Aristo was first in line. As he went under the doorway he stopped abruptly with Katerina and Elli crashing into him. Aristo stopped just in time to prevent his falling to his death, for in front of him was a huge chasm. Thankfully, Katerina and Elli were walking slowly and had their wits about them, which was crucial for them to put the brakes instantly and only gently bump into Aristo. Otherwise had they been even the slightest distracted they would have pushed him over the edge to oblivion.
At the moment that they stepped through the doorway the central structure sent out a bright light to break the pitch-black darkness. Now they could see that they were in a huge chamber.
In the middle of that space was a strange structure that gave the impression that it was suspended in mid-air, as it did not appear to be connected to any of the walls, ceiling or floor of the chamber. They were all mesmerised.
Katerina was the first to react. ‘Now, is this what we think it is?’
‘It could be, but this would be the last place I would think you would expect to find it.’ Aristo replied without moving.
‘But I don’t understand. What is the symbolic significance of this place?’ Katerina said and at the same time tried to peer through the semi-darkness to get a sense of the space they were in and the size of the structure that greeted them and that appeared to be challenging them to a duel.
‘Why they chose Cyprus, and specifically Limassol, I don’t know. But look at that structure in the middle that seems as if it is floating. Do you two know what it is?’ Aristo did not wait for a reply and he continued. ‘It is a shrunken replica of the Church of Ayia Sofia in Constantinople combined with a shrunken replica of the Church of the Holy Apostles, also in Constantinople, the now destroyed church where Byzantine Emperors had been buried from the time of Constantine in the 4 ^th century A.D. to the 11 ^th century A.D. The church was destroyed after the Ottoman conquest of the city in 1453 A.D. to make way for the tomb of Mehmed II the Conqueror and the Fatih Mosque.’
Giorgos who was listening in through their earpieces confirmed Aristo’s analysis. He studied the scroll. The plan on the scroll showed walkways as dotted lines starting from the doorways on each side and extending to the middle structure, and detailed the process for the use of the keys to activate the walkways.
Following the instructions on the scroll, the three keys Aristo and Giorgos had collected in Athens had to be inserted in their allocated place. Giorgos and Vasilis looked around them and they saw, on their side, two doorways, slightly recessed from the wall. They shone their torches around the doorways and above each one there was a plaque with the names of Alexandria and Athens respectively.
Aristo, on his side, found himself facing the doorway with the plaque labelled Constantinople. Clearly each of the three keys corresponded to each of the doorways. They looked through the doorways and, in the dim light, saw that they opened up into sizeable caverns beyond them.
They suddenly realised that they no longer needed their torches to see what each cavern contained for as soon as they stood at the doorways the darkness that reigned inside until then lifted to reveal an extraordinary sight.
There must have been a mechanism that detected that the keepers of the keys had arrived, a mechanism that felt that it was now safe, that it was now the time to lift the veil of secrecy under which the contents of the doorways lived protected for so long.
Each doorway appeared to open up to a small representation of the respective city the labelled plaque above its entrance announced. Each representation appeared to have been constructed of an extraordinary material that reflected the light of an artificial sun-like object floating in the air above it. A glow was emitted from a particular building. They went close and saw what from its shape looked like a receptor for the key each of them was holding.
According to the scroll all three keys had to be inserted and turned at the same time. Aristo, Giorgos and Vasilis went through their respective openings and each stood by the respective receptor of his key. Giorgos was leading this part of the mission.
‘OK, guys, ready?’
‘Yes.’ Replied Aristo and Vasilis in unison.
‘Insert.’
‘Done.’
‘Three… two… one… go.’ The three keys were turned at the same time.
Nothing happened for a few seconds. Then suddenly there was an almighty roar as if there was an earthquake that was shifting continental plates. It was the sound of rock sliding on rock.
The simultaneous action activated the walkways that started from under them and extended to the central structure. Aristo, Giorgos and Vasilis exited their respective caverns and stood by the edge of the tunnel on their respective sides.
The walkways were narrow and below them there was a huge chasm. There were a couple of near misses and slips, with an undoubtedly fatal destiny waiting for them in the seemingly bottomless pit below, but they managed to hold onto each other and stay firmly planted on the walkways.
But the cross was a daunting task, at the same time terrifying and, for that reason, agonisingly slow, as they knew it could be an expensive venture that cost them their precious lives.
They were relieved when they finally reached, from opposite directions, the main structure floating in the middle of the cavern. The team was reunited once more.
Elli, Katerina, Aristo, Vasilis, Giorgos and John simply paused for a while where they stood, comfortably away from the walkway and the edge, the highway to oblivion and entrance to the underworld. They all felt they needed to catch their breath before moving on.
Soon they came up to a chamber and any words they may have had were trapped and died in their throat, without so much as an effort to escape, without so much as a sliver of sound, their vocal chords lost the hang of their ability to vibrate and resonate with any substance.
In the middle of the room on a raised platform, but held by glittering chains suspended from the ceiling was a glass casket. Inside was an embalmed body dressed in royal regalia. The regalia of none other than the Palaiologi dynasty and the last Emperor Konstantinos XI Palaiologos. Bewildered, they went closer.
Eleni’s dismembered body was placed inside the drawer that had come out from under the Emperor’s sarcophagus and had the label Eleni on the inside of its open lid.
They poured one of the phials of blood from Iakovos into its receptacle, the small bowl next to the sarcophagus. The other they used to douse Eleni’s body parts and the lid of the Emperor’s sarcophagus.
They then placed the Likureian icons on the chest of the Emperor’s sculpted likeness on the lid of the sarcophagus as was clear that was the space made for them.
The Book of the Pallanians, together with its sevenpage part “On the Pallanian Resurrection”, was placed inside the sarcophagus on the Emperor’s real chest now reassembled from the parts collected through the openings in the tunnel.
The Emperor’s parts were reassembled inside the sarcophagus. The Emperor’s ring with the Imperial seal was placed on the finger of the Emperor’s sculpted likeness on the lid of his sarcophagus.
Giorgos noticed a little cameo on the edge of the ruby stone seal that started to glow at the moment it slid onto the stone finger. He touched the ruby stone seal and a tiny scroll started to roll out.
They watched as it transformed slowly into a multiple of images one after the other until, finally, like a roulette ball that stopped turning and lodged itself at a random number, it stopped at the image of three people, two of which they recognised; the identity of the third they guessed.
The Emperor’s eyes came to life; the muscles, veins and arteries and skin began to contract and expand and move; each cell, each part slotting into place as if by magic, literally attaining the ambition of a second chance for a life of its own, or directed by a software programme to carry out its appointed function.