‘I don’t understand, Henry.’
T wrote to this man and said that an acquaintance of mine had asked my advice about private detective agencies. It’s terrible, Bendrix. He must have seen through the pretence.’
‘You really mean…?’
T haven’t done anything about it, but there the letter sits on my desk reminding me… It seems so silly, doesn’t it, that I can trust her absolutely not to read it though she comes in here a dozen times a day. I don’t even put it away in a drawer. And yet I can’t trust… she’s out for a walk now. A walk, Bendrix.’ The rain had penetrated his guard also and he held the edge of his sleeve towards the gas fire.
‘I’m sorry.’
‘You were always a special friend of hers, Bendrix. They always say, don’t they, that a husband is the last person really to know the kind of woman… I thought tonight, when I saw you on the Common, that if I told you, and you laughed at me, I might be able to burn the letter.’
He sat there with his damp arm extended, looking away from me. I had never felt less like laughing, and yet I would have liked to laugh if I had been able.
I said, ‘It’s not the sort of situation one laughs at, even if it is fantastic to think… ‘
He asked me longingly, ‘It is fantastic. You do think that I’m a fool, don’t you…?’
I would willingly have laughed a moment before, and yet now, when I only had to lie, all the old jealousies returned. Are husband and wife so much one flesh that if one hates the wife one has to hate the husband too? His question reminded me of ‘how easy he had been to deceive: so easy that he seemed to me almost a conniver at his wife’s unfaithfulness, like the man who leaves loose notes in a hotel bedroom connives at theft, and I hated him for the very quality which had once helped my love.
The sleeve of his jacket steamed away in front of the gas and he repeated, still looking away from me, ‘Of course, I can tell you think me a fool.’
Then the demon spoke, ‘Oh no, I don’t think you a fool, Henry.’
‘You mean, you really think it’s… possible?’
‘Of course it’s possible. Sarah’s human.’
He said indignantly, ‘And I always thought you were her friend,’ as though it was I who had written the letter.
‘Of course,’ I said, ‘you know her so much better than I ever did.’
‘In some ways,’ he said gloomily, and I knew he was thinking of the very ways in which I had known her the best.
‘You asked me, Henry, if I thought you were a fool. I only said there was nothing foolish in the idea. I said nothing against Sarah.’
‘I know, Bendrix. I’m sorry. I haven’t been sleeping well lately. I wake up in the night wondering what to do about this wretched letter.’
‘Burn it.’
‘I wish I could.’ He still had it in his hand and for a moment I really thought he was going to set it alight.
‘Or go and see Mr Savage,’ I said.
‘But I can’t pretend to him that I’m not her husband. Just think, Bendrix, of sitting there in front of a desk in a chair all the other jealous husbands have sat in, telling the same story… Do you think there’s a waiting-room, so that we see each other’s faces as we pass through?’ Strange, I thought, you would almost have taken Henry for an imaginative man. I felt my superiority shaken and the old desire to tease awoke in me again. I said, ‘Why not let me go, Henry?’
‘You?’ I wondered for a moment if I had gone too far, if even Henry might begin to suspect.
‘Yes,’ I said, playing with the danger, for what did it matter now if Henry learnt a little about the past? It would be good for him and perhaps teach him to control his wife better. ‘I could pretend to be a jealous lover,’ I went on. ‘Jealous lovers are more respectable, less ridiculous, than jealous husbands. They are supported by the weight of literature. Betrayed lovers are tragic, never comic. Think of Troilus. I shan’t lose my amour propre when I interview Mr Savage.’ Henry’s sleeve had dried, but he still held it towards the fire and now the cloth began to scorch. He said, ‘Would you really do that for me, Bendrix?’ and there were tears in his eyes, as though he had never expected or deserved this supreme mark of friendship.
‘Of course I would. Your sleeve’s burning, Henry.’
He looked at it as though it belonged to someone else.
‘But this is fantastic,’ he said. ‘I don’t know what I’ve been thinking about. First to tell you and then to ask you - this. One can’t spy on one’s wife through a friend - and that friend pretend to be her lover.’
‘Oh, it’s not done,’ I said, ‘but neither is adultery or theft or running away from the enemy’s fire. The not done things are done every day, Henry. It’s part of modern life. I’ve done most of them myself.’
He said, ‘You’re a good chap, Bendrix. All I needed was a proper talk - to clear my head,’ and this time he really did hold the letter to the gas flame. When he had laid the last scrap in the ashtray, I said, ‘The name was Savage and the address either 159 or 169 Vigo Street.’
‘Forget it,’ Henry said. ‘Forget what I’ve told you. It doesn’t make sense. I’ve been getting bad headaches lately. I’ll see a doctor.’
‘That was the door,’ I said. ‘Sarah’s come in.’
‘Oh,’ he said, ‘that will be the maid. She’s been to the pictures.’
‘No, it was Sarah’s step.’
He went to the door and opened it, and automatically his face fell into the absurd lines of gentleness and affection. I had always been irritated by that mechanical response to her presence because it meant nothing - one cannot always welcome a woman’s presence, even if one is in love, and I believed Sarah when she told me they had never been in love. There was more genuine welcome, I believe, in my moments of hate and distrust. At least to me she was a person in her own right - not part of a house like a bit of porcelain, to be handled with care.
‘Sarah,’ he called. ‘Sar-ah,’ spacing the syllables with an unbearable falsity.
How can I make a stranger see her as she stopped in the hall at the foot of the stairs and turned to us? I have never been able to describe even my fictitious characters except by their actions. It has always seemed to me that in a novel the reader should be allowed to imagine a character in any way he chooses: I do not want to supply him with ready-made illustrations. Now I am betrayed by my own technique, for I do not want any other woman substituted for Sarah, I want the reader to see the one broad forehead and bold mouth, the conformation of the skull, but all I can convey is an indeterminate figure turning in the dripping macintosh, saying, ‘Yes, Henry?’ and then ‘You?’ She had always called me ‘you’. ‘Is that you?’ on the telephone, ‘Can you? Will you? Do you?’ so that I imagined, like a fool, for a few minutes at a time, there was only one ‘you’ in the world and that was me.
‘It’s nice to see you,’ I said - this was one of the moments of hate. ‘Been out for a walk?’
‘Yes.’
‘It’s a filthy night,’ I said accusingly, and Henry added with apparent anxiety, ‘You’re wet through, Sarah. One day you’ll catch your death of cold.’
A cliché with its popular wisdom can sometimes fall through a conversation like a note of doom, yet even if we had known he spoke the truth, I wonder if either of us would have felt any genuine anxiety for her break through our nerves, distrust, and hate, 2 I cannot say how many days passed. The old disturbance had returned and in that state of blackness one can no more tell the days than a blind man can notice the changes of light. Was it the seventh day or the twenty-first that I decided on my course of action? I have a vague memory now, after three years have passed, of vigils along the edge of the Common, watching their house from a distance, by the pond or under the portico of the eighteenth-century church, on the off-chance that the door would open and Sarah come down those unblasted and well-scoured steps. The right hour never struck. The rainy days were over and the nights were fine with frost, but like a ruined weather-house neither the man nor the woman came out; never again did I see Henry making across the Common after dusk. Perhaps he was ashamed at what he had told me, for he was a very conventional man. I write the adjective with a sneer, and yet if I examine myself I find only admiration and trust for the conventional, like the villages one sees from the high road where the cars pass, looking so peaceful in their thatch and stone, suggesting rest.