She started up the steps, Natalia immediately behind her, Rourke following Natalia, Dum-browski and two other men behind Rourke.
Emily paused at the office door, turning the knob, opening the door inward. Natalia followed her inside, Rourke after Na-talia, only Dumbrowski coming inside after Rourke. Emily perched herself on the front edge of the gray metal desk at the rear of the office. Natalia remained standing.
Rourke shrugged, sitting down in the metal in-terview chair and pushing it away from the side of the desk, turning out to face Emily Bronkiewicz. “So—where’s the radio?” Rourke asked her.
“I’m a Pole, Dr. Rourke—if that’s your real name.”
“It’s really Rourovitch and I’m a spy.”
Emily looked at him, but didn’t smile. “I hate the Russians. I hated them before The Night of The War, for what they did in Poland. My oldest son—he was thirteen. He got killed fighting the Russians. My husband just died. Doing the same thing. My daughter’s in such a way that she won’t even talk. She’s seventeen—a Soviet sol-dier. He was drunk, he raped her. She caught something from him—some kind of disease. But we don’t even have penicillin to fight it. My mother and father lived in Chicago—they died during the neutron bombing on The Night of The War. My husband’s brother was arrested and hauled away to a forced labor camp or something—”
“A factory,” Natalia interrupted. And Emily Bronkiewicz looked at her. “It would have been a factory. There are no forced labor camps here—but the laborers at the factories are not al-lowed to leave—so it is like a camp. They are fed well—it was my uncle who insisted that they work in eight-hour shifts only and be treated de-cently.”
“Is that your excuse?” the woman asked.
“It is not an excuse—it is merely the truth.”
“They made him a slave—that’s simple enough to understand. He has to work for them, can’t come back. I don’t know where he is, even if he’s still alive at all.”
“What are you trying to say?” Rourke asked the woman.
“Out there on the airfield—well, you could have killed a lot of us. Here—no such luck for you. I’ve got all my people outside. If I don’t step outside with you two following me, you’ll never get out of here alive. First gunshot they hear, they’ll be ready, and if I don’t come out, they’ll come in and kill you. Shoot the walls out of the office here to kill you both. But kill you—kill you anyway. Me—I don’t matter much no more any way.”
Morris Dumbrowski swept the muzzle of his Mini-14 up, fast, Rourke starting to move, Na-talia’s right hand flashing across her body, the silenced stainless Walther in her right fist. Rourke shifted direction, going for Emily Bronkiewicz, his right hand bunched into a fist, flashing out toward her jaw as he came out of the chair.
He heard something that sounded like a loud belch, the mechanical noise of a slide moving out of battery, back into battery, the clatter of metal against wood. Rourke’s fist found Emily Bronkiewicz’s jaw, a light tap to throw her off balance, his left hand reaching out across her body and smothering her right as she made to draw her long-barreled revolver.
As Emily slumped back, Rourke’s hand moved up to cover her mouth, Dumbrowski starting to say something, but Rourke heard Na-talia cut him off, “Shh.”
Rourke had the Bronkiewicz woman, sup-porting her from falling off the desk, her re-volver out of the leather in his left fist, pointed at the woman.
She moaned, Rourke watching as her eyelids fluttered.
He could hear Natalia talking, her voice a whisper. “I could have just as easily killed you, Mr. Dumbrowski—but I only shot you in the right forearm—that’ll heal.”
“You’ll never—”
“Shh—”
The door from the head of the steps outside the office started opening, Natalia sidestepping, Rourke leaning Emily Bronkiewicz back roughly across the desk, beside the door in two strides, the first man coming through the door-way. Rourke hammered down with the barrel of the ungainly sized M&P
revolver, his wrist tak-ing the impact as ordnance steel impacted bone, the man slumping forward. Rourke let him fall, starting for the second man, his shotgun starting to swing on target, his mouth opening to shout, Rourke reaching for him.
There was a flash of something, something gleaming, catching light as it moved, the man’s mouth open but not making noise as the man’s eyes shifted right, fast. Rourke stepped into the man, shoving the riot shotgun’s muzzle hard to the man’s right, Rourke’s right fist hammering out, tipping against the base of the man’s jaw, the head snapping back.
Rourke started to catch the body as it sagged, glancing once at Natalia, the stainless silenced PPK/S
shifted into her left hand. He looked at the door—the man’s right arm was pinned there by the Bali-Song, the handle slabs open and spread, the Wee-Hawk pattern blade penetrated through the leather of the man’s jacket and at least a half-inch into the soft wood of the door. Rourke wrenched the knife free, dragging the body through the doorway, then easing the door closed. He stood beside the doorway, “You throw a good knife, Natalia,” Rourke told her, looking up from the knife, closing it, locking the handle slabs together, then tossing the Bali-Song to her. She caught it in her right fist, making it disap-pear into a pocket of her black jumpsuit. “Pa-cific Cutlery made a good knife—all I did was practice a lot,” and she smiled.
“You two Commies quit congratulatin’ your-selves—you ain’t never gettin’ outa here alive.”
It was Dumbrowski, and Rourke looked at the man.
Rourke picked up the man’s Mini-14 from the floor. He examined the gun—stainless steel, fac-tory folding stock, factory twenty-round maga-zine in place.
Rourke turned the gun around and handed it to Dumbrowski.
“If we’re here to do you harm, why haven’t we killed any of you? Natalia’s shot could have put out your lights, Natalia’s knife could have killed the man at the doorway. How come? Enemy agents and we don’t like to kill? That make sense to you? Now where’s the goddamned radio, Dumbrowski—call U.S. II and we can quit this idiocy.”
It was Emily Bronkiewicz’s voice—Rourke hearing it from behind him.
“We don’t have no radio here—”
There was gunfire suddenly—heavy caliber assault rifle fire.
“Those are Kalishnikovs,” Natalia almost hissed, turning away from Dumbrowski. “Some of my people—perhaps the plane was spotted.”
“Fuckin’ Commie trick,” Dumbrowski shouted.
Rourke punched Dumbrowski in the mouth, hammering him down into the interview chair. Rourke looked at Emily Bronkiewicz. “What you said makes sense,” she nodded. “We can talk later—let’s get the hell out of here.”
Natalia had made the Walther return to its shoulder rig, both revolvers in her hands, the M-16s hanging from her sides. “I can’t kill my own—”
There was a roaring sound then, cutting off her words, Rourke beside the windows of the of-fice, then dropping away, shouting, “Hit the floor!”
The doors had been blown through, the floor of the office shuddering with the concussion. Rourke rolled, was up, his M-16 coming into his hands. Natalia, beside the desk, was helping Emily Bronkiewicz to stand—a shower of glass covered the desk—and the Bronkiewicz wom-an’s left arm was slashed.
“Stop the bleeding,” Rourke rasped, opening the door.
He recognized the uniforms, but more impor-tant, the technique—men poured through the blasted open doorways now, green shoulder boards on their brown uniforms—KGB. AKM flashed fire in their hands, the Resistance on the ground level of the machine shop holding them for the moment near the blown-out doors.
“Let’s get out of here—down the steps—fast,” Rourke ordered, jumping through the doorway. Dumbrowski was behind him, half dragging the semiconscious man Rourke had decked in the doorway. Rourke looked back—Natalia and Emiliy Bronkiewicz, Emily’s arm bandaged with a shirt-sleeve, helping the man Rourke had cold-cocked with the barrel of the revolver, the re-volver back in Emily’s right fist, Natalia’s one revolver holstered, but her left hand still holding one as she shouldered half the weight of the man.