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"Such an elegant example of typical Dawn Age architecture!" he complimented her.

"You do not find it too fanciful?" She was shy of her achievement, but pleased.

"A model of utility!"

"Scarcely that…" She blushed. Her own imagination, made concrete, astonished her.

"More! You must make more!"

The ring was turned again and another tower sprang up, connected to its fellow by a little marble bridge. With some hesitation she disseminated the original building he had made at her request, replacing it with a main hall and living apartments above. She gave her attention to the landscape around. A moat appeared, fed by a sparkling river. Formal gardens, geometric, filled with her favourite flowers, stretched into the distance, giving place to rose bowers and undulating lawns, a lake, with cypresses and poplars and willows. The sky was changed to a pale blue and the small clouds in it were never whiter; then she added subtle colours, pinks and yellows, as of the beginnings of a sunset. All was as she had once dreamed of, not as a respectable Bromley housewife, but as a little girl, who had read fairy stories with a sense that she consulted forbidden texts. Her face shone as she contemplated her handiwork. A new innocence bloomed there. Jherek watched, and revelled in her pleasure.

"Oh, I should not…"

A unicorn now grazed upon the lawn. It looked up, its eyes mild and intelligent. Its golden horn caught the sunlight.

"It is everything I was told could never be. My mother admonished me, I remember, for entertaining silly fancies. She said no good would come of them."

"And so you still think, do you not?"

She glanced his way. "So I should think, I suppose."

He said nothing.

"My mother argued that little girls who believed in fairy tales grew up to be shallow, vain and, ultimately, disappointed, Mr. Carnelian. The world, I was told, was harsh and terrible and we were put into it in order that we should be tested for our worthiness to dwell in Heaven."

"It is a reasonable belief. Though unrewarding, I should have thought, in the long run. Limiting, at least."

"Limitations were regarded as being good for one. I have expressed that opinion myself."

"So you have."

"Yet there are no more cruelties here than there were in my world."

"Cruelties?"

"Your menageries."

"Of course."

"But you do not, I now understand, realize that you are cruel. You are not hypocrites in that particular way."

He was euphoric. He was enjoying listening to her voice as he might enjoy the peaceful buzz of an insect. He spoke only to encourage her to continue.

"We keep more prisoners in my society, when you think of it," she said. "How many wives are prisoners of their homes, their husbands?" She paused. "I should not dare think such radical ideas at home, much less utter them!"

"Why not?"

"Because I would offend others. Disturb my friends. There are social checks to one's behaviour, far greater than any legal or moral ones. Have you learned that, yet, from my world, Mr. Carnelian?"

"I have learned something, but not a great deal. You must continue to teach me."

"I saw the prisons, when you were incarcerated. How many prisoners are there through no fault of their own? Victims of poverty. And poverty enslaves so many more millions than you could ever contain in your menageries. Oh, I know. I know. You could have argued that, and I should not have been able to deny it."

"Ah?"

"You are kind to humour me, Mr. Carnelian." Her voice grew vague as she looked again upon her first creation. "Oh, it is so beautiful!"

He came to stand beside her and when he put an arm about her shoulder, she did not resist.

Some time went by. She furnished their palace with simple, comfortable furniture, refusing to clutter the rooms. She made tapestries and brocades for floors and walls. She re-introduced a strict pattern of day and night. She created two large, long-haired black and white cats, and the parklands around the palace became populated with deer, as well as unicorns. She longed for books, but he could find her none, so in the end she began to write one for herself and found this almost as satisfactory as reading. Yet, still, he must court her. Still she refused the fullest expression of her affections. When he proposed marriage, as he continued to do, frequently, she would reply that she had given an oath in a ceremony to remain loyal to Mr. Underwood until death should part them.

He returned, time after time, to the reasonable logic that indeed Mr. Underwood was dead, had been dead for many millennia, that she was free. He began to suspect that she did not care a fig for her vows to Mr. Underwood, that she played a game with him, or, failing that, waited for him to take some action. But as to what the action should be, she gave him no clue.

This idyll, pleasurable though it was, was marred not only by his frustration, but also by his concerns for his friend, Lord Jagged of Canaria. He had begun to realize to what extent he had relied on Jagged to guide him in his actions, to explain the world to him, to help him shape his own destiny. His friend's humour, his advice, indeed, his very wisdom, were much missed. Every morning, upon awaking, he hoped to see Lord Jagged's air-car upon the horizon, and every morning he was disappointed.

One morning, however, as he lounged alone upon a balcony, while Mrs. Underwood worked at her book, he saw a visitor arrive, in some kind of Egyptianate vessel of bony and gold, and it was Bishop Castle, his high crown nodding on his handsome head, a tall staff in his left hand, his three golden orbs bobbing at his belt, stepping gracefully from air-car to balcony and kissing him lightly upon the forehead, complimenting him on the white linen suit made for him by Mrs. Underwood.

"Things have settled, since the Duke's party," the bishop informed him. "We return to our old lives with some relief. A great disappointment, Mongrove, didn't you think?"

"The Duke of Queens sets great store by his entertainment value. I cannot think why."

"He is out of touch with everyone else's taste. Scarcely a recommendation in one who desires to be the most popular of hosts."

"It is not," Jherek added, "as if he were himself interested in this alien's prophecies. He probably hoped that Mongrove would have had some adventures on his trip through the universe — something with a reasonable amount of sensation in it. Yet Mongrove may be relied upon to ruin even the best anecdote."

"It is why we love him."

"To be sure."

Mrs. Underwood, in rose-pink and yellow, entered the room behind the balcony. She extended a hand. "Dear Bishop Castle. How pleasant to see you. You will stay for lunch?"

"If I do not inconvenience you, Mrs. Underwood." It was plain that he had done much research.

"Of course not."

"And what of my mother, the Iron Orchid?" asked Jherek. "Have you seen her of late?"

Bishop Castle scratched his nose with his crook. "You had not heard, then? She seeks to rival you, Jherek, I am sure. She somehow inveigled Brannart Morphail into allowing her the use of one of his precious time-craft. She has gone!"

"Through time?"

"No less. She told Brannart that she would return with proof of his theories, evidence that you manufactured the tales you told him! I am surprised no one has yet informed you." Bishop Castle laughed. "She is so original, your beautiful mother!"

"But she may be killed," said Mrs. Underwood. "Is she aware of the risks?"

"Fully, I gather."

"Oh!" cried Jherek. "Mother!" He put his hand to his lips; he bit the lower one. "It is you, Amelia, she seeks to rival. She thinks she is outdone by you!"

"She spoke of a time for her return?" Mrs. Underwood asked Bishop Castle.