whilst the long slender leaves, made of spangles, each one being sewed on with gold twist, fell in a shower of stars. In the centre, the initials of Mary were like the dazzling of a relief in massive gold, a marvellous blending of lacework and of embossing, or goffering, which burnt like the glory of a tabernacle in the mystic fire of its rays. And the roses of delicately-coloured silks seemed real, and the whole chasuble was resplendent in its whiteness of satin, which appeared covered almost miraculously with its golden blossoms.
After a long silence, Angelique, whose cheeks were flushed by the blood which mounted into them from her excitement, raised her head, and, looking at Hubertine, said again, a little maliciously:
"I expect him, and he will come."
It was absurd for her thus to give loose reins to her imagination. But she was willful. She was convinced in her own mind that everything would come to pass, eventually, as she wished it might. Nothing could weaken her happy conviction.
"Mother," she added, "why do you not believe me, since I assure you it must be as I say?"
Hubertine shrugged her shoulders, and concluded the best thing for her to do was to tease her.
"But I thought, my child, that you never intended being married. Your saints, who seem to have turned your head, they led single lives. Rather than do otherwise they converted their lovers, ran away from their homes, and were put to death."
The young girl listened and was confused. But soon she laughed merrily. Her perfect health, and all her love of life, rang out in this sonorous gaiety. "The histories of the saints! But that was ages ago! Times have entirely changed since then. God having so completely triumphed, no longer demands that anyone should die for Him."
When reading the Legend, it was the marvels which fascinated her, not the contempt of the world and the desire for death. She added: "Most certainly I expect to be married; to love and to be loved, and thus be very happy."
"Be careful, my dear," said Hubertine, continuing to tease her. "You will make your guardian angel, Saint Agnes, weep. Do not you know that she refused the son of the Governor, and preferred to die, that she might be wedded to Jesus?"
The great clock of the belfry began to strike; numbers of sparrows flew down from an enormous ivy-plant which framed one of the windows of the apse. In the workroom, Hubert, still silent, had just hung up the banner, moist from the glue, that it might dry, on one of the great iron hooks fastened to the wall.
The sun in the course of the morning had lightened up different parts of the room, and now it shone brightly upon the old tools-the diligent, the wicker winder, and the brass chandelier-and as its rays fell upon the two workers, the frame at which they were seated seemed almost on fire, with its bands polished by use, and with the various objects placed upon it, the reels of gold cord, the spangles, and the bobbins of silk.
Then, in this soft, charming air of spring, Angelique looked at the beautiful symbolic lily she had just finished. Opening wide her ingenuous eyes, she replied, with an air of confiding happiness, to Hubertine's last remark in regard to the child-martyr, Saint Agnes:
"Ah, yes! But it was Jesus who wished it to be so."
CHAPTER V
Notwithstanding her thoroughly cheerful nature, Angelique liked solitude; and it was to her the greatest of recreations to be alone in her room, morning and evening. There she gave herself up to her thoughts; there she indulged to the full scope in her most joyous fancies. Sometimes even during the day, when she could go there for a moment, she was as happy as if, in full freedom, she had committed some childish prank.
The chamber was very large, taking in at least half of the upper story, the other half being the garret. It was whitewashed everywhere; not only the walls and the beams, but the joists, even to the visible copings of the mansard part of the roof; and in this bare whiteness, the old oaken furniture seemed almost as black as ebony. At the time of the decoration of the sleeping-room below, and the improvements made in the parlour, the ancient furniture, which had been bought at various epochs, had been carried upstairs. There was a great carved chest of the Renaissance period, a table and chairs which dated from the reign of Louis XIII, an enormous bedstead, style Louis XIV, and a very handsome wardrobe, Louis XV. In the middle of these venerable old things a white porcelain stove, and the little toilet-table, covered with a pretty oilcloth, seemed out of place and to mar the dull harmony. Curtained with an old-fashioned rose-coloured chintz, on which were bouquets of heather, so faded that the colour had become a scarcely perceptible pink, the enormous bedstead preserved above all the majesty of its great age.
But what pleased Angelique more than anything else was the little balcony on which the window opened. Of the two original windows, one of them, that at the left, had been closed by simply fastening it with nails, and the balcony, which formerly extended across the front of the building, was now only before the window at the right. As the lower beams were still strong, a new floor had been made, and above it an iron railing was firmly attached in place of the old worm-eaten wooden balustrade. This made a charming little corner, a quiet nook under the gable point, the leaden laths of which had been renewed at the beginning of the century. By bending over a little, the whole garden-front of the house could be seen in a very dilapidated state, with its sub-basement of little cut stones, its panels ornamented with imitation bricks, and its large bay window, which to-day had been made somewhat smaller. The roof of the great porch of the kitchen-door was covered with zinc. And above, the interduces of the top, which projected three feet or more, were strengthened by large, upright pieces of wood, the ends of which rested on the string-course of the first floor. All this gave to the balcony an appearance of being in a perfect vegetation of timber, as if in the midst of a forest of old wood, which was green with wallflowers and moss.
Since she occupied the chamber, Angelique had spent many hours there, leaning over the balustrade and simply looking. At first, directly under her was the garden, darkened by the eternal shade of the evergreen box-trees; in the corner nearest the church, a cluster of small lilac-bushes surrounded an old granite bench; while in the opposite corner, half hidden by a beautiful ivy which covered the whole wall at the end as if with a mantle, was a little door opening upon the Clos-Marie, a vast, uncultivated field. This Clos-Marie was the old orchard of the monks. A rivulet of purest spring-water crossed it, the Chevrotte, where the women who occupied the houses in the neighbourhood had the privilege of washing their linen; certain poor people sheltered themselves in the ruins of an old tumble-down mill; and no other persons inhabited this field, which was connected with the Rue Magloire simply by the narrow lane of the Guerdaches, which passed between the high walls of the Bishop's Palace and those of the Hotel Voincourt. In summer, the centenarian elms of the two parks barred with their green-leaved tops the straight, limited horizon which in the centre was cut off by the gigantic brow of the Cathedral. Thus shut in on all sides, the Clos-Marie slept in the quiet peace of its abandonment, overrun with weeds and wild grass, planted with poplars and willows sown by the wind. Among the great pebbles the Chevrotte leaped, singing as it went, and making a continuous music as if of crystal.