When the starving peasantry of France were bearing with inimitable fortitude their great bereavement in the death of Louis le Grand, how cheerfully must they have bowed their necks to the easy yoke of Philip of Orleans, who set them an example in eating which he had not the slightest objection to their following. A monarch skilled in the mysteries of the cuisine must wield the sceptre all the more gently from his schooling in handling the ladle. In royalty, the delicate manipulation of an omelette soufflé is at once an evidence of genius, and an assurance of a tender forbearance in state policy. All good rulers have been good livers, and if all bad ones have been the same this merely proves that even the worst of men have still something divine in them.
There is more in a good dinner than is disclosed by the removal of the covers. Where the eye of hunger perceives but a juicy roast, the eye of faith detects a smoking God. A well-cooked joint is redolent of religion, and a delicate pasty is crisp with charity. The man who can light his after-dinner Havana without feeling full to the neck with all the cardinal virtues is either steeped in iniquity or has dined badly. In either case he is no true man. We stoutly contend that that worthy personage Epicurus has been shamefully misrepresented by abstemious, and hence envious and mendacious, historians. Either his philosophy was the most gentle, genial, and reverential of antique systems, or he was not an Epicurean, and to call him so is a deceitful flattery. We hold that it is morally impossible for a man to dine daily upon the fat of the land in courses, and yet deny a future state of existence, beatific with beef, and ecstatic with all edibles. Another falsity of history is that of Heliogabalus-was it not?-dining off nightingales' tongues. No true gourmet would ever send this warbler to the shambles so long as scarcer birds might be obtained.
It is a fine natural instinct that teaches the hungry and cadaverous to avoid the temples of religion, and a short-sighted and misdirected zeal that would gather them into the sanctuary. Religion is for the oleaginous, the fat-bellied, chylesaturated devotees of the table. Unless the stomach be lined with good things, the parson may say as many as he likes and his truths shall not be swallowed nor his wisdom inly digested. Probably the highest, ripest, and most acceptable form of worship is that performed with a knife and fork; and whosoever on the resurrection morning can produce from amongst the lumber of his cast-off flesh a thin-coated and elastic stomach, showing evidences of daily stretchings done in the body, will find it his readiest passport and best credential. We believe that God will not hold him guiltless who eats with his knife, but if the deadly steel be always well laden with toothsome morsels, divine justice will be tempered with mercy to that man's soul. When the author of the "Lost Tales" represented Sisyphus as capturing his guest, the King of Terrors, and stuffing the old glutton with meat and drink until he became "a jolly, rubicund, tun-bellied Death," he gave us a tale which needs no hæc fabula docet to point out the moral.
We verily believe that Shakspeare writ down Fat Jack at his last gasp, as babbling, not o' green fields, but o' green turtle, and that that starvling Colley Cibber altered the text from sheer envy at a good man's death. To die well we must live well, is a familiar platitude. Morality is, of course, best promoted by the good quality of our fare, but quantitative excellence is by no means to be despised. Cæteris paribus, the man who eats much is a better Christian than the man who eats little, and he who eats little will pursue a more uninterrupted course of benevolence than he who eats nothing. On Death and Immortality.
Did it ever strike you, dear reader, that it must be a particularly pleasant thing to be dead? To say nothing hackneyed about the blessed freedom from the cares and vexations of life—which we cling to with such tenacity while we can, and which, when we have no longer the power to hold, we let go all at once, with probably a feeling of exquisite relief-and to take no account of this latter probable but totally undemonstrable felicity, it must be what boys call awfully jolly to be dead.
Here you are, lying comfortably upon your back-what is left of it-in the cool dark, and with the smell of the fresh earth all about you. Your soul goes knocking about amongst an infinity of shadowy things, Lord knows where, making all sorts of silent discoveries in the gloom of what was yesterday an unknown and mysterious future, and which, after centuries of exploration, must still be strangely unfamiliar. The nomadic thing doubtless comes back occasionally to the old grave-if the body is so fortunate as to possess one-and looks down upon it with big round eyes and a lingering tenderness.
It is hard to conceive a soul entirely cut loose from the old bones, and roving rudderless about eternity. It was probably this inability to mentally divorce soul from substance that gave us that absurdly satisfactory belief in the resurrection of the flesh. There is said to be a race of people somewhere in Africa who believe in the immortality of the body, but deny the resurrection of the soul. The dead will rise refreshed after their long sleep, and in their anxiety to test their rejuvenated powers, will skip bodily away and forget their souls. Upon returning to look for them, they will find nothing but little blue flames, which can never be extinguished, but may be carried about and used for cooking purposes. This belief probably originates in some dim perception of the law of compensation. In this life the body is the drudge of the spirit; in the next the situation is reversed.
The heaven of the Mussulman is not incompatible with this kind of immortality. Its delights, being merely carnal ones, could be as well or better enjoyed without a soul, and the latter might be booked for the Christian heaven, with only just enough of the body to attach a pair of wings to. Mr. Solyman Muley Abdul Ben Gazel could thus enjoy a dual immortality and secure a double portion of eternal felicity at no expense to anybody.
In fact, there can be no doubt whatever that this theory of a double heaven is the true one, and needs but to be fairly stated to be universally received, inasmuch as it supposes the maximum of felicity for terrestrial good behaviour. It is therefore a sensible theory, resting upon quite as solid a foundation of fact as any other theory, and must commend itself at once to the proverbial good sense of Christians everywhere. The trouble is that some architectural scoundrel of a priest is likely to build a religion upon it; and what the world needs is theory-good, solid, nourishing theory. Music-Muscular and Mechanical.
One cheerful evidence of the decivilization of the Anglo-Saxon race is the late tendency to return to first principles in art, as manifested in substituting noise for music. Herein we detect symptoms of a rapid relapse into original barbarism. The savage who beats his gong or kettledrum until his face is of a delicate blue, and his eyes assert themselves like those of an unterrified snail, believes that musical skill is a mere question of brawn-a matter of muscle. If not wholly ignorant of technical gymnastics, he has a theory that a deftness at dumb-bells is a prime requisite in a finished artist. The advance-in a circle-of civilization has only partially unsettled this belief in the human mind, and we are constantly though unconsciously reverting to it.
It is true the modern demand for a great deal of music has outstripped the supply of muscle for its production; but the ingenuity of man has partially made up for his lack of physical strength, and the sublimer harmonies may still be rendered with tolerable effectiveness, and with little actual fatigue to the artist. As we retrograde towards the condition of Primeval Man-the man with the gong and kettledrum-the blacksmith slowly reasserts his place as the interpreter of the maestro.
But there is a limit beyond which muscle, whether that of the arm or cheek, can no further go, without too great an expenditure of force in proportion to the volume of noise attainable. And right here the splendid triumphs of modern invention and discovery are made manifest; electricity and gunpowder come to the relief of puny muscle, simple appliance, and orchestras limited by sparse population. Batteries of artillery thunder exultingly our victory over Primeval Man, beaten at his own game-signally routed and put to shame, pounding his impotent gong and punishing his ridiculous kettledrum in frantic silence, amidst the clash and clang and roar of modern art. The Good Young Man.