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His eyes shone feverishly. He rattled out the words in a series of staccato syllables. In a trice he was onto the chair and straining through the iron bars, the heavy instrument designed to tear human tendons held firmly in his hand. By the tenseness of his attitude, his quick, short breathing, I knew how difficult he found his task.

“Can you reach it, Smith?”

That mournful howling arose, followed by a faint metallic rattling . . . The rattling ceased.

“Yes, I have touched them! But getting the key out is the difficulty-More rattling followed. I clenched my hands, held my breath.

Smith now extended his left arm through the bars. Stooping down, he began slowly to withdraw his right. I was afraid to speak, until with more confidence he pulled the iron pincers back into the cell—and I saw that they gripped a bunch of keys!

He stepped down, dropped keys and forceps on the floor, and closing his eyes, sat still for a moment . . .

“Splendid!” I said. “One mistake would have been fatal.”

“I know!” He looked up. “It was a hell of a strain, Kerrigan. But what helped me was—she had forgotten to lock the door. The key slipped out quite easily!”

That short interval over, he was coolly efficient again.

Picking up the bunch, he examined each key closely, presently selected one and tried it on the lock of the band encircling his left ankle.

“Wrong!”

He tried another. I heard a dull grating sound.

“Right!”

In a moment his legs were free.

“Quick, Kerrigan! Come right forward. I will slide them across the floor to you. The one I have separated fits my leg iron; it probably fits yours.”

In a moment I had the bunch in my hand. Fifteen seconds later I, too, was free.

“Now the keys! Be quick!”

I tossed them back. He caught them, stood upon the chair, looked out through the iron grating . . . and threw them onto the floor of the passage!

“Smith! Smith!” I whispered.

He jumped down and turned to face me.

“What?”

“We were free! Why have you thrown the keys back?”

Silently he pointed to the door.

I stared. There was no keyhole!

“Even if we had the key it would be useless to us. There is no means of opening this door from the inside! We must wait. Tuck your feet and the manacles well under your chair. I shall do the same. Soon the yellow jailer will be here. If he crosses first to you I will spring on his back. If he comes to me you attack him.”

“He may cry out.”

Smith smiled grimly. He picked up the iron forceps.

“Will you have them, or shall I? It’s a fifty-fifty chance.”

“Keep them, Smith; you will get an opportunity in any event.”

And scarcely had we disposed ourselves in a manner to suggest that the leg irons were still in place, when I heard quick footsteps approaching along the passage.

“Good! he’s here. Remember the routine, Kerrigan.”

There was a pause outside the door and I heard muttering. Then came a jangle as the man stooped to pick up the keys. Their having fallen from the lock clearly had made him suspicious. When presently he opened the door and stepped in he glanced from side to side, doubt written upon one of the most villainous faces I had ever beheld.

He wore a shirt with an open collar, grey flannel trousers, and those sort of corded sandals which are rarely seen in Europe. By reason of his build, his glossy black hair and the cast of his features, I knew him for one of Dr Fu Manchu’s Thugs. Indeed, as I looked, I saw the brand of Kali on his forehead. His yellow face was scarred in such a way that one eye remained permanently closed, and the effect of the wound which reached the upper lip was to produce a perpetual leer.

His doubts were not easily allayed, for he stood staring about him for some time, his poise giving me the impression of a boxer on tiptoes. He had replaced the key in the door with the pendant bunch and now going out again, he returned with a tray upon which was something under a cover, a bowl of fruit and a pitcher. For yet another long moment before he crossed towards Nayland Smith he hesitated and glanced aside at me.

Then, walking over to the alcove, he was about to set the tray upon the ledge when I sprang.

I caught him at a disadvantage, collared his legs and threw him forward, head first. The tray and its contents crashed to the floor. But even as he fell I recognized the type of character with whom I had to deal.

He twisted sideways, took the fall on his left shoulder, and lashing out with his feet, kicked my legs from under me! It was a marvelous trick, perfectly executed. I fell half on top of him, but reached for a hold as I did so.

It was unnecessary . . .

As the Thug forced his trunk upward on powerful arms Smith brought the forceps down upon the glossy skull! Against this second attack the yellow man had no defense. There was a sickening thud. He dropped flat on his face and lay still.

Behind The Arras

“We are safe for an hour,” snapped Smith. “Come on!”

“Some sort of weapon would be a good idea,” I said, bruised and still breathless from my fall.

“Quite useless! Brains, not brawn, alone can save us now.”

As we stepped out into the passage came that ghastly moaning and a draught of cold air. It tricked me into a momentary panic, but Nayland Smith turned and examined a narrow grille set near the top of the end of the passage; for here was a cul-de-sac.

“There’s an air shaft above that,” he said. “Judging from the look of this place, we are down below water level. The fact that the actual ventilator above evidently faces towards the sea conveys nothing.”

The passage was about thirty feet long. A bulkhead light was roughly attached to one of the stone walls. It was reflection from this which had shone through the iron bars of our prison. We hurried along. There were other doors with similar grilles on one side, doubtless indicating the presence of more cells. At the end was a heavy door, but it was open.

“Caution,” said Smith.

A flight of stone steps confronted us. We mounted them, I close behind Smith. I saw ahead a continuation of the passage which we had just left, but one wall was wood paneled. This passage also was lighted by one dun lamp.

Creeping to the end, we found similar corridors opening right and left.

Speaking very close to my ear:

“Let’s try right,” Smith whispered.

We stole softly along. Here, again, there was one dim light to guide us, but we passed it without finding any way out of the place. We came to a second door which proved to be unlocked. Very cautiously Nayland Smith pushed it open.

We were in a maze . . . beyond stretched yet another passage! But peering ahead I observed a difference.

The floor was thickly carpeted with felt. There was no lamp, but points of light shone upon the ancient stonework of one wall, apparently coming from apertures in the panels which formed the other. Only by a grasp of his hand did Smith enjoin special caution as we pushed forward to a point where two of these openings appeared close together.

We looked through.

I recognized a remarkable fact. That rough and ancient woodwork which extended along the whole of the right-hand wall was no more than a framework or stretcher upon which tapestry was supported.

We were in a passage behind the arras of a large apartment.

Something seemed to obscure my vision. Presently I realized what it was: At certain points the tapestry had been cut away and replaced by gauze, painted on the outside, so that to those in the room the opening would be invisible.

I saw a chamber furnished with all the splendor of old Venice, but it was decaying splendor. The carved chairs richly upholstered in royal purple were damaged and faded; a mosaic-topped table was cracked; the patterned floor was filmed with ancient dust. Tapestry (through one section of which I peered) covered all the walls. Upon it were depicted scenes from the maritime history of the Queen of the Adriatic. But it was moldy with age.