For a moment he allowed himself to look at Anna. She performed “The Devil’s Trill” unaccompanied, as Tartini had intended. The first movement was spellbinding-the floating and distant snatches of simple melody, the hints of Baroque ornamentation; the repeated intrusion of the unsettling double-stop of E-flat and G. The Devil’s chord.
Anna played with her eyes closed, her body swaying slightly, as if she were physically drawing sound from her instrument. She was no more than ten feet away from him, but for now Gabriel knew she was lost to him. She belonged to the music now, and whatever bond that had existed between them was broken.
He watched her now as an admirer-and vaguely, he thought, as a restorer. He had helped her to discover the truth about her father and to come to terms with her family’s past. The damage was still there, he thought, but it was concealed, invisible to the naked eye, like in a perfect restoration.
She executed the treacherous chromatic descent at the end of the first movement. Pausing for a moment, she began the second movement. Mischievous and faster-paced, it was full of demanding string crossings that required her hand to move repeatedly from the first position to the fifth and from the E string to the G. Eighteen minutes later, when the third movement dissolved into a final arpeggiated G-minor chord, the audience exploded into applause.
Anna lowered the violin and drew several deep breaths. Only then did she open her eyes. She acknowledged the applause with a slight bow. If she ever looked at Gabriel, he did not know it, because by then he had turned his back to her and was scanning the room, looking for a man with a gun.
39
A STEADY RAIN was falling on the Campo San Rocco. The miserable weather did nothing to dampen the spirits of the large crowd that lingered there after the recital, hoping for one last glimpse of Anna Rolfe. The atmosphere was electrically charged. After performing “The Devil’s Trill,” Anna had been joined onstage by her longtime accompanist, Nadine Rosenberg, for Brahms’s Sonata No. 1 for Violin and Piano in D Minor and Pablo Sarasate’s Zigeunerweisen. The evening’s final piece, Paganini’s demonic solo Caprice No. 24, had brought the audience to its feet.
Anna Rolfe was unaware of the crowd outside. At that moment she was standing in the gallery behind the stage with Zaccaria Cordoni and Fiona Richardson. Fiona was conducting an animated conversation in German on her mobile telephone. Anna was smoking a much-deserved Gitane, trying to come down off the high of the performance. She was still holding the violin. The old Guarneri had been good to her tonight. She wanted it near her a little longer.
Gabriel was standing a few feet away, watching her carefully. Anna caught his eye briefly and smiled. She mouthed the words thank you and discreetly blew him a kiss. Fiona ended her conversation and slipped the telephone into her pocketbook.
“Word travels fast, my dear. You’re going to have a busy winter. Paris, Brussels, Stockholm, and Berlin. And that’s just the first week.”
“I’m not sure I’m really ready to get back on the merry-go-round again, Fiona.”
Zaccaria Cordoni laid a hand on her shoulder. “If I may be presumptuous, you are definitely ready. Your performance tonight was inspired. You played like a woman possessed.”
“Maybe I am possessed,” she said mischievously.
Fiona smiled and glanced toward Gabriel. “You want to tell us about your mysterious Frenchman-the handsome Monsieur Dumont?”
“Actually, what I’d like to do is spend a few minutes alone.”
She walked across the room and took Gabriel’s hand. Fiona and Cordoni watched them walk down the corridor to the dressing room. Fiona frowned.
“Whoever Monsieur Dumont is, I hope he doesn’t break her heart like the others. She’s like fine crystaclass="underline" beautiful but easily broken. And if that bastard breaks her, I’ll kill him.”
ANNA closed the door of her dressing room and collapsed into Gabriel’s arms.
“You were amazing tonight.”
“I couldn’t have done it without you.”
“I just watched over you to make sure nothing happened. You’re the one who made magic.”
“I wish we could celebrate.”
“You’re getting on a plane out of here. And I have a job to do.”
“Was he here tonight?”
“The assassin?”
She nodded, her head pressed against his chest.
“I don’t know, Anna.”
She sat down, suddenly exhausted. On the coffee table in front of her was the case for the Guarneri. She undid the latches and lifted the lid. Inside was a single sheet of paper, folded in half, with Anna written on it.
She looked up at Gabriel. “Did you leave this for me?”
“Leave what?”
“This note in my violin case. It wasn’t here when I left the room to go onstage.”
She reached into the case and picked it up. When she did, an object slipped out. It was a narrow length of leather, and hanging from the end of it was a piece of red coral, shaped like a hand.
GABRIEL reached into the case and removed the pendant, his heart pounding against his ribs. “What does the note say?”
“ ‘You need this more than I do. Tell Gabriel he owes me one. With compliments.’ ”
Drawing his Beretta, he opened the door to the dressing room and looked out. Zaccaria Cordoni spotted him and hurried down the corridor to see what was the matter. Gabriel slipped the Beretta back into his pocket.
“Where’s the man who was outside this door before the recital?”
“What man?”
“The security guard in the burgundy-colored jacket. Where is he now?”
“I have no idea. Why?”
“Because someone came into this room while Anna was onstage.”
“Was any harm done?”
“He left a note.” Gabriel held up the coral charm. “And this.”
“May I see that?”
Gabriel handed the necklace to Cordoni, who turned it over in his hand and smiled.
“You know what that is?”
“Yes, I think I do. It’s harmless.”
“What is it?”
“A long time ago, we Cordonis used to be Corsicans. My great-grandfather came to Italy and started the Venetian branch of the family, but I still have distant relatives living in a valley on the southern end of the island.”
“What does that have to do with the pendant?”
“It’s a talisman, a Corsican good-luck charm. Corsican men wear them. They believe it wards off the evil eye-the occhju, as Corsicans refer to it.” Cordoni handed it back to Gabriel. “Like I said, it’s harmless. Someone was just giving Miss Rolfe a gift.”
“I wish it was that simple.” Gabriel slipped the talisman into his pocket next to the Beretta, then looked at Cordoni. “Where’s the man who was standing outside this door?”
THE Englishman spotted the water taxi bobbing in the Rio di San Polo beneath the shelter of a footbridge. Rossetti’s man sat behind the wheel wearing a hooded anorak. The Englishman boarded the taxi and ducked into the cabin.
Rossetti’s man opened the throttle. The boat grumbled and shuddered, then got under way. A moment later, they were cruising along the Grand Canal at speed. The Englishman rubbed a clear spot in the condensation and looked out at the passing scenery for a few moments. Then he drew the curtains.
He pulled off the black quilted jacket, then removed the burgundy blazer and rolled it into a ball. Ten minutes later, he opened the cabin window and cast the blazer upon the black water of the lagoon.