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“The clinic people said they’d let me see him, and they said they believed he could work some, you know—” He gestured. “Not be—” Again he gestured; it was hard to find words for that, what he was trying to say about his friend.

Glancing at him, Donna said, “You don’t have speech-center damage, do you? In your—what is it called?—occipital lobe.”

“No,” he said. Vigorously.

“Do you have any kind of damage?” She tapped her head.

“No, it’s just . . . you know. I have trouble saying it about those fucking clinics; I hate the Neural-Aphasia Clinics. One time I was there visiting a guy, he was trying to wax a floor—they said he couldn’t wax the floor, I mean he couldn’t figure out how to do it . . . What got me was he kept trying. I mean not just for like an hour; he was still trying a month later when I came back. Just like he had been, over and over again, when I first saw him there, when I first went to visit him. He couldn’t figure out why he couldn’t get it right. I remember the look on his face. He was sure he’d get it right if he kept trying to flash on what he was doing wrong. ‘What am I doing wrong?’ he kept asking them. There was no way to tell him. I mean, they told him—hell, I told him—but he still couldn’t figure it out.”

“The receptor sites in his brain are what I’ve read usually goes first,” Donna said placidly. “Someone’s brain where he’s gotten a bad hit or like that, like too heavy.” She was watching the cars ahead. “Look, there’s one of those new Porsches with two engines.” She pointed excitedly. “Wow.”

“I knew a guy who hot-wired one of those new Porsches,” he said, “and got it out on the Riverside Freeway and pushed it up to one seventy-five—wipe-out.” He gestured. “Right into the ass of a semi. Never saw it, I guess.” In his head he ran a fantasy number: himself at the wheel of a Porsche, but noticing the semi, all the semis. And everyone on the freeway—the Hollywood Freeway at rush hour—noticing him. Noticing him for sure, the lanky big-shouldered good-looking dude in the new Porsche going two hundred miles an hour, and all the cops’ faces hanging open helplessly.

“You’re shaking,” Donna said. She reached over and put her hand on his arm. A quiet hand that he at once responded to. “Slow down.”

“I’m tired,” he said. “I was up two nights and two days counting bugs. Counting them and putting them in bottles. And finally when we crashed and got up and got ready the next morning to put the bottles in the car, to take to the doctor to show him, there was nothing in the bottles. Empty.” He could feel the shaking now himself, and see it in his hands, on the wheel, the shaking hands on the steering wheel, at twenty miles an hour. “Every fucking one,” he said. “Nothing. No bugs. And then I re alized, I fucking realized. It came to me, about his brain, Jerry’s brain.”

The air no longer smelled of spring and he thought, abruptly, that he urgently needed a hit of Substance D; it was later in the day than he had realized, or else he had taken less than he thought. Fortunately, he had his portable supply with him, in the glove compartment, way back. He began searching for a vacant parking slot, to pull over.

“Your mind plays tricks,” Donna said remotely; she seemed to have withdrawn into herself, gone far away. He wondered if his erratic driving was bumming her. Probably so.

Another fantasy film rolled suddenly into his head, without his consent: He saw, first, a big parked Pontiac with a bumper jack on the back of it that was slipping and a kid around thirteen with long thatched hair struggling to hold the car from rolling, meanwhile yelling for assistance. He saw himself and Jerry Fabin running out of the house together, Jerry’s house, down the beer-can-littered driveway to the car. Himself, he grabbed at the car door on the driver’s side to open it, to stomp the brake pedal. But Jerry Fabin, wearing only his pants, without even shoes, his hair all disarranged and streaming—he had been sleeping—Jerry ran past the car to the back and knocked, with his bare pale shoulder that never saw the light of day, the boy entirely away from the car. The jack bent and fell, the rear of the car crashed down, the tire and wheel rolled away, and the boy was okay.

“Too late for the brake,” Jerry panted, trying to get his ugly greasy hair from his eyes and blinking. “No time.”

“ ’S he okay?” Charles Freck yelled. His heart still pounded.

“Yeah.” Jerry stood by the boy, gasping. “Shit!” he yelled at the boy in fury. “Didn’t I tell you to wait until we were doing it with you? And when a bumper jack slips—shit, man, you can’t hold back five thousand pounds!” His face writhed. The boy, lit tle Ratass, looked miserable and twitched guiltily. “I repeatedly and repeatedly told you!”

“I went for the brake,” Charles Freck explained, knowing his idiocy, his own equal fuckup, great as the boy’s and equally lethal. His failure as a full-grown man to respond right. But he wanted to justify it anyhow, as the boy did, in words. “But now I realize—” he yammered on, and then the fantasy number broke off; it was a documentary rerun, actually, because he remembered the day when this had happened, back when they were all living together. Jerry’s good instinct—otherwise Ratass would have been under the back of the Pontiac, his spine smashed.

The three of them plodded gloomily back toward the house, not even chasing the tire and wheel, which was still rolling off.

“I was asleep,” Jerry muttered as they entered the dark interior of the house. “It’s the first time in a couple weeks the bugs let up enough so I could. I haven’t got any sleep at all for five days—I been runnin’ and runnin’. I thought they were maybe gone; they’ve been gone. I thought they finally gave up and went somewhere else, like next door and out of the house entirely. Now I can feel them again. That tenth No Pest Strip I got, or maybe it’s the eleventh—they cheated me again, like they did with all the others.” But his voice was subdued now, not angry, just low and perplexed. He put his hand on Ratass’s head and gave him a sharp smack. “You dumb kid—when a bumper jack slips get the hell out of there. Forget the car. Don’t ever get behind it and try to push back against all that mass and block it with your body.”

“But, Jerry, I was afraid the axle—”

“Fuck the axle. Fuck the car. It’s your life.” They passed on through the dark living room, the three of them, and the rerun of a now gone moment winked out and died forever.

Visit your favorite store to purchase the book.

HOUGHTON MIFFLIN HARCOURT

Footnotes

* Logos is an important concept that litters the pages of the Exegesis. An ancient Greek word with a wide variety of meanings, Logos can mean word, speech, reason (in Latin ratio) or giving an account of something. For Heraclitus, to whom Dick frequently refers, Logos is the universal law that governs the cosmos, of which most human beings are somnolently ignorant. Dick certainly has this latter meaning in mind, but most importantly, Logos refers to the opening of the Gospel of John, which invokes the word that becomes flesh in the person of Christ. The human faculty for the intuition of Logos is nous (or noös, as Dick transliterates it) or “intellection,” which also appears all over the Exegesis. But the core of Dick’s vision is gnostic: it suggests a specifically mystical contact with a transmundane or alien God who is identified with Logos and who can communicate in the form of a ray of light, non-objective graphics, or some other visionary transfer. The novelty of Dick’s gnostic vision is that the divine communicates through information that has a kind of electrostatic life of its own.—SC