“But then she’s fighting you,” I said. “That’s rape.”
“Well, yeah, it’s rape, I guess,” he said. “Call me a sick fucked-up guy, but that’s what I would do. Now my friend Jerry, he’s a ladies’ man. He probably wouldn’t shove it in and start whaling on her. He’d probably eat her out, suck on her tits and all that.”
“But that’s not really right, either,” I said, feeling increasingly confused and unhappy.
“I know,” he said. “Or — maybe he’d just look at her, I don’t know.”
“I suppose it’s all basically equivalent,” I said, thinking out loud. “I mean, unbuttoning one button is just as bad, since it’s done without her say-so. But I don’t really believe that, for some reason. I think there are levels to it. I personally would just undress her.”
“What, undress her and pound your pud, man?” he cried. “You’d just unbutton a few buttons and catch a bit of tit and go, Oh, sorry I had to lay a hand on you, and then you’d fucking masturbate, man? What a waste! I’d fucking jump in there. I’d fucking yank the remote from you and start whaling on her. What’s the difference? As far as I can see there’s no difference between just tearing her clothes off and hammering on her.”
“I guess not, essentially,” I said. A brown and white cab drove slowly by but it didn’t stop. “Still — there she is standing there, in a certain position, not moving. She’s dry! How could you possibly want to fuck her?”
“Easy, I’d just move her arms around, adjust her legs.”
“But, I’m telling you, she’s dry!” I was trying to give him every chance to reconsider and retract.
“All right. Say I see this incredible chick coming out of NAPA.”
“Out of what?” I asked.
“Out of NAPA. Auto parts. I haul her to the alley, I rip her clothes off, and I try to stick it in her, and she’s a little dry, right? Then I notice that there’s some fucking grease in the bag she’s carrying, this tube of axle grease she’s bought for her husband, right? I squeeze some of that on my cock and I fuck her with the help of that, and then I leave her there, and she wakes up, and she goes, What the fuck? Or no, I dress her back up, and I put her back where she was in front of the store, and I take off, and I click the remote, and she’s there on the street, and there’s this tingling in her cunt, and she goes to wipe herself later, and this fucking black grease smears all over her hand, and she thinks, What the fuck is going on here?”
“I don’t understand why you have to haul her off to an alley,” I said. “Why not right there in front of the NAPA store?”
He looked at me as if I was unable to understand the obvious. “I could never do it on the street. I couldn’t do it in public. Even though everyone’s frozen stiff. With my luck, one guy’s eyeball would still be moving around, and he’d see me and he’d be able to give a positive ID. I’d haul her off somewhere secluded and hose the shit out of her until my dick was sore. Then I’d start thinking about some banks.” He got a faraway look, imagining it all. “Ah-hah, but what if I click on the remote while I’m fucking her, so she fights me a little, and she sees my face? What do I do then, huh? What do I do then?”
“You don’t mean you’d kill her, do you?” I said, with some actual horror in my voice. “Are you married?”
“Yeah, I’m married.” On cue, he brought out a family photo of his wife and one blond kid and one infant and displayed it proudly. Then he said, “No, I wouldn’t kill her. Actually you know what? I’d rather be invisible, then I’d jump on the chick and hose her while she was fighting me the whole time. I wouldn’t care, why would I care?”
“That’s rape,” I said again.
“Right,” he said.
“Okay, but now, say it was someone you knew.”
“A chick I knew?”
“Right,” I said. “Someone you really thought was beautiful.”
“Someone I’d always wanted to fuck and she’d turned me down?”
“Okay, yeah,” I said.
“I’d probably kiss her before I hosed the shit out of her. I’d hit the remote and I’d say, ‘You turned me down, but you’re my puppet now.’ ” Then he had a further thought. “No, okay, say if she was a nice girl, a really nice girl. Say I go after her, thinking I’m going to hose her, and I hit the button on the remote and freeze her, and then I’m starting to grab her tit or something, and something comes over me, and I can’t go through with it, even though I want to so bad, and a big tear runs down my face, and I say, ‘I could have had you, but I let you go.’ Right? That would be a real tearjerker. And I take off. But first—mint! — this would be mint! — first I write my phone number on her tit. Right? That’s what I would do in my imagination, but I’m telling you what I would do for real, right? I’d go after somebody I always thought was great-looking, like this chick I know from high school, Christine — her mother is fucking fantastic. Her mother is nice. Yeah, Wheelers’ is probably the first house I’d go to — I’d hose the shit out of Christine’s mother, then I’d hose the shit out of Christine.”
I was distressed by this conversation with the security guard. I felt that he and I were radically different sorts of people (a realization that can be in itself dispiriting, because you want the rest of randomly encountered humanity to be comprehensible), but at the same time I felt that a case could be made for our fundamental likeness, and I really didn’t want to be like him. Morally, I am different from that security guard — no, let’s not mess around: morally, I’m a little better than he is. I am. But I acknowledge that some of the things I have done are — let me just say it — rape-like acts that some observers would condemn more vehemently than they would condemn the security guard’s offhand remote-control fantasies, because I should know better, and because, in my own case, they really happened.
But I mention the security guard, and Arlette the paralegal, and my friend Bill Asplundh, not so as to raise the fretful subject of rape theory. I just want to point out what I think is my own oddity: unlike any of those I questioned, what I want to do, and what I in fact end up doing, in the Fold is to live out my perennial wish to insert some novelty into the lives of women. Arlette wanted to mash her clit-folds into the life of a woman; the security guard wanted to insert his small-minded dick into the lives of women; but I don’t want to be quite that direct. Instead I replace the white chalk in Miss Dobzhansky’s hand with blue; I put the fortune-cookie fortune under one of Joyce’s bottles; I leave the vibrator where the woman in the library can find it. I am still imposing my will on their lives, of course — but I want to arrange things so that they discover my imposition, and I want the imposition, however calculated, to have an element of simulated fortuity. I’m captivated by the simple idea of putting something in the path of a woman, so that she can choose to look at it or read it, or, on the other hand, choose to walk on by. In college I bought four brand-new copies of Kinflicks and left them one by one on a sidewalk near a gingko tree in front of one of the freshman dorms so that women on their way to class would see them and bend to pick them up and take them off with them. (A woman in my own dorm had told me that the book was very “orgasmy”—I hadn’t read it then, and still haven’t.)
Which brings me at last to my own self-published erotica, or “rot.” A while back, while I was lying out in the sun in my yard on a beach towel, I became interested in the idea of using the Fold to have a woman encounter my very own words. Too undisciplined to write simply for the pleasure of writing, I nonetheless felt able to write as long as it served some specific sexual end. At first I imagined hovering at a bookstore a few shelves away from a woman who appealed to me: as she pulled a book off the shelf and began to flip through it (something like Eva Figes’s Light), I would fermate and inscribe dirty messages in the margins, like “I need a big jumping clit under my tongue right now!” Then I’d watch her read my annotation and shake her head with disgust and replace the book. But maybe she wouldn’t replace the book; maybe she would buy the book anyway; maybe she was in fact in the bookstore looking not for a copy of Eva Figes’s Light but for a live nude tongue on her jumping clit; maybe my marginalia would be taken by her as a portent of sexually fructifying times to come.