She simply raised an eyebrow; he chuckled, and waved her inside.
The doorway opened into a room_or, more correctly, an anteroom_paved like the street outside, furnished with a few wooden benches, with a corridor going off to the right. A Mintak boy appeared in the entrance at the sound of the donkey's hooves on the pavement.
Nightingale had seen many Mintaks in the course of her travels, but never a youngster. Like all the others she had seen, this boy wore only a pair of breeches and an open vest; his hide, exactly like a horses, was a fine, glossy brown. His head was shaped something like a cross between a horse and a dog, but the eyes were set to the front, so that he could see forward out of both of them, like a human, instead of only one at a time, like a horse. He had a ridge of hair_again, much like a horse's mane_that began between his ears and traveled down his neck, presumably to end between his shoulderblades.
Unlike the adults, who were muscular enough to give any five men pause, this boy was thin, gawky, awkward, exactly like a young colt. Although he had three-fingered hands that were otherwise identical to a humans, with nails that were much thicker and black, his feet presumably ended in hooves, for Nightingale heard them clopping on the pavement.
"This lady is a musician, and she'll be joining us, Kovey," the man said. "Take her little beast and_" He turned back to Nightingale. "I assume that room and board will be part of the arrangement?"
"That's the usual," she replied shortly, unable to be anything but amused herself at the way he had decided that she was going to stay.
"Right then, have her things taken up to the Gallery and put 'em in the first empty room. Then leave word at the desk which it is."
The Mintak boy nodded his hairy head and trotted over to them, extending his hand for the donkeys lead-rope. The donkey stepped up to him eagerly as Nightingale put the rope into his large, square hands. He smiled shyly, showing the blunt teeth of a true herbivore.
Interesting. If I did not have the abilities I do, I would be very suspicious at this point. They have parted me from my transportation and my belongings and gotten me inside a building with no clear escape route. Do they assume that I am naive, or do they assume that as a Gypsy I do have other senses at my command?
It could be either. Her clothing marked her as country folk; it could be presumed that she was not familiar with the ways of cities and the hazards therein. On the other hand, the man had not only recognized her as a Gypsy, but as a Free Bard....
Boy and donkey trotted off down the corridor, and Nightingale's escort ushered her past the second doorway and into the "tavern" proper.
The man waited for her reaction, but she was not the country cousin she looked, and she didn't give him the gasp of surprise that he had expected. She had assumed that the "tavern" took up a good portion of the building as estimated from outside, and she had not been mistaken. Maddy had not been mistaken in comparing this place to a Faire. The main portion of the tavern_she couldn't think of a better name for it_had a ceiling that was quite three stories above the rest, and pierced with the most amazing skylights she had ever seen. They were not clear, but made with colored glass, exactly like the windows in the larger Cathedrals. Below the skylights hung contrivances that Nightingale guessed were probably lights. Beneath these skylights was an open floor, all of wood, with a raised platform at one end and with benches around it, exactly like a dance floor and stage at a Faire, except that at a Faire the dancing-area would be floored in dirt.
This took up approximately half the floor space. The rest_well, it looked very much as if someone had taken all of the entertainment and eating places at a really huge Faire and proceeded to stack them inside this building.
All around the walls, from the ground floor to the ceiling, there were alcoves for eating and drinking, many with comfortable seating and a small stage for one to three performers. Many of the alcoves had recognizable bars in the back; some had doors that could be slid across the front, cutting them off from the main room. Some boasted braziers and what might be odd cooking implements as well. Some had nothing at all but the seating.
Not that this place was as elegant as the skylights indicated; in fact, the opposite was true. The building showed its heritage quite clearly; walls and the ceiling were roughly finished, huge metal beams were exposed, and ropes and wires hung everywhere.
Still it was a monumental undertaking, putting this place together at all, and Nightingale rather liked the unfinished atmosphere. That was the difference_outside, things looked unkempt. In here, they looked unfinished. Out there in the rest of the city, there was the feeling of decay and decline, but in here there was unfulfilled potential.
It was then that she realized that she was no longer hot, or even warm; that from the moment she had passed within the front door, she had been cooled by a dry, crisp breeze that came out of nowhere.
Ah, more Deliambren magic, of course. And how better to lure patrons to a place like this, down in a dubious quarter of the city, than to ensure that they will be invisibly cooled in summer and warmed in winter!
There was no one on the main platform, but about half the other small stages had performers on them; not just musicians, but a juggler, a contortionist, a mock-mage, and a storyteller who had his audience often in stitches. Savory_though unfamiliar_aromas drifted from three of the tiny kitchens. It was difficult to say precisely where every sound and scent came from in this cavernous place, but Nightingale had the impression that there were similar setups just off the second or third floor balconies, And as Maddy had claimed, a good half of those customers that Nightingale spotted were not human.
"The top floor's lodgings," her escort said diffidently. He waved his hand vaguely at the upper story. "Right side's for customers, left's for staff. You'll be staff, of course_"
"You're assuming I'm going to stay," Nightingale could not resist pointing out dryly. He turned to her with his mouth agape in surprise.
"You_why wouldn't you?" he managed, after a moment during which his mouth worked without any sound emerging.
"You might not want me, for one thing," she said with patient logic. "You don't know anything about me."
"You're a Free Bard, ain't you?" the man retorted. At her nod, he shrugged, as if that was the only answer he needed. "Tyladen_that's the boss, the owner_he's left orders. Free Bards show up looking for work, they got it. He says you're all good enough, that's enough for me. He's the one with the cashbox."
The man had a point_but there were still a few things she had to get clear. "Before I agree to anything, I want to know the terms I'll be working under here," she told him severely.
He nodded, his former surprise gone. "You pick the shift_except we got no openings on morning, so it's afternoon, supper to midnight, or midnight to dawn. You can double-shift if you want, but we don't really like it."
Thus far, sounds reasonable. "Go on," she told him, as the sound of a hurdy-gurdy brayed out on her right.
"Terms are pretty simple: room and board, and you pick what kitchen you want your meals out of. We don't go writin' up food, so if you want to stuff yourself sick, that's your problem. You hire on as a musician, that's what you do_no cookin', no waitin' tables, no bartending, no cleanup."