* * *
These images, so clumsy and ordinary, filled me with joy: transported into rapture, as if by the sweetness of a ripe peach, I felt as if I were about to lift off from the ground. Outside, now, it was dark; the city’s lights shone in front of sky and sea confused into a single vast endless black surface. I watched the video several times; each time, it stuck in my gaze, nailed all my desires, usually so fluid, to a single blind point before which I found myself transfixed, breathless.
* * *
However, as I rather quickly discovered, this was just a poor sample of a considerable series, mass-produced by a production company a little savvier than the others; yet this knowledge changed nothing, absolutely nothing: these images remained what they were, frozen in the eternal repetition of their so violently human perfection. I no longer left my room, I hardly even moved from my mattress; I could just barely get up when I felt an urgent need. Eating, drinking, they no longer concerned me; of course I was ill, but I had no way of knowing that unless someone told me; but no one came, I stayed there alone in the midst of my funhouse mirrors, which altered not the image they reflected, but the very person who was mirrored. The same friend finally gave me, by telephone, some good advice: “You should go find a doctor.” I had two doctors — thin, stiff women in their long white smocks, one still young and quite attractive, the other much older and more talkative too. “You definitely do not look well,”she said with birdlike gestures.Together,they had me undress, listened to my chest, palpated me, examined the various orifices of my body, with comments that were cryptic to me, but no doubt rich in meaning for them. In the end, I found myself lying on my belly, with the older doctor, who had pulled on latex gloves, delicately parting the cleft of my buttocks, and the two women stood leaning over my anus as if over a well, calmly discoursing on what they saw there. They sent me home with some medicine, somewhat randomly selected I think, and I took it at random too, in the following spirit: if my condition got better, then the remedy was good, and if it got worse, then it was bad.
* * *
Despite my poor health, I still occasionally watched the little film. I had finally realized something: more than the sight of it, which had so absorbed me, it was the sound of this scene that moved me so violently. I made this discovery entirely by chance; by mistake, I had cut the sound on my computer; muted, these images were nothing more than grotesque gesticulations. Whereas all I had to do was close my eyes and listen to the groans, the gasps, the broken, stammered words, the interrupted breathing, to find myself rapt again: a dazzling, almost blinding discovery, this, but limited nonetheless, in that the echo of these sounds, which at first opened the way, itself ended up forming an elusive obstacle, flexible but insuperable; caught in its snare, I found myself once again rejected, brutally returned to myself, and thus everything began all over again, in a crazy whirling that only rooted me deeper in my own impossibility.
* * *
“Come with us!” my friend had called out, peremptorily— how to resist such a command? Thus I found myself with a whole company of people in another city, where a feria was taking place. Jubilation reigned in the streets, borne by a huge crowd, happy and overexcited, maddened as much by the liberties allowed on these few days as by the sun, the alcohol, the laughter, and the disordered jostling of bodies. We walked about aimlessly; whenever we felt like it, we would drink some chilled wine, standing in the street or packed into crowded cafés. Toward evening, my friend announced: “Come, let’s go and see the bullfight.” But I needed a cigar for that, and so I went into the first tobacco shop I saw, where the shopkeeper barked out: “A cigar, sure, but which one? What kind do you want?”—“Whichever you like, as long as it lasts through six bulls.” In the arena, people were crammed into the stone tiers; the ring spread out at our feet, a pale disk surrounded with red by a bright barrier of painted boards. Nothing could trouble its calm orderliness: not the shouts and gesticulations of the crowd, not the music started up by the brass band, not the succession — by turns measured and frenzied — of figures formed and dissolved by the men in glittering costumes around the bull, a black, brutal monster overflowing with vigor, and yet so quickly killed. When the mules dragged away its body, the blood inscribed a long red comma on the sand; men quickly raced forward with rakes to erase it, so that nothing would come to disturb the placid surface that reflected the glory and triumph of the killer of bulls. Everything delighted me, the movements that won roaring ovations as well as those that elicited boos, and I paid as much attention to the long ash on my cigar as to the horn of the animal, appearing and disappearing in the undulating folds of the pink and yellow capes. Already the fifth bull was charging out of the depths of the arena. The man who had to kill it was, apparently, famous for his talent, the purity of his style and of his movements. When the bull stopped, panting, nervous, confused, he provoked it from very far away, almost the opposite side of the red circle, before moving forward with tiny steps, stiff and with his back arched, using his voice and his cape to encourage the animal to charge, which it always ended up doing; then, motionless, feet together and chest proudly flung out, the man would calmly make the animal flow around him, like a current eddying around a rock. I had, of course, had the rules of the game explained to me: nothing required the man to remain in place, to offer his belly or his loins to the horn, so close sometimes that it snagged the gilt decorations on his costume; it was a question of etiquette, which in this affair was everything; wounds or death weren’t taken into consideration. And now the man was getting ready to kill the bull; drawn up onto the tips of his toes, turned sideways, he was aiming his long curved sword at the back of the bull’s neck, straight between the horns of the exhausted animal, doomed but still raging; his left hand with its piece of red flannel crossed in front of his body, he dove straight in; a moment later, he was bouncing on the horns, a limp puppet, a rag doll, grotesque in his beautiful gilt costume, as if he were to remain caught up there forever, while his assistants rushed in shouting and vainly waving their capes. Finally he fell to the ground, the men drove the animal back, others tried to carry away the wounded man; “It’s nothing,” he seemed to say as he got up and grasped the sword held out to him, “it’s nothing.” He returned to stand facing the bull. His face, his hands, his shining outfit were coated in blood; arched back, in profile, he held his sword up with his fingertips, in a perfect triangle with his arm, as if to salute his adversary, and he stared at it with two round, black eyes, empty of all thought except the perfection of the gesture to be repeated, eyes that gazed at the animal to be killed the same way they would have gazed at a mirror. Then he made one swift gesture, and already he was turning his back on the staggering bull, dragged into the ballet of capes thrown under its muzzle, the sword planted to the hilt in its neck; he walked away without turning back, toward the red barrier, as the animal collapsed heavily behind him, its four hooves in the air, pointed at the sky.